She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . . Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

     Natalie’s last summer in her small Kentucky hometown is off to a magical start... until she starts seeing the “wrong things.” They’re just momentary glimpses at first—her front door is red instead of its usual green, there’s a pre-school where the garden store should be. But then her whole town disappears for hours, fading away into rolling hills and grazing buffalo, and Nat knows something isn’t right. That’s when she gets a visit from the kind but mysterious apparition she calls “Grandmother,” who tells her: “You have three months to save him.” The next night, under the stadium lights of the high school football field, she meets a beautiful boy named Beau, and it’s as if time just stops and nothing exists. Nothing, except Natalie and Beau. Emily Henry’s stunning debut novel is Friday Night Lights meets The Time Traveler’s Wife, and perfectly captures those bittersweet months after high school, when we dream not only of the future, but of all the roads and paths we’ve left untaken.

    She’s got the modern-print rugs of Metropolitan Home, the elegant meals from Gourmet, the clutter-free closets out of Real Simple, and the elaborate Easter egg hunts seen in Parents. With her successful investment banker husband behind the wheel and her cherubic eighteen-month-old in the backseat, hers could be the family in the magazines’ glossy Range Rover ads. Yet somehow all of the how-to magazine stories in the world can’t seem to fix her faltering marriage, banish the tedium of days spent changing diapers, or stop her from asking, “What if?” Then one morning Jillian wakes up seven years in the past. Before her daughter was born. Before she married Henry. Suddenly she’s back in her post–grad school Ikea-furnished Manhattan apartment. She’s back in her fast-paced job with the advertising agency. And she’s still with Jackson, the ex-boyfriend and star of her what-if fantasies.Armed with twenty-twenty hindsight, she’s free to choose all over again. She can use the zippy ad campaigns from her future to wow the clients and bosses in her present. She can reconnect with the mother who abandoned her so many years before. She can fix the fights at every juncture that doomed her relationship with Jackson. Or can she? With each new choice setting off a trajectory of unforeseen consequences, Jillian soon realizes that getting to happily ever after is more complicated than changing the lines in her part of the script. Happiness, it turns out, isn’t an either-or proposition. As she closes in on all the things she thought she wanted, Jillian must confront the greatest what-if of all: What if the problem was never Henry or Jackson, but her? Sharp, funny, and heartwarming, Time of My Life will appeal to anyone who has ever wanted to redo the past and will leave readers pondering, “Do we get the reality we deserve?”

    They wish to preserve their cherished way of life but come to discover that in order to preserve their culture, they may have to change it forever. Now a man and a woman from these two clashing societies must work together to save this vanishing race—and end up uncovering ancient mysteries with far-reaching ramifications. As their mission hangs in the balance, this unlikely team—one cool and cerebral, the other fiery and impulsive—just may find in each other their own destinies . . . and a force that transcends all.

    If they are awakened, and the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent; and while they sleep they go to another place. The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease. Is Evie a medical anomaly to be studied, or is she a demon who must be slain?

    The next target of a time traveling killer, crime reporter Jane Colby finds herself in the hands of a warlord from the future sent to protect her--and in his hands is just where she wants to be.

    She has agreed to continue their fractured relationship on the condition he enter The Fortress for one year.Jonathon is utterly unprepared for what will happen to him over the course of the year – not only to his body, but his mind and his heart.This absorbing, confronting and moving novel asks questions about consent, power, love and fulfilment. It asks what it takes for a man to change, and whether change is possible without a radical reversal of the conditions that seem normal.

    So when a mysterious benefactor from her past shows up demanding she rescue a man from slavers, her first reaction is to run for the hills. Unfortunately, she did promise to repay the loan. But she didn't think it would involve tangling with pirates over a space elf prince...Book 1 of the Her Instruments trilogy is a rollicking adventure set in the expansive Pelted universe, and kicks off an epic space opera series where the fate of worlds hangs in the balance. Fans who enjoyed Firefly or Andromeda will like this series. Rating: PG-13 for violenceTags: found family, woman protagonist, minority/POC protagonist, adventure, space opera, romance, furries, space elves

    Two worlds. The chains of command only stretch so far. He’s a conduit to alien invasion. A security threat. To the same country he swore to defend from its enemies. Enemies both foreign and domestic. Hard to tell the difference once his growing powers unleash the ancient truth. Time to go rogue.Niall Kearey is US Air Force. Special Forces. His job to save lives. On Earth. Not on Astereal, a world across the universe. He’s not insane. Except the hazy threads of a childhood dream keep intruding on his life. Creating havoc. The reason he’s alive beyond all reasonable expectations. And now these aliens won’t be denied. To the humanoid telepaths of Astereal, Niall’Kearey is legend, a military leader in a war dating back to ancient times. Now dark stars are tearing Astereal apart and prophecy says he can save them. From an apocalypse.On Earth, Niall’s growing psychic abilities have attracted unwanted attention, exposing his family to danger. A rescue attempt results in catastrophe. His secret is out and his life shattered. Then, with alien invasion a real threat, the US government designates him a security risk as a secret political conspiracy seeks to control both him and this first contact with extra-terrestrials.Niall is torn between protecting his loved ones, saving an alien race, and his duty to Earth, but when history opens his eyes to the full potential of his latent powers, he finally confronts the disturbing scale of his dilemma. It’s time to go rogue. The mission? Human survival.

    Baconians are trying to convince the world that Francis Bacon really wrote Shakespeare, there are riots between the Surrealists and Impressionists, and thousands of men are named John Milton, an homage to the real Milton and a very confusing situation for the police. Amidst all this, Acheron Hades, Third Most Wanted Man In the World, steals the original manuscript of Martin Chuzzlewit and kills a minor character, who then disappears from every volume of the novel ever printed! But that's just a prelude . . .Hades' real target is the beloved Jane Eyre, and it's not long before he plucks her from the pages of Bronte's novel. Enter Thursday Next. She's the Special Operative's renowned literary detective, and she drives a Porsche. With the help of her uncle Mycroft's Prose Portal, Thursday enters the novel to rescue Jane Eyre from this heinous act of literary homicide. It's tricky business, all these interlopers running about Thornfield, and deceptions run rampant as their paths cross with Jane, Rochester, and Miss Fairfax. Can Thursday save Jane Eyre and Bronte's masterpiece? And what of the Crimean War? Will it ever end? And what about those annoying black holes that pop up now and again, sucking things into time-space voids . . .Suspenseful and outlandish, absorbing and fun, The Eyre Affair is a caper unlike any other and an introduction to the imagination of a most distinctive writer and his singular fictional universe.

    They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers--chosen male descendants of the original ten--are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly--they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others.Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing.Gather The Daughters is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.

    That's why he's been hired to descend into the Nightside, an otherworldly realm in the center of London where fantasy and reality share renting space and the sun never shines.

    And off the air, Billie and Spike are falling in love. What will happen when their story combines with the world's story.

    Its streets are lined with haunted ruins, Notre-Dame is a burnt-out shell, and the Seine runs black with ashes and rubble. Yet life continues among the wreckage. The citizens continue to live, love, fight and survive in their war-torn city, and The Great Houses still vie for dominion over the once grand capital.House Silverspires, previously the leader of those power games, lies in disarray. Its magic is ailing; its founder, Morningstar, has been missing for decades; and now something from the shadows stalks its people inside their very own walls.Within the House, three very different people must come together: a naive but powerful Fallen, a alchemist with a self-destructive addiction, and a resentful young man wielding spells from the Far East. They may be Silverspires’ salvation. They may be the architects of its last, irreversible fall…

    She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.