Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.

    They've shared everything for four years. Then one night at a drunken party, Kate leaned in to kiss Lissa, and Lissa kissed her back. And now Kate is pretending Lissa doesn't exist. Confused and alone, Lissa's left questioning everything she thought she knew about herself, and about life. But with the help of a free-spirit new friend, Lissa's beginning to find the strength to realize that sometimes falling in love with the wrong person is the only way to find your footing.

    Vampires crash prom, aliens run from the government, a president’s daughter comes into her own, a true romantic tries to soften the heart of a cynical social media influencer, a selkie and the sea call out to a lost soul. Teapots and barbershops, skateboards and VW vans, Street Fighter and Ares’s sword: Out Now has a story for every reader and surprises with each turn of the page!

    Mixed-race queer art activist Nia King left a full-time job in an effort to center her life around making art. Grappling with questions of purpose, survival, and compromise, she started a podcast called We Want the Airwaves in order to pick the brains of fellow queer and trans artists of color about their work, their lives, and "making it" - both in terms of success and in terms of survival.In this collection of interviews, Nia discusses fat burlesque with Magnoliah Black, queer fashion with Kiam Marcelo Junio, interning at Playboy with Janet Mock, dating gay Latino Republicans with Julio Salgado, intellectual hazing with Kortney Ryan Ziegler, gay gentrification with Van Binfa, getting a book deal with Virgie Tovar, the politics of black drag with Micia Mosely, evading deportation with Yosimar Reyes, weird science with Ryka Aoki, gay public sex in Africa with Nick Mwaluko, thin privilege with Fabian Romero, the tyranny of "self-care" with Lovemme Corazon, "selling out" with Miss Persia and Daddie$ Pla$tik, the self-employed art activist hustle with Leah Lakshmi Piepzna-Samarsinha, and much, much more. Welcome to the future of QPOC art activism.

    No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.From the Trade Paperback edition.

    Will George lure her into assisted living? When hell freezes over. He can’t bring himself to force her from the home both treasure—the place where his father’s voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict: Betty, who speaks her mind but cannot quite reveal her heart, has never really accepted the fact that her son is gay.As these two unforgettable characters try to bring their different worlds together, Hodgman reveals the challenges of Betty’s life and his own struggle for self-respect, moving readers from their small town—crumbling but still colorful—to the star-studded corridors of Vanity Fair. Evocative of The End of Your Life Book Club and The Tender Bar, Hodgman’s New York Times bestselling debut is both an indelible portrait of a family and an exquisitely told tale of a prodigal son’s return.

    The book is over 160 pages long, black and white, and contains 15 original stories blending fantasy, drama, humor, and romance.Cover by Ashe Samuels

    Keith Hartman's "Sex, Guns and Baptists" gives a disturbing view of how the world could become if the Christian fundamentalists continue gaining political ground; Ralph Sperry's delightful aliens in "On Vacation" are refreshingly similar to us: shy workaholics, exasperated lovers, good with machines; Ellen Klages takes a '90s dyke back forty years to 1950s San Francisco where she discovers her modern sensibilities are utterly alien to the lesbians of the time. These stories explore physical, emotional, and moral landscapes vastly different from the familiar -- where nothing is as it seems.This group of talented newcomers and award-winning genre veterans includes Jim Grimsley, Mark W. Tiedemann, Charles Sheffield, Carrie Richerson, Keith Hartman, Nancy Kress, Richard Bamburg, L. Timmel Duchamp, Charles Sheffield, Don Bassingthwaite, and many others.

    From the prizewinning title story unfolds a series of family snapshots that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once "tender and sharp-fanged" (L.A. Weekly) as Ana Menendez charts the territory from Havana to Coral Gables, exploring whether any of us are capable, or even truly desirous, of out running our origins.

    Her mother has been dead for almost two years, her truck driver father is always away, her almost girlfriend just dumped her for a guy, and now she's failing chemistry.When a stray dog lands literally at her feet, bleeding and broken on a busy road, it seems like the Universe has it in for Colby. But the incident also knocks a chink in the walls she's built around her heart. Against her better judgment, she decides to care for the dog. But new connections mean new opportunities for heartbreak.Terrified of another loss, Colby bolts at the first sign of trouble, managing to alienate her best friend, her father, the cute girl pursuing her, and even her dog's vet, who's taken Colby under her wing. Colby can't start over, but can she learn how to move on?

    Three years later, a lot changed. For one thing, she met the right girl. Here, for the first time, Katie opens up about realizing that she is gay. She tackles everything from the trials of dating in New York City to the growing pains of her first relationship, from obsessing over Harry Styles (because, actually, he does look a bit like a lesbian) to learning to accept herself all over again. Exploring love and sexuality with her neurotic wit and endearing intimacy, Katie shares the message that it's never too late to find love--or yourself.

    They coil in our subconscious, slither along the edges of thought. Still we creep to the crackling fire to whisper their stories.Love Devours is a collection of new fables for queer women, extracted from the bones of the dark: ominous fairy tales, sinister myths, dystopias rife with nightmares. But in the midst of monsters, love still struggles to find the light.A witch traps a beast of the sea; a corpse is reanimated out of love; a muse drains her supplicant; a priestess worships in a church of wolves. Six monster stories lurk within these pages. Six heroines, sometimes monsters themselves, unearth romance, rebuild worlds, shatter spells. Their courage unveils the secret faces of humankind's greatest compulsions: fear and love.Come into the dark and be devoured.Love Devours: Tales of Monstrous Adoration is Sarah Diemer's first anthology, a collection of queer dark fantasy and science fiction stories. It will be released in both print and eReader formats in August, 2012.

    But unlike her first collection of stories, the women in these tenderly wrought tales face their problems head on, proving powerful and self-possessed even when degraded by others—sometimes by those closest to them. But even as the female protagonists face exploitation, social asymmetries, and casual cruelties, Walker leavens her stories with ample wit and, as always, an eye for the redemptive power of love. A collection that reveals a master of fiction approaching the fullness of her talent, these are the stories Walker produced while penning The Color Purple. This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.