Babo grew up here, but he and Sian, his cream-skinned Welsh love, met in London. Babo's parents disapproved. And then they disapproved unless the couple moved back to Madras. So here they are. And as the twentieth century creaks and croaks its way along, Babo, Sian, and the children navigate their way through the uncharted territory of a "hybrid" family: the hustle and bustle of Babo's relatives; the faraway phone-line crackle of Sian's; the eternal wisdom and soft bosom of Great-Grandmother Ba; the perils of first love, lost innocence, and old age; and the big question: What do you do with the space your loved ones leave behind?Tishani Doshi, a prizewinning poet, plunges into fiction for the first time with this tender and uplifting debut. With rich feeling and dazzling language, Doshi evokes both Zadie Smith and Rohinton Mistry as she captures the quirks and calamities of one unusual clan in a story of identity, family, belonging, and all-transcending love.

    Ali sees his new business flourish as the indomitable Mrs. Ali and his careful assistant, Aruna, look on with vigilant eyes. There's the man who wants a tall son-in-law because his daughter is short; the divorced woman who ends up back with her ex-husband; a salesman who can't seem to sell himself; and a wealthy, young doctor for whom no match is ever perfect. But although his clients go away happy, little does Mr. Ali know that his esteemed Aruna hides a tragedy in her past-a misfortune that the bureau, as luck would have it, serendipitously undoes. Bursting with the color and allure of India, and with a cast of endearing characters, The Marriage Bureau for Rich People has shades of Jane Austen and Alexander McCall Smith but with a resonance and originality entirely its own. Farahad's effortless style reveals a country still grappling with the politics of caste, religion, and civil unrest, all the while delivering a shamefully delightful read.

    She is capable of breaking down all his barriers, imploring his heart to give love a second chance.He wants to trust her...They step into a relationship with a vow - to stay together all their lives.But when disaster strikes, does their love prove strong enough to withstand the brutal force of reality? Only time will tell...

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    It is a story of an extra-marital affair and how it is looked at from a woman’s and a man’s perspective. It is a story of how the field of genetics can affect a person’s thoughts and approaches to ethics in science.The characters in the book are simple at times, complex at the other, but easy to relate with. The story is pacy and delivers unexpected twists at the most unexpected times. Anjali, is a young doctor, who is driven by an urge to do much more than just medicine. An infatuation leads to her marrying a businessman, and into a joint family, where studies and education take second place. Even her husband has a very different outlook to life. They are, literally, moving on different paths in life, and Anjali realises this only when she meets Aakash who, too, is a doctor. From being her mentor, Aakash gradually becomes her soul mate and their relationship reaches a flashpoint as they fight an outbreak of plague in a tiny village in north India. Anjali goes headlong into the relationship, not caring about the consequences but Aakash preaches to her about the strengths of the institution of marriage in India and how extra-marital affairs are, rightly or wrongly, frowned upon in India. Their approaches to the relationship reverse when Anjali gets pregnant with his child. Anjali goes on to study human genetics at an institution in the UK. At the end of the programme, she is entrusted with the task of setting up a laboratory in Shillong to research on therapeutic cloning. The institution is keen on the laboratory being located in a remote place where the laws on cloning research are less stringent than in the UK. Over a few years, without Anjali realising it, the laboratory moves towards successful research into techniques for human cloning. Anjali thinks this is unethical and resists pressure to actually clone a human being.What follows is an emotion-arousing sequence of events. At times you will just love Anjali, and at times you will hate her for the way she relates to people. But that regardless, you will never want to press the pause button until you finish the roller-coaster ride which the author takes you through.

    Her boyfriend Will has become a donkey-loving hippy and her best friend Lara has baby-brain. She desperately needs to find the perfect location for a film shoot, or her career may implode. Her eccentric grandma has always said that Josie will inherit a book of spells on her birthday, but since she doesn’t believe in magic, nothing will improve; or will it?

    The only hitch in this perfect romance is her prospective sister-in-law who thinks Misha is everything a Bahu shouldn’t be: garrulous, geeky, gawky, gainfully employed (especially the last bit). The questions is will Misha win Didi (and the Kha-Pee Panchayat) over with her Stepford Wife Act? Will she continue to be the poster child for the inherent evils of the Bahu Brigade? Or will she learn to ‘lau’ herself before the whole world and its wife can do the same?

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    Now she's ready to show to the world there is more to her than what meets the eye. She's more than the prim debutante from a privileged background. Yes, her father may be running for President and her mother may be the socialite of the year, never lifting a finger unless it's to sip a flute of champagne, but Chloe is just like any other normal twenty-three year old, wanting to love and be loved, wanting to make her own mark in this world.So Chloe moves temporarily with her two friends to Venezuela to serve in an orphanage as a nurse. But it is there she faces the same prejudices she is running away from, including the judgment from the incredibly good-looking orphanage facilitator and a few grumpy doctors. Chloe has to learn to let go of others' assumptions of who she is so she can finally live her life free. But will she?The Last Name Banks is part of the "Living, Loving, and Laughing Again series", but can be read as a stand alone novel.If you enjoyed Norah and Maycee from The Last Page, you can find them again in Venezuela with Chloe in The Last Name Banks!Book One: The Last Page (Norah's story) out now!Book Two: The Last Name Banks (Chloe's story) out now!This PG novel is 57k words (roughly 284 paper pages) and is language and sex free making it suitable for teens and women of all ages.

    He runs through his country for seven long years until he miraculously turns red and builds Marathon Ashram. Hundreds of runaways descend on the Ashram and become its residents. 'It's not about the pace, it's about the peace,' said Marathon Baba. Thirty-three Deadly Disciples find their peace in the freedom of the Ashram and devote themselves to their Red Guru. "For the Ashram to live, Marathon Baba must die," say the Deadly Disciples. He was warned. Running is injurious to health. Witty, wacky and weedy, Marathon Baba is a wondrous tale about the cult of a man who couldn't stop running.

    After a series of disasters (losers, philanderers, leeches, mama's boys and possessive psychos), she is all too tempted to walk out on the prospect of ever finding love. Accompanied by her best friend and flat-mate Baani, she sets off for Goa, hoping to get away from her miserable love life and vowing to stay clear of the male species. Goa however, has a host of surprises in store for her. Ricky, her pesky ex-boyfriend, is busy painting the town red with his hot new girlfriend. Now what is poor Kay to do other than overdose on vodka, smoke pot, get an outrageous tattoo and fall off the hotel balcony? She wakes up in the hospital to the tender ministrations of Dr.Vivian D'Mello--young, suave and handsome as hell. Will Kay stick to her guns or will she fall for his ridiculously sexy charms? And what's up with the mixed signals he's giving out?

    The sparks flying between them sizzle with sexual tension, but when Ranbir puts a scandalous proposition before her, she turns him down spiritedly.However, they have to work together to engineer a happy ending for their siblings, who have fallen madly in love but are too afraid to tell their respective families. The plan they cook up throws them more and more into each other’s company.Can Mira overlook Ranbir’s indecent proposal and give love a chance?

    They are the Hindi-Bindi Club, a nickname given by their American daughters to the mothers who left India to start anew—daughters now grown and facing struggles of their own.For Kiran, Preity, and Rani, adulthood bears the indelible stamp of their upbringing, from the ways they tweak their mothers’ cooking to suit their Western lifestyles to the ways they reject their mothers’ most fervent beliefs. Now, bearing the disappointments and successes of their chosen paths, these daughters are drawn inexorably home.Kiran, divorced, will seek a new beginning—this time requesting the aid of an ancient tradition she once dismissed. Preity will confront an old heartbreak—and a hidden shame. And Rani will face her demons as an artist and a wife. All will question whether they have the courage of the Hindi-Bindi Club, to hold on to their dreams—or to create new ones.An elegant tapestry of East and West, peppered with food and ceremony, wisdom and sensuality, this luminous novel breathes new life into timeless themes.

    Unable to tell her parents what has happened, she puts on a suit every day and pretends to go to work. What she's really doing is escaping to a studio, where she begins to paint for the first time in years. But when her work is spotted by a top gallery owner, she cannot admit she is the painter, and pretends to be the agent instead. Meanwhile at home, she's agreed to an arranged marriage to keep the peace. There are too many layers of pretence and something has to give way -- but at what cost to Nina?