Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul.Includes poems by John Donne, Christina Rossetti, W. H. Auden, Edna St. Vincent Millay, Robert Graves, e. e. cummings, Dorothy Parker, William Shakespeare, Sappho, Bhartrhari, Anna Akhmatova, and W. B. Yeats, among many others.

    They throw us off rooftops and say we slipped. They shoot my father and say he was crazy. They put a bullet in my head and say they found me that way."Blending images of street life, drugs, and AIDS against hope and determination, Willie Perdomo is a cutting-edge bard who speaks to the soul of his generation.

    One of the most significant writers of the New York School—which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others—Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

    Some are the recipients of numerous awards, while others, who are making their first appearance, are quickly making significant contributions to twenty-first-century poetry.The poets include Rick Barot, Joshua Beckman, David Berman, Nick Flynn, Matthea Harvey, Terrance Hayes, Major Jackson, James Kimbrell, D.A. Powell, Spencer Reece, Matthew Rohrer, Rebecca Wolff, Kevin Young, Matthew Zapruder, Andrew Zawacki, and many others.

    Brown, Samuel Holt Monk, Allan Bloom, Nigel Dennis, Edward W. Rosenheim, Jr., A. E. Dyson, William Frost, C. J. Rawson, Kathleen Williams, Martin Price, Robert M. Adams, and Jay Arnold Levine An Annotated Bibliography guides the reader to important works for further study.

    D. Wright has been writing some of the greatest poetry-cum-prose you can find in American literature. One Big Self does to the contemporary prison-industrial complex what James Agee did to poverty — it reacts passionately and lyrically (and idiosyncratically) to a sociopolitical abomination. This book, while angry and sorrowful and bewildered, has humor, constant levity and candor, and countless moments of incredible beauty." —Dave Eggers, The New York Times Book Review“Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.”—The New YorkerInspired by numerous visits inside Louisiana state prisons—where MacArthur Fellow C.D. Wright served as a “factotum” for a portrait photographer—One Big Self bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and “counts” of things—from baby’s teeth to chigger bites:Count your folding moneyCount the times you said you wouldn’t go backCount your debtsCount the roaches when the light comes onCount your kids after the housefireOne Big Self—originally published as a large-format limited edition that featured photographs and text—was selected by The New York Times and The Village Voice as a notable book of the year. This edition features the poem exclusively.C.D. Wright is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.

    We at Zoo are eminently pleased to have such a fine book of verse for our inaugural Kenyon Review Prize volume. Fennelly's poems are well poised in their witty and sometime sassy ruminations, often "maximalist" in their scope (see "From L' HUtel Terminus Notebooks") and the pleasure one takes within them is of the rarest breed: it is the pleasure of unexpected revelation. Open House comes introduced by series judge and Kenyon Review poetry editor, David Baker.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    This brief edition of the most widely adopted book of its kind offers all of the editorial features of the longer book with about half the stories and writer commentaries in a shorter, less expensive format.

    Thirty years later, this thorough and sensitive revision freshly renders the remarkable range of styles, subjects, and voices in English-language poetry, from Walt Whitman and Thomas Hardy in the late nineteenth century to Carol Ann Duffy and Sherman Alexie in the twenty-first century.With 195 poets and 1,596 poems, The Norton Anthology of Modern and Contemporary Poetry richly represents the major figures—Yeats, Frost, Stevens, Williams, Hughes, Olson, Bishop, Larkin, Plath, Rich, Heaney, and Walcott, among others. It also gives full voice to postcolonial and transnational poets, ethnic American poetries, experimental traditions, and the long poem. Each volume concludes with a Poetics section that provides essential contexts for reading the poems.With substantially new introductions, headnotes, annotations, and bibliographies by the award-winning scholar and teacher Jahan Ramazani, this anthology is indispensable for all who love poetry. Two volumes, slipcased.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

     __________ SENSATION (Kid Sensation #1) Like millions of other kids, Jim grew up wanting to be a superhero. Unlike most of his contemporaries, however, Jim actually had the goods: a plethora of super powers that would have been the envy of any meta on the planet. But when his tryout with the Alpha League - the world's premiere group of supers - goes disastrously wrong, Jim basically becomes an outcast. Two years later, Jim is still bitter about what happened to him. However, he soon finds himself the centerpiece in an odd turn of events that gives him a second chance at his dream. But nothing is as easy as it sounds, as Jim soon discovers. Among other things, he’s made an enemy of a prospective super teammate, he’s being stalked by an unknown pursuer, and a shadowy cabal bent on world domination has identified him as the only obstacle to their plans. It’s a lot for one super to handle, even with a smorgasbord of abilities. But if saving the world were easy, everyone would do it… __________ MUTATION (Kid Sensation #2) Kid Sensation is back! The intrepid teen super with the plethora of powers returns in a new adventure. Having saved the planet and earned a place with the world’s premiere superhero team, Jim (aka Kid Sensation) is preparing to attend the prestigious Academy, where teen supers from every corner of the globe learn to master their abilities. At the same time, however, he is approached by a mysterious government organization that wants Jim to work for them - and they won’t take “No” for an answer. Moreover, at the Academy itself, an insidious and highly contagious virus is running amok through the student population, striking at the heart of their abilities. Students are losing control of their powers, with lethal consequences… Now, in addition to evading the machinations of government agents, Jim must solve the mystery behind the virus - and how to stop it - before every super everywhere becomes fatally infected. __________ INFILTRATION (Kid Sensation #3) Having a surfeit of super powers is great for battling bad guys and saving the world, as Jim (aka Kid Sensation) is finding out, but less useful in dealing with day-to-day situations – like bonding with his superhero father, adjusting to a team environment, and coping with what might be perceived as a growing rivalry between himself and another teen super. On top of all that, despite having a serious girlfriend, he finds himself inexplicably drawn to a new female super he’s just met. At the same time, some villain has just gotten himself a new toy: an unknown weapon of tremendous power that is able to strike without warning, causing unprecedented destruction and loss of life. Perhaps more terrifying, the wielders of this weapon make no demands and issue no threats; they simply attack. Even the Alpha League, the world’s greatest superhero team, is not immune, suffering an assault on their very own doorsteps. It quickly becomes clear that the only way to stop this new evil is from within. With his unique abilities, Jim is the only person capable of infiltrating the enemy’s ranks. It’s up to him to figure out who is behind these attacks, what they want, and find a way to stop them – and their secret weapon – before they bring the entire world to its knees.

    Includes:Deja DeadDeath Du JourDeadly DecisionsFatal VoyageGrave SecretsBare BonesMonday MourningCross BonesBreak No BonesBones to AshesDevil Bones206 BonesSpider Bones

    A personal selection of the best interviews from eight classic books by America's much-loved pre-eminent oral historian, Studs Terkel.

    World Poetry encompasses the many worlds of poetry, poetry of all styles, of all eras, of all tongues: from the ancient epic of Gilgamesh and the Pharaoh Akhnaten's "Hymn to the Sun" to the haiku of Basho and the dazzling imagery of Li Po; from Vedic hymns to Icelandic sagas to the "Carmina Burana"; from the magnificence of Homer and Dante to the lyricism of Goethe and Verlaine; from the piercing insights of Rilke and Yeats to the revelatory verse of Emily Dickinson, Garcia Lorca, Derek Walcott, Seamus Heaney, and many more.While World Poetry includes a generous selection of the best English-language verse from Chaucer to the present, it is designed to lay before the reader the best that all the world's cultures have to offer—more than eighty percent of the book is poetry originally written in languages other than English and translated by some of the finest talents working today, many of them brilliant poets in their own right.This is no mere sampler: In choosing only works of the highest intrinsic quality the editors have created a book that will surprise knowledgeable readers and lead newcomers to an understanding of the glories of world poetry that is our common heritage.