Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

    On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call. In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.

    Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

    Freddy and Fredericka—a brilliantly refashioned fairy tale and a magnificently funny farce—only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin’s latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.

    Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist. When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own.

    The more Harry succeeds -- a good marriage, a good corporate job -- the more desperate he becomes, as a life of petty crime leads to fraud and murder and, eventually, to apocalyptic violence.Author of the controversial cult classic, Last Exit to Brooklyn, Hubert Selby began as a writer of short fiction. He plunges the reader head-first into the densely realized worlds of his protagonists, in which the details of daily life rub shoulders with obsession and madness. Although fundamentally concerned with morality, Selby's own sense of humility prevents him from preaching. He offers instead a passionate empathy with the ordinary dreams and aspirations of his characters, a brilliant ear for the urban vernacular and for the voices of conscience and self-deceit that torment his characters.

    She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises.The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles. With concerns about the child’s home situation, Jo reluctantly agrees to let her stay—just until she learns more about Ursa’s past.Jo enlists the help of her reclusive neighbor, Gabriel Nash, to solve the mystery of the charming child. But the more time they spend together, the more questions they have. How does a young girl not only read but understand Shakespeare? Why do good things keep happening in her presence? And why aren’t Jo and Gabe checking the missing children’s website anymore?Though the three have formed an incredible bond, they know difficult choices must be made. As the summer nears an end and Ursa gets closer to her fifth miracle, her dangerous past closes in. When it finally catches up to them, all of their painful secrets will be forced into the open, and their fates will be left to the stars.In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.

    But Eddie sees through the disguise, takes an unexpected ride, and demonstrates it to his boss at a failing cable TV network. Through a series of adventures, the time machine becomes damaged, friends become stranded, and history gets changed in many ways—some dangerous, all humorous. Two romances—one quite unconventional—blossom along the way. Back to You is a hilarious science fiction romp in the tradition of The Hitchhiker’s Guide to the Galaxy.

    After winning the 2015 Best Indie Book Award for Action/Adventure and receiving the B.R.A.G. Medallion, FACE OF OUR FATHER was just awarded the Bronze Medal for Popular Fiction by the 2016 eLit Awards. This novel has it all. One part "The Bourne Identity," one part "Tinker Tailor Soldier Spy," and one part "The Notebook," this poignant tale leaves the reader haunted by its characters long after the novel's final page has turned. Stuart and Angela Pierce, like many disillusioned careerists, are busy reinventing their lives. Stu reduces his airline flying schedule to train for triathlons, while Angie escapes the daily horrors of a prosecutor's job to pursue pro bono work. But death threats soon prove that the only thing Angie escaped was the protective arm of the District Attorney's office. With a graphic photo of a ritual stoning Stu's only tangible clue, he sets out to protect a wife who refuses to protect herself. Obsessed with catching a murdering rapist, Angie plunges them both into a web of global intrigue. But who, indeed what, is the real enemy? Honor. Love. Life. All are at stake as the Pierces struggle to uncover the truth, both the enemy's, and their own. Sometimes the biggest enemy can be the one right next to you... FACE OF OUR FATHER is too literary to be a thriller, yet too thrilling to put down-a unique blend of action and intimacy-a thriller with a soul. How often does fiction change how we define integrity, prejudice, and evil? To get at all that, a novel needs a rollercoaster of a plot coupled with an acute understanding of identity, love, and where these intersect. Test your beliefs. Read it.

    Activated by unreadable cards, it could create a can of soup - - or an explosive grenade that looks like a can of soup. The U-10 is a guessing game of life or death.A top-secret paramilitary agency wants the U-10 and its gadgets, the guy who has the U-10 wants to keep it, and the alien who lost the U-10 wants it back. A death squad is dispatched to retrieve the U-10 and will stop at nothing, including the destruction of Earth, to accomplish their mission. Using the U-10 to heal battle wounds produces unexpected results.What good is a U-10 survival kit that has just three options?(A) Saves you. (B) Kills you. (C) Turns you into an alien?

    When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny.

    Equally, there are no secret access points to these hidden worlds that don’t exist, and there is no, 'unfinished business from the past' that is set to destroy, well, anything. There is no disaster looming.Anyway, regardless of any potential threat that may or may not be present, this publication, The Octunnumi and any reference to any other beings is a work of fiction.And for the record, Scariodintts, should they exist, are perfectly lovely beings whose purpose in life is grossly misunderstood.

    An epic chronicle of one man's judgement and death, "The Death of Bunny Munro" is an achingly tender portrait of the relationship between father and son.

    Josef Mengele gathers a group of former colleagues for a horrifying project—the creation of the Fourth Reich. Barry Kohler, a young investigative journalist, gets wind of the project and informs famed Nazi hunter Ezra Lieberman, but before he can relay the evidence, Kohler is killed. Thus Ira Levin opens one of the strangest and most masterful novels of his career. Why has Mengele marked a number of harmless aging men for murder? What is the hidden link that binds them? What interest can they possibly hold for their killers: six former SS men dispatched from South America by the most wanted Nazi still alive, the notorious "Angel of Death"? One man alone must answer these questions and stop the killings—Lieberman, himself aging and thought by some to be losing his grip on reality. At the heart of The Boys from Brazil lies a frightening contemporary nightmare, chilling and all too possible.

    Formerly in Navy intelligence, he’s cast his lot in the New York art world. He’s landed a job with the venerable Medici Studios, which also contracts with the NYPD and FBI. On a winter morning, they’ve run a sting operation to track Russian art smugglers. The caper goes awry, but an odd bit of evidence remains: four art catalogs with graffiti markings.So begins Gallery Pieces, a story that will keep readers guessing until the end. Peale follows the clues where they lead. He meets a heavy at the Miami Art Fair, chases a mystery bidder at Merriweather’s auction in Manhattan, and crosses paths with a Brooklyn performance artist whose pranks are dangerously entangled in the Russian intrigues. Step by step, Peale enters an art world permeated not only by the avant-garde, but by the Russian mob, hackers, forgers, hipsters, and the history of art looting in Europe during WWII.When Peale least expects it, the catalogs lead him on another trail. He is drawn into a long-forgotten mystery surrounding his grandfather, Maxwell Peale, who had been a “monuments man,” a soldier who helped reclaim art looted by the Nazis. Peale is on his way to discovering paintings stolen in postwar Europe. Finding the culprits, however, brings him closer to home than he’d imagined.