H recalls when he himself was sixteen—his godson’s age—as they search for the site of H’s life-altering friendship with a boy named Finn. Finn lives alone on an isolated slip of land and follows no rules: he spends his days swimming, fishing, and collecting driftwood for his tiny beach hut. H, on the other hand, is an upper-class boarding school boy stifled by monotony and endless rules. They meet by chance on the beach, and H is immediately awed by (and jealous of) Finn’s way of life. They strike up an unlikely friendship but the gap between their lives becomes difficult to bridge, and before long the idyll that nurtured their relationship is shattered by heart-wrenching scandal. Meg Rosoff was formerly a YA author, but her work transcends categorization and we are delighted to bring it to adult readers for the first time. What I Was is a timeless, enthralling story destined to become a classic.

    I managed not to crash into him. I tried to look calm, cool, unperturbed. I told myself not to laugh, especially not a snorting kind of laugh. "Wha . . . what did . . ."And then he kissed me.Charlotte (Charlie to her friends) finds herself falling for a boy who is off-limits. Her best friend is in love with him, and her mother and his father are dating. Still, Charlie can't help but wonder, what would happen if we kiss?

    And then cases start being reported in the Pacific Northwest. Schools, churches, and theaters shut down. The entire city is thrust into survival mode--and into a panic. Headstrong and foolish, seventeen-year-old Cleo is determined to ride out the pandemic in the comfort of her own home, rather than in her quarantined boarding school dorms. But when the Red Cross pleads for volunteers, she can't ignore the call. As Cleo struggles to navigate the world around her, she is surprised by how much she finds herself caring about near-strangers. Strangers like Edmund, a handsome medical student and war vet. Strangers who could be gone tomorrow. And as the bodies begin to pile up, Cleo can't help but wonder: when will her own luck run out?Riveting and well-researched, A Death-Struck Year is based on the real-life pandemic considered the most devastating in recorded world history. Readers will be captured by the suspenseful storytelling and the lingering questions of: what would I do for a neighbor? At what risk to myself?An afterword explains the Spanish flu phenomenon, placing it within the historical context of the early 20th century. Source notes are extensive and interesting.

    or split them apart. But as the weeks pass and the instant messages accumulate, it's clear that tenth grade will be a roller coaster ride of boy temptation, math torture, donut emergenices, and Queen Bee encounters.Then a jerky boy sends peppy Angela into the dumps, tough Maddie makes a mistake that has the whole school talking, and good girl Zoe gets in over her head with a flirty teacher. Will the winsome threesome make it through the year?

    (Ages 12+)It's 1895, and after the suicide of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's been followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls—and their foray into the spiritual world—lead to?

    Timid, scrawny Willie Beech -- the abused child of a single mother -- is evacuated to the English countryside. At first, he is terrified of everything, of the country sounds and sights, even of Mr. Tom, the gruff, kindly old man who has taken him in. But gradually Willie forgets the hate and despair of his past. He learns to love a world he never knew existed, a world of friendship and affection in which harsh words and daily beatings have no place. Then a telegram comes. Willie must return to his mother in London. When weeks pass by with no word from Willie, Mr. Tom sets out for London to look for the young boy he has come to love as a son.

    It's no wonder John writes articles like "Interview with the Stepfather" and "Memoirs from Hell." The only release he finds is in homemade zines like the amazing Escape Velocity by Marisol, a self-proclaimed "Puerto Rican Cuban Yankee Lesbian." Haning around the Boston Tower Records for the new issue of Escape Velocity, John meets Marisol and a hard love is born.While at first their friendship is based on zines, dysfunctional families, and dreams of escape, soon both John and Marisol begin to shed their protective shells. Unfortunately, John mistakes this growing intimacy for love, and a disastrous date to his junior prom leaves that friendship in ruins. Desperately hoping to fix things, John convinces Marisol to come with him to a zine conference on Cape Cod. On the sandy beaches by the Bluefish Wharf Inn, John realizes just how hard love can be.With keen insight into teenage life, Ellen Wittlinger delivers a story of adolescence that is fierce and funny — and ultimately transforming — even as it explores the pain of growing up.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    Her stuffy father and her opressive aunt Louisa allow her only one outlet: ballet. When a Russian ballet master comes to class searching for dancers to fill the corps of his ballet company before their South American tour, Harriet's world changes. Defying her father's wishes and narrowly escaping the clutches of the man who wishes to marry her, Harriet sneaks off to join the ballet on their journey to the Amazon. There, in the wild, lush jungle, they perform Swan Lake in grand opera houses for the wealthy and culture-deprived rubber barons, and Harriet meets Rom Verney, the handsome and mysterious British exile who owns the most ornate opera house. Utterly enchanted by both the exotic surroundings and by Rom's affections, Harriet is swept away by her new life, completely unaware that her father and would-be fiancé have begun to track her down...

    With a distinct lack of boobage and an arse so big that birds of prey could nest within its shadows, Jess Jordan is saddled with the Goddess Flora for a best friend, a Britney Spears look-alike so gorgeous that one grain of her divine dandruff could make the blind see again. Jess knows that her soul mate is Ben Jones, a divine mixture of Leonardo diCaprio, Prince William, and Brad Pitt who oozes mystery and charisma. But the campaign to get Ben to notice her brings on a cavalcade of mortification and disaster, including, but not limited to, a minestrone soup explosion that takes place in her bra and a schoolwide viewing of a videotape that features a topless Jess referring to her breasts as “Bonnie” and “Clyde.”Meanwhile, Jess’s death-obsessed Granny moves into her bedroom, along with her grandfather’s remains; her hypochondriac dad, who sends her daily “horrorscopes” like “You will fall asleep with your mouth open, and a family of earwigs will move in,” acts strange about Jess staying with him this summer; and her longtime friend Fred, a television violence addict and closet thumbsucker, has decided that he can’t stand being around her. Jess is determined to make things right . . . but with her offbeat sense of humor and her wildly active imagination, things get complicated along the way.

    Haunted by the memory of her boyfriend’s death, she lives her life by one dangerous rule: Nothing matters. At least, that’s what Frankie tells herself after a reckless mistake forces her to leave her privileged life in the Heights to move in with her dad—an undercover cop. She transfers to a public high school in the Downs, where fistfights don’t faze anyone and illegal street racing is more popular than football.Marco Leone is the fastest street racer in the Downs. Tough, sexy, and hypnotic, he makes it impossible for Frankie to ignore him—and how he makes her feel. But the risks Marco takes for his family could have devastating consequences for them both. When Frankie discovers his secret, she has to make a choice. Will she let the pain of the past determine her future? Or will she risk what little she has left to follow her heart?

    Nearly a century after its passing, the storm remains the standard against which the ferocity and destructiveness of all others are measured. Twothirds of Galveston's buildings were washed away at a cost that was never fully calculated. More than 6,000 people were killed. And in the collective memory of a region where depredations by wind and water are accepted as part of life, the weekend of September 8, 1900, is the ultimate example of the terror and violence a hurricane can bring. John Edward Weems's account of the Galveston hurricane was written more than six decades ago, when many of the survivors were still living and available for interviews. This book is based on numerous conversations and correspondence with these survivors as well as a careful examination of contemporary documents and news reports. In direct, economical prose Weems recreates that fateful weekend as experienced by those who actually were there. The result is a narrative that develops a pace and force as irresistible as the hurricane that inspired it, and a work that is a model of historical reportage.

    Harper Waddle, Sophie Bushell, and Kate Foster are about to commit the ultimate suburban sin--bailing on college to each pursue their dreams: write the next Great American Novel, make it as a Hollywood actress, and backpack around the world. Middlebury-bound Becca Winsberg is convinced her friends have gone insane...until they remind her she just might have a dream of her own. So what if their lives are bass ackwards and belly up? They'll always have each other. Harper is going to be the next Jane Austen. Or Sylvia Plath. Or Plum Sykes. Figuring out which should be easy. It?s living with the lie she told her three best friends that?s going to be hard.Kate doesn?t know exactly what she wants. But whatever it is, she won?t find it at Harvard. Maybe the answer is in Paris, or Athens? or anywhere Kate can be someone besides the girl with perfect grades, perfect hair, and the perfect boyfriend.Sophie is a star. She?s already got the looks, the talent, and a list of demands for her dressing room. Now that she?s wrangled a furnished guesthouse in Beverly Hills, it?s only a matter of time before she?s discovered. Unless she isn?t.Becca is dysfunctional. At least, her family is. Which is why she can?t wait to flee the drama and get to college. But Becca?s friends know she needs more than a spot on the Middlebury ski team and a cozy dorm room. They know she needs to fall in love.Dreams are complicated. They almost never turn out like you imagine?they almost always change. Sometimes, they change you.

    But her world is turned upside down by three refugees, all hiding from life. Anthony is fourteen, already an outcast, bullied and shunned by his peers. Farid is an asylum seeker from Afghanistan, who has traveled across continents seeking peace. And Gordon Craig is a bitter, lonely old man. She knows all of them, but she doesn't know how dangerous they are. Being part of their lives could cost Imogen her own. Supercharged with tension and drama, this novel explores what happens when the fabric of normality is ripped apart, exposing the terrifying dark beneath.

    Anne Shirley, an eleven-year-old orphan, has arrived in this verdant corner of Prince Edward Island only to discover that the Cuthberts—elderly Matthew and his stern sister, Marilla—want to adopt a boy, not a feisty redheaded girl. But before they can send her back, Anne—who simply must have more scope for her imagination and a real home—wins them over completely. A much-loved classic that explores all the vulnerability, expectations, and dreams of a child growing up, Anne of Green Gables is also a wonderful portrait of a time, a place, a family… and, most of all, love. WITH AN AFTERWORD BY JENNIFER LEE CARELL