In 1869, the Dugan siblings board an orphan train in upstate New York. Adopted by different families at separate stops along the train’s westward journey, Clay, Zoe, and Drew vow to find one another as soon as they can, but tragic circumstances conspire against them.   Clay avenges the brutal murder of his foster parents and becomes one of the most feared bounty hunters in the West. Raped by her new father, Zoe gives birth to a daughter whose vivid blue birthmark portends the gift of second sight. And Drew, abandoned in the desert by a religious fanatic, is rescued by renegade Apache brothers and falls in with a crowd of murderers, prostitutes, and bank robbers.   When fate finally reunites the siblings, Zoe enlists Clay and Drew in a plot against a ruthless Colorado gold magnate bent on stealing her fortune. Decades spent practicing the art of survival have taught the Dugans that the odds are always stacked against them—but if they stopped to consider the odds, they would have been dead long ago.   Hailed by the Chicago Tribune as a “great page-turning, stay-up-late-into-the-night-saga” and ideal for fans of Larry McMurtry and Cormac McCarthy, Power in the Blood takes readers on an epic journey into the dark heart of the American frontier.

    Edmund Tudor, Earl of Richmond, takes his child bride into Wales where she discovers a land of strife and strangers. At Caldicot Castle and Lamphey Palace Margaret must put aside childhood, acquire the dignity of a Countess and, despite her tender years, produce Richmond with a son and heir. While Edmund battles to restore the king’s peace, Margaret quietly supports his quest; but it is a quest fraught with danger. As the friction between York and Lancaster intensifies 14-year-old Margaret, now widowed, turns for protection to her brother-in-law, Jasper Tudor. At his stronghold in Pembroke, two months after her husband’s death, Margaret gives birth to a son whom she names Henry, after her cousin the king. Margaret is small of stature but her tiny frame conceals a fierce and loyal heart and a determination that will not falter until her son’s destiny as the king of England is secured. The Beaufort Bride traces Margaret’s early years from her nursery days at Bletsoe Castle to the birth of her only son in 1457 at Pembroke Castle. Her story continues in Book Two: The Beaufort Woman.

    And some of those people have secrets worth hiding, secrets that can change the future–assuming there is one. . . .André Deschênes is a hired assassin, but he wants to be so much more. If only he can find a teacher who will forgive his murderous past–and train him to manipulate odds and control probability. It’s called the art of conjuring, and it’s André’s only route to freedom. For the world he lives on is run by the ruthless Charter Trade Company, and his floating city, Novo Haven, is little more than a company town where humans and aliens alike either work for one tyrannical family–or are destroyed by it. But beneath Novo Haven’s murky waters, within its tangled bayous, reedy banks, and back alleys, revolution is stirring. And one more death may be all it takes to shift the balance. . . .

    Unsurpassed as a field guide for its authoritative information on collection and medicinal preparation. Focuses on the plant life of rocky and arid lands of the West, and includes detailed information on the preparation and use of these vital herbs.

    This title features lives of four driven men and independent women who are drawn to a common destiny that beckons seductively from the wild and remote flanks of the American West.

    But on the eve of her return from bonding a wind spirit, a night that should have been a celebration, she finds instead that her father has come to take her home. Now, Miranda must choose between her duty to her family and her future at the Spirit Court. But while she's trying to make her parents see reason and avoid an arranged marriage to a man she can't stand, she stumbled across the one one spirit who needs her more than any other, a caged ghosthound who doesn't want her help. To save him, Miranda will have to earn the dog's trust, but what she gets in return is a friendship deeper than anything she expected. Word Count ~ 19,000

    Even if he's your boss's smoking hot twin brother.   Nikki Carson is ready for a repeat after she spent the hottest Halloween of her life with Patrick Nolan. True, he hasn't acknowledged that night since, but maybe he just needs a delicious reminder of how good they were together.   Up against the wall. On the floor. Anywhere at all.   Patrick Nolan isn't afraid of a hard day's work, unlike his polished, sophisticated twin brother, Easton. Naturally, Nikki must've thought she was sleeping with her rich boss, not Patrick. Why else wouldn't she have said something over the past year?   Unless she needs some help remembering which Nolan twin made her moan…and scream. And Patrick is the right man for the job. Author’s note: Bad Kitty was originally released by Cari Quinn in 2011.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    She begged to be allowed to go along, thus setting the pattern of her future life. From that time on, she accompanied General Custer on all of his major assignments, aside from the summer Indian campaigns—"the only woman," she said, "who always rode with the regiment."Her story, told by herself, is an absorbing adventure. Moreover, there is a added bonus—a gentle, loving portrait of George Armstrong Custer, husband and man, by the person who knew him best, his wife. Her absolute devotion to him is revealed in every line of her account, which ends, appropriately enough, with the day on which she received the news of the disaster at the Little Big Horn.

     This is her own story in her own words, as she witnesses savagery after savagery, hoping only to stay alive to reunite with her beloved child and husband. A real-life abduction story that to our modern ears sounds almost manufactured, this edition, with illustrations & photographs never in any other edition, plus new chapters on other Sioux depravities of that time, like the macabre "Scalp Dance", will enlighten as well as horrify. If you only read one captivity narrative this is the one to read.

    Now, in West of Everything, Tompkins shows how popular novels and films of the American west have shaped the emotional lives of people in our time. Into this world full of violence and manly courage, the world of John Wayne and Louis L'Amour, Tompkins takes her readers, letting them feel what the hero feels, endure what he endures. Writing with sympathy, insight, and respect, she probes the main elements of the Western--its preoccupation with death, its barren landscapes, galloping horses, hard-bitten men and marginalized women--revealing the view of reality and code of behavior these features contain. She considers the Western hero's attraction to pain, his fear of women and language, his desire to dominate the environment--and to merge with it. In fact, Tompkins argues, for better or worse Westerns have taught us all--men especially--how to behave. It was as a reaction against popular women's novels and women's invasion of the public sphere that Westerns originated, Tompkins maintains. With Westerns, men were reclaiming cultural territory, countering the inwardness, spirituality, and domesticity of the sentimental writers, with a rough and tumble, secular, man-centered world. Tompkins brings these insights to bear in considering film classics such as Red River and Lonely Are the Brave, and novels such as Louis L'Amour's Last of the Breed and Owen Wister's The Virginian. In one of the most moving chapters (chosen for Best American Essays of 1991), Tompkins shows how the life of Buffalo Bill Cody, killer of Native Americans and charismatic star of the Wild West show, evokes the contradictory feelings which the Western typically elicits--horror and fascination with violence, but also love and respect for the romantic ideal of the cowboy. Whether interpreting a photograph of John Wayne of meditating on the slaughter of cattle, Jane Tompkins writes with humor, compassion, and a provocative intellect. Her book will appeal to many Americans who read or watch Westerns, and to all those interested in a serious approach to popular culture.

    

    In HAMMERTOWN, poet Peter Culley re-imagines his home town of Nanaimo, British Columbia, not as it is, but as it might be imagined in the mind of a Parisian who had rarely left his city. This is Culley's fifth book of poetry.