In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.

    Brought up on a hill-station in north-west India, he killed his first leopard before he was nine and wenton to achieve a legendary reputation as a hunter.Corbett was also an author of great renown. His books on the man-eating tigers he once tracked are not only established classics, but have by themselves created almost a separate literary genre. Man Eaters of Kumaon is the best known of Corbett's books, one which offers ten fascinating andspine-tingling tales of pursuing and shooting tigers in the Indian Himalayas during the early years of this century. The stories also offer first-hand information about the exotic flora, fauna, and village life in this obscure and treacherous region of India, making it as interesting a travelogueas it is a compelling look at a bygone era of big-game hunting.

    It had none of the fury, the passion of the monsoons. Instead, it was weak; half-hearted.” Exiled from her family in India for more than a decade, Shirin and her husband lead a comfortable but empty life in London.Memories of her childhood – exotic fragrances, colours, stifling heat and tropical storms – fill Shirin with a familiar and growing ache for the land and the people that she loves.With the recollections though, come dark clouds of scandal and secrets. Secrets that forced her to flee her old life and keep her from ever returning.Thousands of miles away, in Bangalore, the daughter of Shirin’s brother discovers a lost, forgotten photograph. One that has escaped the flames.Determined to solve the mystery of an aunt she never knew, Reena’s efforts will set in place a chain of events that expose the painful trauma of the past and irrevocably change the path of the future. An unforgettable journey through a mesmerizing, passionate land of contrasts – and a family whose story will touch your heart.

    They are lovers, vixens, wives to themselves. And their stories are just how that woman in the bar likes it – dirty, neat and sexy as smoke.

    There she becomes the most highly requested henna artist—and confidante—to the wealthy women of the upper class. But trusted with the secrets of the wealthy, she can never reveal her own…Known for her original designs and sage advice, Lakshmi must tread carefully to avoid the jealous gossips who could ruin her reputation and her livelihood. As she pursues her dream of an independent life, she is startled one day when she is confronted by her husband, who has tracked her down these many years later with a high-spirited young girl in tow—a sister Lakshmi never knew she had. Suddenly the caution that she has carefully cultivated as protection is threatened. Still she perseveres, applying her talents and lifting up those that surround her as she does.

    This is a place where teenage love and friendships are tested by the violence that threatens to erupt at the slightest provocation. A town that always pulls you back into its ways, no matter how cosmopolitan the city has made you.In 'Diwali in Muzaffarnagar' - Tanuj Solanki's new book of short stories after 'Neon Noon' - young men and women straddle the past and the present, the metropolis and the small town, and also the parallel needs of life: solitude and family.

    In an uncharacteristic move, she sets off on an unexpected journey, away from her mother, Rukmini, and her home in Bengaluru, to distant, misty Assam. She comes looking for her beloved Asian elephant, Elephas maximus, but also seeks someone else-her grandfather, Torun Ram Goswami, someone she has never met before. She arrives at the Yellow House on the banks of the Brahmaputra, where Torun lives, not knowing that her life is about to change. Twenty-five years ago, Rukmini had been cast out of the family home by her mother, the formidable and charismatic Usha, while Torun watched silently. Loya now seeks answers, both from him and from the place that her mother once called home. In her quest, she finds an understanding not only of herself and her life but also of the precarious bonds that tie people together.A delicate, poignant portrait of family and all that it contains, Undertow becomes, in the hands of this gifted writer, an exploration of much more: home and the outside world, the insider and the outsider, and the ever-evolving nature of love itself.

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.

    But the force of Jasmine's desires propels her explosively into a larger, more dangerous, and ultimately more life-giving world. In just a few years, Jasmine becomes Jane Ripplemeyer, happily pregnant by a middle-aged Iowa banker and the adoptive mother of a Vietnamese refugee. Jasmine's metamorphosis, with its shocking upheavals and its slow evolutionary steps, illuminates the making of an American mind; but even more powerfully, her story depicts the shifting contours of an America being transformed by her and others like her -- our new neighbors, friends, and lovers. In Jasmine, Bharati Mukherjee has created a heroine as exotic and unexpected as the many worlds in which she lives. "Rich…one of the most suggestive novels we have about what it is to become an American." -- The New York Times Book Review

    But the rain can’t stop me. No one can…I’ll go out and play tonight. I will kill only four. No more, no less. Just four.' In the midst of one of the worst monsoons in Mumbai, a man is found brutally murdered, his body posed like a kite on the tallest cell tower in the city. As one corpse after another turns up in the unlikeliest of places, each gruesomely killed and carefully arranged in a grotesque manner, the Mumbai Police realize they have more on their hands than they can deal with. Enter Chandrakant Rathod, a maverick investigator the police turn to in times of need, who plays by his own rules and lives for the thrill of the chase. Pitting his sharp instincts against the machinations of the sadistic, ruthless killer, the detective succeeds in nabbing the psychopath and putting him behind bars. Then, three months later, the killings begin again. A deadly game is afoot – a game that will challenge Rathod to the utmost, for it is a game that he cannot hope to win...

    Looking for safe harbour, livelihood, and a new place to call home. Communities congregated around churches and markets, sharing lord and land with the native East Indians. The young among them were nudged on to the path of marriage, procreation and godliness, though noble intentions were often ambushed by errant love and plain and simple lust. As in the story of Annette and Benji (and Joe) or Michael and Merlyn (and Ellena).Lovers and haters, friends and family, married men and determined singles, churchgoers and abstainers, Bombay Balchão is a tangled tale of ordinary lives – of a woman who loses her husband to a dockyard explosion and turns to bootlegging, a teen romance that drowns like a paper boat, a social misfit rescued by his addiction to crosswords, a wife who tries to exorcise the spirit of her dead mother-in-law from her husband, a rebellious young woman who spurns true love for the abandonment of dance. Ordinary, except when seen through their own eyes. Then, it’s legend.Set in Cavel, a tiny Catholic neighbourhood on Bombay’s D’Lima Street, this delightful debut novel is painted with many shades of history and memory, laughter and melancholy, sunshine and silver rain.

    When Devdas returns to his village, now a handsome lad of nineteen, Paro asks him to marry her. But Devdas is unable to stand up to parental opposition to the match and rejects the proposition. Stunned, Paro agrees to marry an elderly widower. Devdas returns to Calcutta, but every waking hour of his is now filled with thoughts of Paro and his unfulfilled love for her. Desperate to resolve the situation somehow, he runs to Paro who is now married and asks her to elope with him, but she refuses.Heartbroken, he seeks solace in alcohol and in the company of the courtesan Chandramukhi. Chandramukhi falls in love with Devdas, but even when he is with her he can only think of Paro. It is now his destiny to hurtle on relentlessly on the path to self-destruction. Devdas’s tortured life ends when, dying of a liver ailment brought on by alcoholism, he journeys to Paro’s house to see her one last time. Arriving in the middle of the night, he dies unknown, untended, on her doorstep. Paro comes to know of his death only the following morning. Devdas has enthralled readers and filmgoing audiences alike for the better part of a century. This new translation brings the classic tale of star-crossed lovers alive for a new generation of readers.

    He has been crowned as head projectionist at the Noor, the Bombay cinema where he has been working since his teens. Arzee thinks that the worst of his troubles are behind him, and that he can marry and settle down now. But not for the first time, Arzee has it all wrong! Arzee the Dwarf follows Arzee through day and night, slow time and fast time, agitation and reverie, beautifully setting off the inner world of Arzee’s jagged ruminations against the beating and pulsing of the great city around him. The narration vividly brings to life not just the protagonist, but also a host of characters to whom Arzee turns in his hour of need. Can Arzee find a place for himself in ‘the world of the fives and the sixes’? This bittersweet comedy, shuffling between hope and dread, between the yearnings of body and soul, is a book about the strange beauty of human dreaming.