He's a rich kid from across the bridge in Stony Bay, and she hails from a family of fishermen and housecleaners who keep the island's summer people happy. Gwen worries a life of cleaning houses will be her fate too, but just when it looks like she'll never escape her past—or the island—Gwen's dad gives her some shocking advice. Sparks fly and secret histories unspool as Gwen spends a gorgeous, restless summer struggling to resolve what she thought was true—about the place she lives, the people she loves, and even herself—with what really is.

    It’s not a lot to ask. But that’s before he’s given some bad news: he’s sick and he’s going to die. Which totally sucks. Hope arrives in the winged form of Dulcie, a loopy punk angel/possible hallucination with a bad sugar habit. She tells Cam there is a cure—if he’s willing to go in search of it. With the help of a death-obsessed, video-gaming dwarf and a yard gnome, Cam sets off on the mother of all road trips through a twisted America into the heart of what matters most.

    As their small town mourns his death, Allie is afraid to remember because doing so means delving into what she’s kept hidden for so long: the horrible reality of their abusive relationship. When the police reopen the investigation, it casts suspicion on Allie and her best friend, Blake, especially as their budding romance raises eyebrows around town. Allie knows she must tell the truth. Can she reach deep enough to remember that night so she can finally break free? Debut writer Jennifer Shaw Wolf takes readers on an emotional ride through the murky waters of love, shame, and, ultimately, forgiveness.

    Inside, she’s a freak: a mix of dark thoughts, diabolical plots, and, if local chatter is to be believed, vampire DNA (after all, her father is Romanian). But she keeps it under wraps to maintain her social position. One step out of line and Becky Vilhauer, first most popular girl in school, will make her life hell. So when former loner Logan McDonough shows up one September hotter, smarter, and more mysterious than ever, Anika knows she can’t get involved. It would be insane to throw away her social safety for a nerd. So what if that nerd is now a black-leather-jacket-wearing dreamboat, and his loner status is clearly the result of his troubled home life? Who cares if the right girl could help him with all that, maybe even save him from it? Who needs him when Jared Kline, the bad boy every girl dreams of, is asking her on dates? Who?Anatomy of a Misfit is Mean Girls meets The Perks of Being a Wallflower, and Anika’s hilariously deadpan delivery will appeal to readers for its honesty and depth. The so-sad-it’s-funny high school setting will pull readers in, but when the story’s dark foreboding gradually takes over, the devastating penultimate tragedy hits like a punch to the gut. Readers will ride the highs and lows alongside funny, flawed Anika — from laughter to tears, and everything in between.

    Madison—Mads to everyone who knows her—is trying her best to escape herself during one last summer away from a mother who needs more from her than she can give, and from a future that has been decided by everyone but her.Sometimes the lost do the unimaginable, like the woman, the body, Mads collides with in the middle of the water on a traumatic morning that changes everything.And sometimes the lost are the ones left behind, like the son of the woman in the water, Billy Youngwolf Floyd. Billy is struggling to find his way through each day in the shadow of grief. His one comfort is the map he carries in his pocket, out of his favorite book, From the Mixed-Up Files of Mrs. Basil E. Frankweiler.When three lives (and one special, shared book) collide, strange things happen. Things like questions and coincidences and secrets—lots of secrets. Things like falling in love. But can two lost people telling so many lies find their way through tragedy to each other…and to solid ground?

    Rebel (as she’s known) decides to complete the dead girl’s bucket list to prove that choice, not chance, controls her fate. In doing so, she unexpectedly opens her mind and heart to a world she once dismissed—a world of friendships, family, and faith. With a shaken sense of self, she must reevaluate her loner philosophy—particularly when she falls for Nate, the golden boy do-gooder who never looks out for himself. Perfect for fans of Jay Asher’s blockbuster hit Thirteen Reasons Why, Coriell’s second novel features her sharp, engaging voice along with realistic drama and unforgettable characters.

    Someone is stalking him . . . messing with him . . . threatening him. Worse, ever since his best friend Ariel has been gone, he's been unable to sleep, spending night after night torturing himself for his role in her absence. And as crazy as it sounds, Evan's starting to believe it's Ariel that's behind all of this, punishing him. But the more Evan starts to unravel the mystery, the more his paranoia and insomnia amplify, and the more he starts to unravel himself. Creatively told with black-and-white photos interspersed between the text so the reader can see the photos that are so unnerving to Evan, Every You, Every Me is a one-of-a-kind departure from a one-of-a-kind author.

    It’s not that he means to screw things up all the time, it just happens. A lot. Case in point: his attempt to ask out the girl he likes literally goes up in flames when he spells “Prom” in sparklers on her lawn…and nearly burns down her house. As if that wasn’t bad enough, Peyton Breedlove, a brooding loner and budding pyromaniac, witnesses the whole thing. Much to Hank’s dismay, Peyton takes an interest in him—and his “work.” The two are thrust into an unusual friendship, but their boundaries are tested when Hank learns that Peyton is hiding some dark secrets, secrets that may change everything he thought he knew about Peyton.

    The year she emerged from her older sister’s shadow—and Kiera, who became a best-selling graphic novelist before she even graduated from high school, casts a long one. But it hasn’t worked out that way, not quite. So Normandy turns to her art and writing, and the “truth commission” she and her friends have started to find out the secrets at their school. It’s a great idea, as far as it goes—until it leads straight back to Kiera, who has been hiding some pretty serious truths of her own. Susan Juby’s The Truth Commission: A story about easy truths, hard truths, and those things best left unsaid.

    Her father's "bunny rabbit." A mildly geeky girl attending a highly competitive boarding school. Frankie Landau-Banks at age 15: A knockout figure. A sharp tongue. A chip on her shoulder. And a gorgeous new senior boyfriend: the supremely goofy, word-obsessed Matthew Livingston. Frankie Landau-Banks, at age 16: No longer the kind of girl to take "no" for an answer and possibly a criminal mastermind. This is the story of how she got that way.Frankie Landau-Banks. No longer the kind of girl to take "no" for an answer. Especially when "no" means she's excluded from her boyfriend's all-male secret society. Not when her ex-boyfriend shows up in the strangest of places. Not when she knows she's smarter than any of them. When she knows Matthew's lying to her. And when there are so many, many pranks to be done.

    All a big misunderstanding of course. To avoid the Young Offenders unit, Ben is ordered to give something back to the community and develop his sense of social alignment. Take up a hobby and keep on the straight and narrow. The hot teacher he likes runs a knitting group so Ben, reluctantly at first, gets 'stuck in'. Not easy when your dad is a sports fan and thinks Jeremy Clarkson is God. To his surprise, Ben finds that he likes knitting and that he has a mean competitive streak. If he can just keep it all a secret from his mates...and notice that the girl of his dreams, girl-next-door Megan Hooper has a bit of a thing for him...

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    But I’m not dead yet. I still need to keep things interesting. Sylvie, too. I mean, we’re kids, hospice-hostages or not. We freak out visitors; I get my uncle to sneak me out for one insane Halloween night. Stuff like that. And Sylvie wants to make things even more interesting. That girl’s got big plans.Only Sylvie’s father is so nuclear-blasted by what’s happened to his little girl, he glows orange, I swear. That’s one scary man, and he’s not real fond of me. So we got a major family feud going on, right here in hospice. DO NOT CROSS line running down the middle of the hall, me on one side, her on the other. It’s crazy.In the middle of all of this, really, there’s just me and Sylvie, a guy and a girl. And we want to live, in our way, by our own rules, in whatever time we’ve got. We will pack in some living before we go, trust me.

    Aphrodite, as she calls herself when writing the relationship column for her school paper-is accused of knowing nothing about guys and giving girls bad relationship advice, she decides to investigate what guys really think and want. But the guys in her class won't give her straight or serious answers. The only solution? Disguising herself as a guy and spending a week at Underwood Academy, the private all-boy boarding school in town. There she learns a lot about guys and girls in ways she never expected-especially when she falls for her dreamy roommate, Emilio. How can she show him she likes him without blowing her cover?

    On Christmas Day their rich and imperious grandmother gathers the family and announces that she will soon die . . .and has cut the entire family out of her will. Since she is the source of almost all their income, this means they will soon be penniless. Someone in the family has offended her deeply. If that person comes forward with a confession of her (or his) crime, submitted in writing to her lawyer by New Year's Day, she will reinstate the family in her will. Or at least consider it.And so the confessions begin....