Or is he? The image of the young king leading his army against the French and his stunning victory at Agincourt are part of English historical tradition. Yet to understand Henry V we need to look at far more than his military prowess.While Henry was indeed a soldier of exceptional skills, his historical reputation as a king deserves to be set against a broader background of achievement, for he was a leader and a diplomat, an administrator, a keeper of the peace and protector of the Church, a man who worked with and for his people.During the previous half century or so, England had been ruled by an old king in his dotage (Edward III), by a king with unusually autocratic views and tendencies (Richard II) and by Henry V's own father (Henry IV), a man never strong enough either morally, politically or physically to give a firm lead to his country. When Henry V came to the throne in 1413, England lived in hope of better days.This new study, the first full scholarly biography of Henry V, based on the primary sources of both English and French archives and taking into account a great deal of recent scholarship, shows his reign in the broad European context of his day. It concludes that, through his personality and 'professional' approach, Henry not only united the country in war but also provided England with a sense of pride and the kind of domestic rule it was so in need of at the time. Together, those factors form the true basis of the high regard in which he is rightly held.

    Paul Murray Kendall's masterful account of the life of England's King Richard III has remained the standard biography of this controversial figure.

    Anne is little more than a child when her father falls foul of Edward IV, and she is married without Royal sanction to the Lancastrian heir, a man she has been taught to loathe. Before her childhood sweetheart, Richard of Gloucester can prevent it, she is exiled, married, widowed, kidnapped and finally held captive before he can discover her whereabouts and restore her liberty. But, just as Anne’s dreams are finally within her grasp, King Edward dies and names his brother Richard as Lord Protector, and her world falls apart again. The historical record provides just a few glimpses of Anne and the little we know of her is gleaned from accounts of the men who controlled her world. A Daughter of Warwick adds flesh to the bones of Anne’s story and considers the impact of medieval war on a defenceless girl. A Daughter of Warwick is J. M Ruddock’s first novel. She is currently working on the sequel.

    Richard III's story, told in first person from his point of view, using, where possible, Richard's actual words (in modern English.) From the battle of Barnet when Richard is only 18 through his marriage to Anne Neville, to unexpected kingship, betrayal by his 'friend' Buckingham...and the mystery of the vanished princes. Then it is on through the pain of the loss of his only legitimate son Edward, to the final deadly conflict on Bosworth Field against Henry Tudor. A different fictional look at England's most loved--and most hated--King.. Not a wooden saint, nor yet Shakespeare's hunchbacked fiend, a flesh and blood, fallible man: King's brother, royal duke, scoliosis sufferer, warrior, husband, father. Called 'a new Ricardian classic.' Approximately 250,000 words. Contains what is probably the most up to date fictional account of Richard's last moments at Bosworth, based on the archaeology and forensics.

    Her childhood was spent in the centre of the Spanish reconquest and was dominated by her military hero of a father (St Ferdinand) and her prodigiously clever brother (King Alfonso X the Learned). Married at the age of twelve and a mother at thirteen, she gave birth to at least sixteen children, most of whom died young. She was a prisoner for a year amid a civil war in which her husband’s life was in acute danger. Devoted to Edward, she accompanied him everywhere, including on Crusade to the Holy Land. All in all, she was to live for extended periods in five different countries.Eleanor was a highly dynamic, forceful personality who acted as part of Edward’s innermost circle of advisers, and successfully accumulated a vast property empire for the English Crown. In cultural terms her influence in architecture and design – and even gardening – can be discerned to this day, while her idealised image still speaks to us from Edward’s beautiful memorials to her, the Eleanor crosses. This book reveals her untold story.

    Civil unrest is at its peak and the legitimacy of the royal family is suspect. Meanwhile, deep in the forests of western England, a baby is born. Powerful forces plot to kill both mother and child, but somehow the newborn girl survives. Her name is Anne. Fifteen years later, England emerges into a fragile but hopeful new age, with the charismatic young King Edward IV on the throne. Anne, now a young peasant girl, joins the household of a wealthy London merchant. Her unusual beauty provokes jealousy, lust, and intrigue, but Anne has a special quality that saves her: a vast knowledge of healing herbs. News of her extraordinary gift spreads, and she is called upon to save the ailing queen. Soon after, Anne is moved into the palace, where she finds her destiny with the man who will become the greatest love of her life -- the king himself.

    Through the turbulence of civil war, Martin serves his cousins -- Yorkist kings Edward IV and Richard III -- and learns the cost of loyalty and love in battlefields and bedchambers in a time when life is cheap and treachery hides behind a smile. Through Martin's eyes, Meredith Whitford's superbly researched and richly woven novel shows Shakespeare's conniving and perverse Richard III in a realistic new light - as a patriot and a lover. Never before has perceived history taken such a surprising turn as Whitford corrects the Shakespearean myth and crowns a new hero, bringing back to life the passion and heat of a breathless historical moment that shaped the world - a moment we know as the War of the Roses .a time of thorns and treason.

    In response to the recent upsurge of interest, her 2009 paperback has been updated with details of the discovery plus new illustrations, and a larger typeface for easier readability. Carson's premise is that for centuries the vision of Richard III has been dominated by the fictional creations of Thomas More and Shakespeare. Many voices, some of them eminent and scholarly, have urged a more reasoned view to replace the traditional black portrait. This book seeks to redress the balance by examining the events of his reign as they actually happened, based on reports in the original sources. Eschewing the overlay of assumptions so beloved by historians, she instead traces actions and activities of the principal characters, using facts and time-lines revealed in documentary evidence. In the process Carson dares to investigate areas where historians fear to tread, and raises many controversial questions.

    He’s had a pretty bad press: supposed usurper of Richard II’s crown and the focus of hatred in the Peasants’ Revolt (they torched his home, the Savoy Palace). Helen Carr will paint a complex portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, patronised the arts … and, if you follow Shakespeare, gave the most beautiful oration on England (‘this sceptred isle… this blessed plot’). An engrossing drama of political machinations, violence, romance and tragedy played out at the cusp of a new era.

    'The Other Tudors' examines the extraordinary untold tales of the women who Henry loved but never married, the mistresses who became queens and of his many children, both acknowledged and unacknowledged.

    The civil wars consumed the whole nation in a series of battles that eventually saw the Tudor dynasty take power. The much admired historian Desmond Seward tells the story of this complex and dangerous period of history through the lives of five men and women who experienced the conflict first hand. In a gripping narrative the personal trials of the principal characters interweave with the major events and personalities of one of the most significant turning points in British history.

    This is a page-turning, revisionist history of the villainised and misunderstood Mary Tudor, the first queen of England.

    They were playmates as children, impetuous lovers as adults-and for thirty years were the center of each others' lives. Astute to the dangers of choosing any one man, the Virgin Queen could never give her Sweet Robin what he wanted most-marriage- yet she insisted he stay close by her side. Possessive and jealous, their love survived quarrels, his two disastrous marriages to other women, her constant flirtations, and political machinations with foreign princes.His Last Letter tells the story of this great love... and especially of the last three years Elizabeth and Dudley spent together, the most dangerous of her rule, when their passion was tempered by a bittersweet recognition of all that they shared-and all that would remain unfulfilled.

    It was 4 August 1265 and he was about to face the royal army in the final battle of a quarrel that had raged between them for years. Outnumbered, outmanoeuvred and certain to lose, Simon chose to fight, knowing that he could not possibly win the day. The Song of Simon de Montfort is the story of this extraordinary man: heir to a great warrior, devoted husband and father, fearless crusader knight and charismatic leader. It is the story of a man whose passion for good governance was so fierce that, in 1258, frustrated by the King’s refusal to take the advice of his nobles and the increasing injustice meted out to his subjects, he marched on Henry III’s hall at Westminster and seized the reins of power. Montfort established a council to rule in the King’s name, overturning the social order in a way that would not be seen again until the rule of Oliver Cromwell in the seventeenth century. Having defeated the King at the Battle of Lewes in 1264, Montfort and his revolutionary council ruled England for some fifteen months, until the enmity between the two sides exploded on that August day in 1265. When the fighting was over, Montfort and a host of his followers had been cut down on the battlefield, in an outpouring of noble blood that marked the end of chivalry in England as it had existed since the Norman Conquest. Drawing on an abundance of sources that allow us to trace Montfort’s actions and personality in a depth not possible for earlier periods in medieval history, Sophie Thérèse Ambler tells his story with a clarity that reveals all of the excitement, chaos and human tragedy of England’s first revolution.

    Owen Tudor, incredibly handsome and gifted, a poet and singer by nature, a warrior by necessity, and a man ready to risk life for love. Theirs was a passion too perilous to reveal—and too fiery to be long restrained or concealed. This is their story.