Lila isn’t what she seems. A student vanished months ago. Now, Lila’s husband, Aaron, is also missing. At first these cases are treated as horrible coincidences until it’s discovered the student is really the third of three unexplained disappearances over the last few years. The police are desperate to find the connection, if there even is one. Little do they know they might be stumbling over only part of the truth….With the small town in an uproar, everyone is worried about the whereabouts of their beloved high school teacher. Everyone except Lila, his wife. She’s definitely confused about her missing husband but only because she was the last person to see his body, and now it’s gone.

    That she drowned when the car Maggie had been driving plunged into the river. Maggie remembers nothing.When Maggie begs to see her husband Sean, the police tell her that he has disappeared. He was last seen on the day of her daughter's funeral.What really happened that day at the river?Where is Maggie's husband?And why can't she shake the suspicion that somewhere, somehow, her daughter is still alive?

    Since then, their relationship has been like something out of a dream. But one Friday evening, Gemma returns home to find Danny is nowhere to be seen.After two days with no word from her husband, Gemma turns to the police. She is horrified with what she discovers – a serial killer is on the loose in Bristol. When she sees the photos of the victims she is even more stunned…the victims all look just like Danny.But, the detectives aren’t convinced by Gemma’s story. Why has no one apart from Gemma seen or heard from Danny in weeks? Why is there barely a trace of him in their flat? Is she telling them the truth, or are there more secrets and lies in this marriage than meets the eye?

    Following the first rule of their manifesto—"To understand the nature of a thing, it must be taken apart"—these daring misfits spend the summer after graduation in a remote cabin in the Vermont woods committing acts of meaningful vandalism and plotting elaborate, often dangerous, pranks. But everything changes when one particularly twisted experiment ends in Suz's death and the others decide to cover it up.Nearly a decade later, Henry and Tess are living just an hour's drive from the old cabin. Each is desperate to move on from the summer of the Dismantlers, but their guilt isn't ready to let them go. When a victim of their past pranks commits suicide—apparently triggered by a mysterious Dismantler-style postcard—it sets off a chain of eerie events that threatens to engulf Henry, Tess, and their inquisitive nine-year-old daughter, Emma.Is there someone who wants to reveal their secrets? Is it possible that Suz did not really die—or has she somehow found a way back to seek revenge?Full of white-knuckle tension with deeply human characters caught in circumstances beyond their control, Jennifer McMahon's gripping story and spine-tingling plot prove that she is a master at weaving the fear of the supernatural with the stark realities of life.

    Driving home, Margaret Holloway has her mind elsewhere—on a troubled student, her daughter’s acting class, the next day’s meeting—when she’s rear-ended and trapped in the wreckage. Just as she begins to panic, a disfigured stranger pulls her from the car just seconds before it’s engulfed in flames. Then he simply disappears.Though she escapes with minor injuries, Margaret feels that something’s wrong. She’s having trouble concentrating. Her emotions are running wild. More than that, flashbacks to the crash are also dredging up lost associations from her childhood, fragments of events that were wiped from her memory. Whatever happened, she didn’t merely forget—she chose to forget. And somehow, Margaret knows deep down that it’s got something to do with the man who saved her life.As Margaret uncovers a mystery with chilling implications for her family and her very identity, Everything She Forgot winds through a riveting dual narrative and asks the question: How far would you go to hide the truth—from yourself…?

    Then a terrifying reality sets in: her daughter is missing.Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a break-in, but all traces of seven-month-old Mia had disappeared. Her diapers, her clothes, her bottles—all gone. Frustrated and unable to explain her daughter’s disappearance, Estelle begins a desperate search. But when the lack of evidence casts doubt on her story, Estelle becomes the number one suspect in the eyes of the police and the media.As hope of reuniting with Mia becomes all she has left, Estelle will do anything to find answers: What has she done to her baby? And what has someone else done to her?

    A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline , gives Marianne a shudder of suspicion, but she knows it’s nothing – she can’t entertain this flash of paranoia. In the old days, she’d have distracted herself by excelling at work, but Marianne left her glamorous career when she married. She’d speak to a friend, but she’s too busy with her children and besides, Simon doesn’t approve of the few she has left. It’s almost by accident that Marianne starts to learn more about Caroline. But once started, she can’t stop, because what she finds makes her wonder: is the question she should be asking not ‘should she be jealous’, but... ‘should she be scared?’ Fans of The Girl on the Train and I Let You Go, who are looking for a dark, gripping psychological thriller with a final twist to put their jaw on the floor, will love Our Little Lies.

    The publicity surrounding the case laid the foundation for his reputation as a modern-day Sherlock Holmes. He parlayed that fame into a gig as TV’s “resident detective,” solving the more typical tawdry daytime talk show mysteries like “Who is the father?” and “Is he cheating?”Until, that is, Sheppard wakes up handcuffed to a bed in an unfamiliar hotel room. Around him, five strangers are slowly waking up, as well. Soon they discover a corpse in the bathtub and Sheppard is challenged to put his deductive skills to the test. One of the people in the room is the killer. He has three hours to solve the murder. If he doesn’t find the killer, they all will die.An ingenious, page-turning debut, Chris McGeorge’s Guess Who matches the high-wire plotting of classic “locked room” mysteries into the unstoppable pacing of the modern-day thriller.