And, for better or worse, I 'jotted' them down. It was only later, when perhaps I received an angry letter from someone, that it struck me: Hey! Someone's been reading my diary!"Gary Larson, from the preface to The Complete Far SideRevered by its fans as the funniest, most original, most "What the ... ?"-inspiring cartoon ever, The Far Side® debuted in January 1980 and enjoyed an illustrious 14 years on the worlds comics pages until Gary Larson's retirement in 1994. The Complete Far Side celebrates Gary's twisted, irreverent genius in this ultimate Far Side book, a lavish production, which takes its place alongside collector's-edition art books.A masterpiece of comic brilliance, The Complete Far Side contains every Far Side cartoon ever syndicated over 4,000 if you must know presented in (more or less) chronological order by year of publication, with more than 1,100 thathave never before appeared in a book. Also included are additional Far Side cartoons Larson created afterhis retirement: 13 that appeared in the last Far Side book, Last Chapter and Worse, and six cartoons that periodically ran as a special feature in The New York Times Science Times section as The Far Side of Science.Creator Gary Larson offers a rare glimpse into the mind of The Far Side®in quirky and thoughtful introductions to each of the 14 chapters. Complaint letters, fan letters, and queries from puzzled readers appear alongside some of the more provocative or elusive panels. Actor, author,and comedian Steve Martin offers his pithy thoughts in a foreword, and GaryLarson's former editor describes what it was like to be "the guy who could explain every Far Side cartoon."The Complete Far Side © 2003 by FarWorks, Inc. All Rights Reserved. The Far Side ® and the Larson ® signature are registered trademarks of FarWorks, Inc.

    It follows a lonely creature called Rice Boy and an ageless machine-man called The One Electronic as they journey through a strange world to fulfill an ancient prophecy with implications few understand.This book contains the entire comic as originally published online, and extra maps and things in the appendix.

    What is the squirrel machine? Is it a rodent ensnarement device? A mechanism for concealing one’s guarded harvest? An anachronistic fable? A meaningless diversion? Set in a fictional 19th Century New England town, the narrative initially details the relationship and maturation of Edmund and William Torpor. But the two brothers quickly elicit the scorn and recrimination of an unamused public when they reveal their musical creations built from strange technologies and scavenged animal carcasses. Driven to seek a concealment for their aberrant activities, they make a startling discovery. Perhaps they will divine the mystery of the squirrel machine. What is The Squirrel Machine? An immutably strange and haunting narrative that transcends known logics and presumptive dream-barriers; A distillation of subconscious beauty and inspired madness; A dangerous object for the incautious; A revelation for the undernourished crypto-seeker; The virgin caress of unconsummated apocalypse; The unspeakable thing that you always knew. It’s also the longest and most ambitious graphic novel by legendary obscurantist cartoonist Hans Rickheit, 200 pages of exquisitely rendered pictorial narrative. Meticulous, strange, and hauntingly beautiful, this enigmatic work will ensure the inquisitive reader a spleenful of cerebral serenity that will take exposure to vast quantities of mediocrity to dispel. 192 b&w illustrations.

    DeMatteis & Jon J. Muth Collecting both the original run of Moonshadow and its sequel, Farewell Moonshadow in a single paperback volume. Journey from the farther reaches of outer space to the starry skies of the inner spirit as the young dreamer, Moonshadow, and his cynical alien companion, ira, set forth on the unforgettable intergalactic odyssey that science-fiction great Ray Bradbury called beautiful, original, haunting. Mature Readers. SC, 7x10, 464pg., FC

    As Jacob grew up, though, he decided that these photos were obvious fakes, simple forgeries designed to stir his youthful imagination. Or were they...?Following his grandfather's death - a scene Jacob literally couldn't believe with his own eyes - the sixteen-year-old boy embarks on a mission to disentangle fact from fiction in his grandfather's tall tales. But even his grandfather's elaborate yarns couldn't prepare Jacob for the eccentricities he will discover at Miss Peregrine's Home for Peculiar Children!

    In the rapidly converging landscape of the 21st century Major Kusanagi is charged to track down the craftiest and most dangerous terrorists and cybercriminals, including ghost hackers When he track the trail of one hacker, her quest leads her to a world she could never have imagined.

    Unfortunately, what he uncovers along the way could bring about the end of life on Earth as we know it. Collects OUTCAST BY KIRKMAN & AZACETA #1-6.

    When a young couple goes looking for an anti-government paradise in the desert they may have found more than they bargained for.

    Rochester.

    Have you ever wondered what goes on in your life when you're looking the other way? Perhaps you're so drawn into what's going on with you that you fail to notice the events taking place in your preiphery - or even right under your nose? In Everything We Miss, Luke Pearson explores the dying days of a failing relationship through the infinitesimal unseen moments tht surround it - and us.

    [M]agenta. [Y]ellow. Blac[K].From these basic building blocks, the entire spectrum of comic book coloring is formed. Now the medium is returning the favor.Building on the innovative tradition that has made it one of comics’ most cutting-edge imprints, Vertigo is proud to present CMYK — a bold new anthology of original stories from dozens of the art form’s greatest creators. The short graphic fiction collected here all originates with the four process colors of comics printing, but where they go from there is as unbounded as imagination itself.In these pages, the glacial glow of cyan bathes alien worlds and wintry city streets; the vivid splash of magenta highlights the hair of outcasts and the evil of demons; the bright light of yellow shines on old worlds ending and new lives beginning; and the enveloping void of black offers both despair and liberation.The stunning stories and breathtaking visions of CMYK will forever color your perception of what comics can do!Featuring work by Gene Luen Yang, Jeff Lemire, Gerard Way, Amy Chu, Jock, Fabio Moon, Francesco Francavilla, Bill Sienkiewicz and many more!Collecting: Vertigo Quarterly: Cyan, Magenta, Yellow, & Black

    An adaptation of the original by Jane Austen that tells of Lizzy Bennet and her loveable, eccentric family as they navigate through tricky British social circles.

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea