But that’s my mistake. I can’t help. You can’t fix people like you can solve a math problem.Math genius. Freak of nature. Loner.Eva Walker has literally one friend—if you don’t count her quadruplet three-year-old-siblings—and it’s not even because she’s a math nerd. No, Eva is a loner out of necessity, because everyone and everything around her is an emotional minefield. All she has to do is touch someone, or their shirt, or their cell phone, and she can read all their secrets, their insecurities, their fears.Sure, Eva’s “gift” comes in handy when she’s tutoring math and she can learn where people are struggling just by touching their calculators. For the most part, though, it’s safer to keep her hands to herself. Until she meets six-foot-three, cute-without-trying Zenn Bennett, who makes that nearly impossible.Zenn’s jacket gives Eva such a dark and violent vision that you’d think not touching him would be easy. But sometimes you have to take a risk…

    Out of her house, where her stepfather wields fear like a weapon and her mother makes her scrub imaginary dirt off the floors. Out of her California town, too small to contain her big city dreams. Out of her life, and into the role of Parisian artist, New York director—anything but scared and alone.Enter Gavin: charming, talented, adored. Controlling. Dangerous. When Grace and Gavin fall in love, Grace is sure it's too good to be true. She has no idea their relationship will become a prison she's unable to escape. Deeply affecting and unflinchingly honest, this is a story about spiraling into darkness—and emerging into the light again.

    Madison—Mads to everyone who knows her—is trying her best to escape herself during one last summer away from a mother who needs more from her than she can give, and from a future that has been decided by everyone but her.Sometimes the lost do the unimaginable, like the woman, the body, Mads collides with in the middle of the water on a traumatic morning that changes everything.And sometimes the lost are the ones left behind, like the son of the woman in the water, Billy Youngwolf Floyd. Billy is struggling to find his way through each day in the shadow of grief. His one comfort is the map he carries in his pocket, out of his favorite book, From the Mixed-Up Files of Mrs. Basil E. Frankweiler.When three lives (and one special, shared book) collide, strange things happen. Things like questions and coincidences and secrets—lots of secrets. Things like falling in love. But can two lost people telling so many lies find their way through tragedy to each other…and to solid ground?

    Instead, it’s a complete disaster.The members of Nina's haphazardly formed radio team have approximately nothing in common. And to maximize the awkwardness her group includes Jamie, a childhood friend she'd hoped to basically avoid for the rest of her life.The show is a mess, internet rumors threaten to bring the wrath of two fandoms down on their heads, and to top it all off Nina's family is on the brink of some major upheaval.Everything feels like it's spiraling out of control―but maybe control is overrated?With the warmth, wit, intimate friendships, and heart-melting romance she brings to all her books, Emma Mills crafts a story about believing in yourself, owning your mistakes, and trusting in human connection in Lucky Caller.

    But always in the background there's Hayden Paris, the boy next door, the bane of Aurora's life. Smart, funny, and always around to see her at her worst, he 'gets' her like no-one else ... and that's what makes him so infuriating. When Aurora and Hayden are coerced into the lead roles in the school production of Much Ado About Nothing, things can only get worse. How is Aurora going to save her first kiss for the secret admirer who wooed her with poetry and a spectacular bunch of flowers on Valentine's Day if she doesn't know who he is and she's obligated to lock lips with Hayden in the play's final dramatic clinch?

    When they return to her historical New England hometown years later to run the family bookstore, Josie knows it’s not forever. Her dreams are on the opposite coast, and she has a plan to get there. What she doesn’t plan for is a run-in with the town bad boy, Lucky Karras. Outsider, rebel…and her former childhood best friend. Lucky makes it clear he wants nothing to do with the newly returned Josie. But everything changes after a disastrous pool party, and a poorly executed act of revenge lands Josie in some big-time trouble—with Lucky unexpectedly taking the blame. Determined to understand why Lucky was so quick to cover for her, Josie discovers that both of them have changed, and that the good boy she once knew now has a dark sense of humor and a smile that makes her heart race. And maybe, just maybe, he’s not quite the brooding bad boy everyone thinks he is…

    Someone who wouldn’t rather date her gorgeous best friend, Megan. Someone who won’t freak out when he learns about the tragedy her family still hasn’t recovered from. Someone whose kisses can carry her away from her backwoods town for one fleeting moment.Until Claire meets Luke.But Megan is falling for Luke, too, and if there’s one thing Claire knows for sure, it’s that Megan’s pretty much irresistible.With true love and best friendship on the line, Claire suddenly has everything to lose. And what she learns—about her crush, her friends, and most of all herself—makes the choices even harder.In her moving debut, Rachael Allen brilliantly captures the complexities of friendship, the struggles of self-discovery, and the difficulties of trying to find love in high school. Fans of Sarah Ockler, Susane Colasanti, and Stephanie Perkins will fall head over heels for this addictive, heartfelt, and often hilarious modern love story.

    If I hadn't gotten behind the wheel. If I hadn't made a mistake.For Monroe Blackwell, one small mistake has torn her family apart--leaving her empty and broken. There's a hole in her heart that nothing can fill. That no one can fill. And a summer in Louisiana with her grandma isn't going to change that...Nathan Everets knows heartache firsthand when a car accident leaves his best friend in a coma. And it's all his fault. He should be the one lying in the hospital. The one who will never play guitar again. He doesn't deserve forgiveness, and a court-appointed job at the Blackwell B&B isn't going to change that...There's No Going BackCaptivating and hopeful, this achingly poignant novel brings together two lost souls struggling with grief and guilt--looking for acceptance, so they can find forgiveness.

    The one she creates after coming face to face with the devastating, lonely-making butt-kicking phenomenon known as heartbreak.Heartbreak comes in all forms: There’s Keats, the charmingly handsome new guy who couldn’t be more perfect for her. There’s possibly the worst person in the world, Cherisse, whose mission in life is to make Penelope miserable. There’s Penelope’s increasingly distant best friend Audrey. And then there’s Penelope’s other best friend, the equal-parts-infuriating-and-yet-somehow-amazing Eph, who has been all kinds of confusing lately.But sometimes the biggest heartbreak of all is learning to let go of that wondrous time before you ever knew things could be broken…

    So when she scores a scholarship to exclusive Chiswick Academy in Washington, DC, she knows it’s her big opportunity. Chiswick offers the country’s most competitive prize for teen journalists—the Bennington scholarship—and winning will ensure her acceptance to one of the best schools in the country.Piper isn’t at Chiswick for two days before she witnesses the intense competition in the journalism program—and the extreme privilege of the young and wealthy elite who attend her school. And Piper knows access to these untouchable students just might give her the edge she’ll need to blow the lid off life at the school in a scathing and unforgettable exposé worthy of the Bennington.The key to the whole story lies with Rafael Amador, the son of the Spanish ambassador—and the boy at the center of the most explosive secrets and scandals on Embassy Row. Rafael is big trouble—and when he drops into her bedroom window one night, asking for help, it’s Piper’s chance to get the full scoop. But as they spend time together, Piper discovers that despite his dark streak, Rafael is smart, kind, funny, and gorgeous—and she might have real feelings for him. How can she break the story of a lifetime if it could destroy the boy she just might love?

    Superstar Clay Coolidge is most definitely going to end up one of those things. But unfortunately for Clay, if he can’t convince Annie to join his summer tour, his music label is going to drop him. That’s what happens when your bad boy image turns into bad boy reality. Annie has been avoiding the spotlight after her parents’ tragic death, except on her skyrocketing YouTube channel. Clay’s label wants to land Annie, and Clay has to make it happen. Swayed by Clay’s undeniable charm and good looks, Annie and her band agree to join the tour. From the start fans want them to be more than just tour mates, and Annie and Clay can’t help but wonder if the fans are right. But if there’s one part of fame Annie wants nothing to do with, it’s a high-profile relationship. She had a front row seat to her parents’ volatile marriage and isn’t interested in repeating history. If only she could convince her heart that Clay, with his painful past and head over heels inducing tenor, isn’t worth the risk.

    Though she lived through the accident that killed her boyfriend Patrick, the girl she used to be didn’t survive. Instead of heading off to college as planned, Wren retreats to her father’s studio in the far-north woods of Maine. Somewhere she can be alone.Then she meets Cal Owen. Dealing with his own troubles, Cal’s hiding out too. When the chemistry between them threatens to pull Wren from her hard-won isolation, Wren has to choose: risk opening her broken heart to the world again, or join the ghosts who haunt her.

    Waiting for her are two firemen, there to let her know that the moment she's been dreading has arrived: the enormous wildfire sweeping through Orange County, California, is now dangerously close to her idyllic gated community of Coto de Caza, and it's time to evacuate.Over the course of the next twenty-four hours, as Audrey wrestles with the possibility of losing her family home, she also recalls her early, easy summer days with Brooks, the charming, passionate, but troubled volunteer firefighter who enchants Audrey--and who is just as enthralled by her. But as secrets from Brooks's dark past come to light, Audrey can't help but wonder if there's danger in the pull she feels--both toward this boy, and toward the fire burning in the distance.

    Her dreams of karmic justice are fulfilled when, after a night out with her friends, she wakes up with the sudden ability to cast instant karma on those around her. Pru giddily makes use of the power, punishing everyone from public vandals to mean gossips, but there is one person on whom her powers consistently backfire: Quint Erickson, her slacker of a lab partner. Quint is annoyingly cute and impressively noble, especially when it comes to his work with the rescue center for local sea animals.When Pru resigns herself to working at the rescue center for extra credit, she begins to uncover truths about baby otters, environmental upheaval, and romantic crossed signals—not necessarily in that order. Her newfound karmic insights reveal how thin the line is between virtue and vanity, generosity and greed, love and hate . . . and fate.

    Inspired by a list of goals her grandmother made in 1962, Mallory swears off technology and returns to a simpler time (when boyfriends couldn’t cheat with computer avatars). The List:1. Run for pep club secretary2. Host a fancy dinner party/soiree3. Sew a dress for Homecoming4. Find a steady5. Do something dangerousBut simple proves to be crazy-complicated, and the details of the past begin to change Mallory’s present. Add in a too-busy grandmother, a sassy sister, and the cute pep-club president–who just happens to be her ex’s cousin–and soon Mallory begins to wonder if going vintage is going too far.