The problem with that: she’s not. She’s smart and creative and a little bit funky. She’s also an unwilling player in her parents’ modern-hippy, let’s-live-on-a-goat-farm experiment (regretfully, instigated by a younger, much more enthusiastic Janie). This, to put it simply, is not helping Janie reach that “normal target.” She has to milk goats every day…and endure her mother’s pseudo celebrity in the homemade-life, crunchy mom blogosphere. Goodbye the days of frozen lasagna and suburban living, hello crazy long bus ride to high school and total isolation--and hovering embarrassments of all kinds. The fresh baked bread is good…the threat of homemade jeans, not so much. It would be nice to go back to that old suburban life…or some grown up, high school version of it, complete with nice, normal boyfriends who wear crew neck sweaters and like social studies. So, what’s wrong with normal? Well, kind of everything. She knows that, of course, why else would she learn bass and join Jam Band, how else would she know to idolize infamous wild-child and high school senior Emma (her best friend Sarah’s older sister), why else would she get arrested while doing a school project on a local freedom school (jail was not part of the assignment). And, why else would she kind of be falling in "like" with a boy named Monster—yes, that is his real name. Janie was going for normal, but she missed her mark by about ten miles…and we mean that as a compliment. Frances O’Roark Dowell’s fierce humor and keen eye make her YA debut literary and wise. In the spirit of John Green and E. Lockhart, Dowell’s relatable, quirky characters and clever, fluid writing prove that growing up gets complicated…and normal is WAY overrated.

    And there’s one more thing. It’s all about feeling comfortable in your own skin-—no matter how you add it up!

    She was the author of the best–selling Alvin Hatter series, about siblings who discover the elixir of immortality. Her writing inspired a generation of readers. In her will, she leaves one last writing project—just for Lottie. It’s a series of letters, each containing mysterious instructions designed to push Lottie out of her comfort zone. Soon, Lottie’s trying some writing of her own, leaping off cliffs, and even falling for a boy she’s only just met. Then the letters reveal an extraordinary secret about the inspiration for the Alvin Hatter series. Lottie finds herself faced with an impossible choice, one that will force her to confront her greatest fear once and for all.

    About dating the enemy that is. They were true to their hearts.Kaitlin Malone know what it's like to date the enemy. She was raised to hate the Crutchfields, and absolutely does - until she meets Bram Crutchfield. It turns out he's a great guy - one she could talk to, share things with...even love. But when Kaitlin gives her heart to Bram, her world spins out of control. Soon the Crutchfields are her friends and she's a traitor to her own family.To make things worse ,Bram was raised to hate the Malones,especially Kaitlin's father - who murdered Bram's dad. Bram doesn't know Kaitlin is a Malone. If he did he would hate her, too.What's a star-crossed lover to do?

    While navigating her doomed social life, she writes scathing, self-aware, and sometimes downright raunchy essays for English class. As a result of her unfiltered writing style, she is forced to see the school psychologist and enroll in a "social skills" class. But when she meets Daniel, another social misfit who is obsessed with the cult classic film The Big Lebowski, Danielle's resolve to keep everyone at arm's length starts to crumble.

    She speaks High School, College, Friends, Boyfriends, Break-ups, and even the language of Beautiful Girls. But none of these is her native tongue -- the only people who speak that are her best friend Stu and her sister Kate. So when Kate gets engaged to an epically insufferable guy, how can Josie see it as anything but the mistake of a lifetime? Kate is determined to bend Josie to her will for the wedding; Josie is determined to break Kate and her fiancé up. As battles are waged over secrets and semantics, Josie is forced to examine her feelings for the boyfriend who says he loves her, the sister she loves but doesn't always like, and the best friend who hasn't said a word -- at least not in a language Josie understands.

    Sixteen-year-old Petula De Wilde is anything but wild. A family tragedy has made her shut herself off from the world. Once a crafting fiend with a happy life, Petula now sees danger in everything, from airplanes to ground beef. The worst part of her week is her comically lame mandatory art therapy class. She has nothing in common with this small band of teenage misfits, except that they all carry their own burden of guilt.When Jacob joins their ranks, he seems so normal and confident. Petula wants nothing to do with him, or his prosthetic arm. But when they’re forced to collaborate on a unique school project, she slowly opens up, and he inspires her to face her fears.Until a hidden truth threatens to derail everything.

    In this coming-of-age, rock-and-roll, Da Vinci Code-style tale, high school loser Tom Henderson discovers his deceased father's copy of The Catcher in the Rye and finds himself in the middle of several interlocking conspiracies and at least half a dozen mysteries.

    After all, it’s better to be the girl who tames the wild surfer than just another notch on his surfboard.

      Witty, sarcastic Ethan and his three best friends are students at Selwyn Arts Academy, which has been hijacked by For Art’s Sake, a sleazy reality-television show. In the tradition of Ezra Pound, the foursome secretly writes and distributes a long poem to protest the show. They’re thrilled to have started a budding rebellion.   But the forces behind the show are craftier than they seem. The web of betrayal stretches farther than Ethan could have ever imagined, and it’s up to him, his friends, and a heroic gerbil named Baconnaise to save Selwyn.

    She sings solos at church, babysits her nephew after school, and spends every Friday night hanging out at her best friend Devon’s house. It’s only when Amber goes exploring in the woods near her home, singing camp songs with the hikers she meets on the Appalachian Trail, that she feels free—and when the bigger world feels just a little bit more in reach.When Amber learns about an audition at the North Carolina School of the Arts, she decides that her dream—to sing on bigger stages—could also be her ticket to a new life. Devon’s older (and unavailable) brother, Will, helps Amber prepare for her one chance to try out for the hypercompetitive arts school. But the more time Will and Amber spend together, the more complicated their relationship becomes . . . and Amber starts to wonder if she’s such a good girl, after all.Then, in an afternoon, the bottom drops out of her family’s world—and Amber is faced with an impossible choice between her promise as an artist and the people she loves. Amber always thought she knew what a good girl would do. But between “right” and “wrong,” there’s a whole world of possibilities.

    At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike—and she abandons them both in a rage. When Mike drunkenly attempts to drive Audrey home, he crashes and Audrey ends up in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend (who is relatively unscathed) has a drinking problem. So it’s a surprise that she finds herself reconnecting with Raf, a neighbor and childhood friend who’s recently out of rehab and still wrestling with his own demons. At first Harley doesn’t want to get too close to him. But as Audrey awakens and slowly recovers, Raf starts to show Harley a path forward that she never would have believed possible—one guided by honesty, forgiveness, and redemption.

    Smart. Self-destructive. She knew the secrets of Brighton Day School's most privileged students. Secrets that got her killed.Neily: Dumped by Carly for a notorious bad boy, Neily didn't answer the phone call she made before she died. If he had, maybe he could have helped her. Now he can't get the image of her lifeless body out of his mind.Audrey: She's the reason Carly got tangled up with Brighton's fast crowd in the first place, and now she regrets it,”especially since she's convinced the police have put the wrong person in jail. Audrey thinks the murderer is someone at Brighton, and she wants Neily to help her find out who it is.As reluctant allies Neily and Audrey dig into their shared past with Carly, her involvement with Brighton's dark goings-on comes to light. But figuring out how Carly and her killer fit into the twisted drama will force Audrey and Neily to face hard truths about themselves and the girl they couldn't save.

    Please come right away.We have to finish."Frances Robinson is in high school now. She lives a quiet, suburban life, far from her horrifying past. When she was a child, her birthmother smothered her three sisters. Through pure luck, Frances survived. Now her mother has just been released from prison . . . and she wants to see Frances.A new boy at school called Nix charms Frances. Together, Nix and Frances embark on a clandestine journey to visit Frances' mother: to confront the monster in its lair. This trip will help Frances at last find peace or die trying. But no matter what, Frances will discover just what it means to finish.

    But now its senior year and they haven’t spoken in three months. Not since the fight, where they each said things they couldn’t take back. They’re aching to break the silence, but those thirty-six steps between their bedroom windows feel more like thirty-six miles.Then one fateful night, Emory’s boyfriend, Luke, almost dies. And Hannah is the one who finds him and saves his life.As Luke tries to make sense of his near-death experience, he secretly turns to Hannah, who becomes his biggest confidante. In Luke, Hannah finds someone she can finally talk to about all the questions she’s grappling with. Emory just wants everything to go back to normal–the way it was before the accident. She has no idea why her relationship is spiraling out of control. But when the horrifying reason behind Hannah and Emory’s argument ultimately comes to light, all three of them will be forced work together to protect the one with the biggest secret of all.In the follow-up to her New York Times bestseller, Every Last Word, Tamara Ireland Stone crafts a deeply moving, unforgettable story about love, betrayal, and the power of friendship. * 2019 NCIBA Golden Poppy Award Winner * Bank Street College Best Children’s Books of the Year *"A beautiful testament to friendship and the intricate patterns we weave throughout each other's lives."―Robin Benway, National Book Award winning author of Far From the Tree "Beautiful, heartfelt, deep, and real. This book broke my heart and I loved every minute of it."―Robyn Schneider, author of The Beginning of Everything "Little Do We Know is a beautiful, affecting novel. Stone writes compellingly about the power of friendship, of love."―New York Times best-selling author Luanne Rice "Touching on weighty issues, including sexual harassment, religious crises, friendship, and taboo love, Stone writes a thought-provoking novel that challenges conventional ideas." ― Publishers Weekly, starred review "A realistic fiction novel for those who enjoy a dramatic romance; a must-have for most YA shelves." -- School Library Journal