Why worry that he didn't want children or a 9 to 5 job? Nothing and no one would come between them.But with the birth of their high-needs son, Eli, their extraordinary love is shackled into an ordinary life, their passion blunted by responsibility.Until Ryan can't take it anymore.Then, following a mysterious phone call late one night, Aisha leaves four-year-old Eli in the care of her elderly father Patrick - and doesn't come back.As Patrick struggles with the grandson he barely knows or understands, his frustration with his missing daughter and absent son-in-law quickly turns to fear.Particularly when blood is found in Aisha's abandoned car . . .

    Meet Mercy Blain, whose house has just burnt down. Unfortunately for Mercy, this goes beyond the disaster it would be for most people: she hasn't been outside that house for two years now.Flung out into the world she's been studiously ignoring, Mercy goes to the only place she can. Her not-quite-ex-husband Eugene's house. But it turns out she can't stay there, either.And so begins Mercy's unwilling journey. After the chance purchase of a cult classic campervan (read tiny, old and smelly), with the company of her sausage dog, Wasabi, and a mysterious box of cremated remains, Mercy heads north from Adelaide to Darwin.On the road, through badly timed breakdowns, gregarious troupes of grey nomads, and run-ins with a rogue adversary, Mercy's carefully constructed walls start crumbling. But what was Mercy hiding from in her house? And why is Eugene desperate to have her back in the city? They say you can't run forever...Exquisite, tender and wry, this is a break-out novel about facing anxiety and embracing life from an extraordinary new talent.PRAISE: 'Tender, funny and quietly profound, The Other Side of Beautiful is a breath of fresh air.' - The Sunday Times'A colourful, engaging story of escape and road-trip adventure ... also compellingly cinematic and features an endearing narrator-heroine with plenty of meaty real-world troubles.' - Sydney Morning Herald'An engaging story about second chances and a life changing road trip ... a heart-warming story.' - Canberra Weekly magazine'Mercy Blain is a character you find yourself cheering on. Kim Lock mixes the transformative journey of Alice Hart with the quirkiness of Eleanor Oliphant in this story about embracing life, even when it threatens to overwhelm you' - Tricia Stringer, bestselling author of The Family Inheritance'Mercy Blain is an unforgettable character who will capture your heart from the first pages and hold it through until the end. Her madcap journey towards forgiveness - of herself and others - is moving and funny and all other good things that will make you want to keep reading and make you sad when your time with Mercy comes to an end.' - Sophie Green, bestselling author of The Shelly Bay Ladies Swimming Circle

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    Five years ago, she fled her successful career as a concert harpist in London to return to her Bondi home. She still plays, but now her audience is on the way out ... literally. It's complicated and complication is something Zoe understands well. Her best friend is chasing a new love, her brother's chasing too much love and her father has been married far too many times. Compared to them she thought she was doing okay. She's met the guy she is sure is the one. He wooed her and has been sleeping with her for almost five years. It would all be perfect ... if he wasn't married.Zoe is learning that hearts, like harps, are capable of beautiful music if treated the right way and can be tricky to manoeuvre. She's over the old tune. But does Zoe have the courage to rewrite the song of her own life?The Song Of Us is a soulful story of family, love and the notes that define our lives by the author of The Secret Recipe For Second Chances.

    A family divided. Only truth can set them free.Banjo Murphy is killed on the night he finally walks away from his wife, Jade, after twenty-five years of her adultery. In the aftermath, Banjo is bewildered to discover he still exists, and in despair he watches Jade collapse into deep depression and his daughters, Lissy and Cassandra, struggle with their unexpected loss.Lissy is tortured by the mystery surrounding her father’s death. What compelled Banjo to leave the night he died? And why won’t Jade talk about what happened? Despite their volatile relationship, Lissy believes her parents’ love to have been enduring, but sensibleCassandra sees things differently. When Cassy discovers a sketchbook chronicling Jade’s affairs, the truth of their parents’ relationship begins to unfold and Lissy’s loyalties are divided.Searching for answers, Lissy contacts Jade’s ex-lovers. And watching from afar, Banjo aches as he discovers what these men meant to Jade – until Lissy’s quest reveals an explosive truth …One that will finally set their family free. - See more at: http://books.simonandschuster.com.au/...

    Together, they had another child, making seven. The Captain felt it was necessary to run the family with army discipline, but his rules and regulations were no match for the fun loving children, led by the redoubtable Judy."But now it was morning, and she could disbelieve it no longer. Esther had come to her bedside and kissed her sorrowfully, her beautiful face troubled and tender. The kind-hearted stepmother had begged as she had never done before for a remission of poor Judy's sentence, but the Captain was adamant. To boarding school she must go!"

    Building a fence is not going to keep the world out and won't keep your children in. Life's not that simple."Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into the quiet life of this cosy community.Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. More than just a new home, it's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together.To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden.To Gwen, this as an act of war.Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.PRAISE FOR THE FENCE"There's nothing polite about this white picket fence drama. In this green-thumbed social satire of suburban neighbourly conflict, Meredith Jaffe's wicked sense of humor blooms in the fertile compost of domestic discord. To be enjoyed in all seasons, in full sun or part shade, requiring no watering or weeding. A mischievous treat for anyone who has ever had tricky neighbours. Jaffe is a welcome new talent." Caroline Baum, Booktopia

    A few years after the war, Jean is back in England, the nightmare behind her. However, an unexpected inheritance inspires her to return to Malaya to give something back to the villagers who saved her life. Jean's travels leads her to a desolate Australian outpost called Willstown, where she finds a challenge that will draw on all the resourcefulness and spirit that carried her through her war-time ordeals.

    something I have to do because of Joy and Matilde. They are my grandmothers and I love them both and they totally love me but they can't stand each other. Eleven-year-old Allegra shuttles between her grandmothers who live next door to one another but couldn't be more different. Matilde works all hours and instils discipline, duty and restraint. She insists that Allegra focus on her studies to become a doctor. Meanwhile free-spirited Joy is full of colour, possibility and emotion, storing all her tears in little glass bottles. She is riding the second wave of the women's movement in the company of her penny tortoise, Simone de Beauvoir, encouraging Ally to explore broad horizons and live her 'true essence'. And then there's Rick who lives in a flat out the back and finds distraction in gambling and solace in surfing. He's trying to be a good father to Al Pal, while grieving the woman who links them all but whose absence tears them apart. Allegra is left to orbit these three worlds wishing they loved her a little less and liked each other a lot more. Until one day the unspoken tragedy that's created this division explodes within the person they all cherish most.

    You crave them in a way that's not rational, not right, and you're becoming somebody you don't recognise, and certainly don't respect, but you don't even care. And this person you like is unattainable. Except for one thing... He lives downstairs.Abbie has three obsessions. Art. The ocean. And Kane.But since Kane's been back, he's changed. There's a darkness shadowing him that only Abbie can see. And it wants her in its world.A gothic story about the very dark things that feed the creative process.

    Others you don’t dare let out … Twin Peaks meets The Dry in a deliciously dark and twisted tale that unravels a small town Ambitious young journalist Marlowe ‘Lo’ Robertson would do anything to escape the suffocating confines of her small home town. While begrudgingly covering the annual show for the local paper, Lo is horrified to discover the mutilated corpse of Lily Williams, the reigning showgirl and Lo’s best friend. Seven strange symbols have been ruthlessly carved into Lily’s back. But when Lo reports her grisly find to the town’s police chief, he makes her promise not to tell anyone about the symbols. Lo obliges, though it’s not like she has much of a choice – after all, he is also her father. When Lily’s murder makes headlines around the country and the town is invaded by the media, Lo seizes the opportunity to track down the killer and make a name for herself by breaking the biggest story of her life. What Lo uncovers is that her sleepy home town has been harbouring a deadly secret, one so shocking that it will captivate the entire nation. Lo’s story will change the course of her life forever, but in a way she could never have dreamed of.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    Cold dark secrets . . .In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell . . .Yet, decades later, she returns to the family’s farm to nurse him on his death bed. To her surprise, her ‘perfect’ sister Ruth is also there, whispering dark words, urging revenge.Then the day after their father finally confesses to a despicable crime, Joy finds him dead - with a belt pulled tight around his neck . . .For Senior Constable Alex Shepherd, investigating George’s murder revives memories of an unsolved case still haunting him since that strange summer of 1960: the disappearance of nine-year-old Wendy Boscombe.As seemingly impossible facts surface about the Hendersons – from the past and the present – Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy’s disappearance is the key to the bizarre truth.

    The unadorned un-self-flattering gospel, the never-before-told story our intricately intertwined lives … Listen: I know things that no one else knows. Trust me.‘ Manhattan, 1996: the trial of the Vanderbilt claimant is finally coming to an end. The case - long, complex, riven with unknowns, attracting huge media and social interest - has been seeking to establish whether or not a certain man is the son of the fabulously wealthy and well-connected Vanderbilt family.The son went missing, presumed dead, while serving in the Vietnam war. There is huge fortune, prestige and status at stake. But is the man - a handsome cattle farmer from Queensland - really the Vanderbilt heir? And if so, why does he seem so reluctant to be found? From one of our foremost novelists, The Claimant is a compelling and ravishingly readable novel about the fluid, shifting and ultimately elusive nature of identity and the reasons why people seek to change their names, their identities or their personalities.

    Dr Jennifer Kelly has reached the pinnacle of her career as a successful Manhattan obstetrician, complete with ambitious, blue-blooded fianc�. After a desolate childhood with a distant grandmother, life seems everything she's ever wanted.When a grandfather she's never heard of leaves her a dairy farm on an isolated Australian island - plus one depressed dog, thirty geriatric cows and a bunch of ancient surfboards - she plans a quick trip to put the farm up for sale. Her aloof, socialite grandmother Muriel is appalled, yet insists on accompanying her.Once there, Jenny finds herself caught, by cows, by turtles - and by Jack McLachlan, the overworked island doctor who desperately needs her help. Muriel's caught too, with ghosts of her wartime past threatening to crack the shell she's built with such dedication and care.But isn't Manhattan their home? How can two women give up the perfect world they've worked so hard for by taking a chance on...life?'Joyous and breathtaking, a story to touch your heart, make you smile and see the world as a better place.' - Barbara Hannay