. . In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own. As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide? A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

    Story of an Electrical Engineer, who finds rural environment more interesting than cities, finds his real interest in Farming and turns a rugged forest land into Farm with his own innovations and about his emotional journey.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    All were acquitted of brutally torturing and killing African-Americans during the most explosive period of the civil rights movement. And all are being murdered in the same way as their victims—hung, burned to death, gutted. Now one district attorney must play a deadly game of cat and mouse as he prosecutes the most wrenching case of his career—and walks a dangerous line between retribution, duty, and revenge…For James Reynolds, Mississippi’s only black deputy district attorney, success is almost enough to heal the pain of growing up during brutal segregation—and ease the recurring, unexplained nightmares he’s had sinc childhood. But he knows this case will be more disturbing than anything he’s ever faced—especially when he discovers a local university class that is exposing the perpetrators of “unsolved” civil rights-era murders. Among the class’s unshakable and most dedicated attendees: Brandon Hamilton, a graduate student as relentless about the truth as he was ferocious on the playing field; and teaching assistant Regina Davis, beautiful, brainy, and ruthlessly calculating. Then there’s their renowned, charismatic instructor, Professor Martin Matheson. The handsome son of a venerated African-American civil rights leader, he exhibits a gift for rhetoric that is gaining him fervent public support…and enabling him to play all too well on Reynolds’s professional and personal vulnerabilities.Amid an overwhelming media blitz and mounting racial tensions, Reynolds must not only confront the secrets he’s run from all these years—but play out a devastating endgame against a killer willing to use the law against itself and go to the most deadly extremes for “justice.”A riveting game of intellectual chess that crescendos into a powerful courtroom confrontation, Blood on the Leaves will leave you disturbed, surprised, and, ultimately, dazzled.

    Ken Richmond hits his breaking point when he puts a gun to his head and pulls the trigger. When his plan misfires—literally—he interprets the failed suicide as his calling to a higher purpose. Fueled by long-simmering hatred, Ken sets out on a murderous mission—but in order to get away with it, he’ll have to leave a trail of blood through the city.Detectives Dick Van Endel and Phil Nelson start chasing Ken toward a special spot in hell. But can the detectives put an end to the fiend’s sprees for good, before more bodies pile up?

    The problem is Geoffrey's a little too delighted with her, and his wife is not happy about it. While Rosamund is in a feverish state from a bout of the flu, she dreams of murdering Lindy — and upon waking is horrified to discover that she has inexplicably disappeared. What could possibly have happened? Was it more than just a terrible nightmare? "A tense situation, ultimately resolved by a beautifully fitting plot twist," declared Anthony Boucher in The New York Times, adding, "Even more memorable than the suspense story is the witty and acute comedy." Celia Fremlin is noted for injecting her fast-paced psychological thrillers with keen observations of domestic life in the London suburbs during the 1960s. Her other novels, also available from Dover Publications, include Uncle Paul, The Trouble Makers, and the Edgar Award–winning classic The Hours Before Dawn.

    After four years of sleeplessness, high school junior Parker Chipp can't take much more. Every night, instead of sleeping, he enters the dreams of the last person he's made eye contact with. If he doesn't sleep soon, Parker will die. Then he meets Mia. Her dreams, calm and beautifully uncomplicated, allow him blissful rest that is utterly addictive. But what starts out as a chance meeting turns into an obsession; Parker's furious desire for what he needs pushes him to extremes he never thought he'd go. And when someone begins to terrorizing Mia with twisted death threats, Parker's memory blackouts leave him doubting his own innocence.

    Such a man was John Lathrop, a minister in the King's church, who, at the peril of his life, fought for religious freedom. This is the astounding biographical account of Lathrop's struggle and his ultimate exile to America. Winner of the National Freedom's Foundation Award

    A detective on the edge of madness. The future of time travel at stake.January Cole’s job just got a whole lot harder.Not that running security at the Paradox was ever really easy. Nothing’s simple at a hotel where the ultra-wealthy tourists arrive costumed for a dozen different time periods, all eagerly waiting to catch their “flights” to the past.Or where proximity to the timeport makes the clocks run backward on occasion—and, rumor has it, allows ghosts to stroll the halls.None of that compares to the corpse in room 526. The one that seems to be both there and not there. The one that somehow only January can see.On top of that, some very important new guests have just checked in. Because the U.S. government is about to privatize time-travel technology—and the world’s most powerful people are on hand to stake their claims.January is sure the timing isn’t a coincidence. Neither are those “accidents” that start stalking their bidders.There’s a reason January can glimpse what others can’t. A reason why she’s the only one who can catch a killer who’s operating invisibly and in plain sight, all at once.But her ability is also destroying her grip on reality—and as her past, present, and future collide, she finds herself confronting not just the hotel’s dark secrets but her own.

    The building is controlled by James, who keeps the residents safe but incarcerated. Behind bricked-up front doors, their every need is serviced; they are pampered but remain prisoners. This suits Eugene just fine. Ravaged by the traumas of his past, the agoraphobic ex-detective has no intention of ever setting foot outside again. But when he finds the Tower’s building manager brutally dismembered, his investigator’s instincts won’t allow him to ignore the vicious crime. What Eugene finds beyond the comfort of his apartment’s walls will turn his sheltered existence upside down. To unravel the Tower’s mysteries, he must confront James... and James takes his role as the Warden very, very seriously.Jon Richter is also the critically-acclaimed author of the psychological thrillers Rabbit Hole and Never Rest. The Warden is a mind-blowing crime thriller perfect for our times and a book that will appeal to fans of Black Mirror.

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    The first of a cycle of novels set in a shared universe.It began with a comet. When it came into view on a close pass by Earth, people took off work, gathering on sidewalks and in parking lots to watch it burn by. One year later, Earth spun into the debris field the comet left behind. Minnesota seemed to bear the brunt of the damage: meteors annihilated barns and silos, cratered pastures and hardwood forests, tore up county highways, and evaporated one small town in an instant. At first, it seems to be a disaster. Until the people of Minnesota notice deposits of unusual metal in the comet's debris. Not gold, silver, copper, tin, iron or any of the noble metals, it's a previously unknown ninth metal: omnimetal. With high-density charging capabilities and conductive properties that can change the world as an energy source, the deposit might be the best thing that ever happened to the northern section of the state, where the economy has been dying for a long time. Or it might be the worst. It is then that the "gold rush" begins. Farmers sell their metal-rich land for millions. Comet-worshipping cults set up compounds and repeat the phrase "Metal is" as their mantra. Roughnecks flood the town, hungry for work and trouble. Prostitutes flourish. Businesses rise. Families are divided. Saudis bid against the Chinese on land grabs. Bodies lie in shallow graves. As witnessed when oil was discovered in the Bakken Formation of North Dakota, the heartland in our story goes from the middle of nowhere to the center of everything. And one family--the Frontiers--hopes to control it all.

    Higgins, Patricia Highsmith, and David Mamet. Rick and Frank are recovering addicts and accomplished house thieves whose partnership extends beyond their professional lives. They do not steal randomly - - they steal according to order, hired by a mysterious handler who assigns the work to them. The jobs run routinely until they're tasked with breaking into a home and taking a seemingly worthless trophy: an object that generates interest and obsession out of proportion to its apparent value.Just as the robbery is completed, the two are involved in a freak car accident that sets off a chain of events and Frank disappears with the trophy. As Rick tries to find Frank, and the missing haul, he is forced to confront his past, upending both his livelihood and his sense of reality. The narrative builds steadily into a powerful and satisfyingly shocking climax. Reveling in its con-artistry and double-crosses, Just Thieves is a nail-biting, eerily existential and noirish exploration of the working lives of two unforgettable crooks and the hidden forces that rule and ruin their lives.

    When an inexplicable outbreak rapidly develops, this idyllic town becomes the epicenter of an epidemic of violence as the teenaged children of several executives from the local biotech firm become ill and aggressively murderous. Suddenly the town is on edge, and Lucy and her friends must do everything it takes just to fight through the night.

    Taking as territory everything from the Big Bang to the rise of civilization, Bryson seeks to understand how we got from there being nothing at all to there being us. To that end, he has attached himself to a host of the world’s most advanced (and often obsessed) archaeologists, anthropologists, and mathematicians, travelling to their offices, laboratories, and field camps. He has read (or tried to read) their books, pestered them with questions, apprenticed himself to their powerful minds. A Short History of Nearly Everything is the record of this quest, and it is a sometimes profound, sometimes funny, and always supremely clear and entertaining adventure in the realms of human knowledge, as only Bill Bryson can render it. Science has never been more involving or entertaining.