On the morning of September 11, 2001, the phone rings while Rusty is rushing to work. The news is devastating: Rusty's mother has died of a stroke, leaving his brain-damaged older brother Ben alone. This news also saves Rusty's life. He's still at home when two planes hit the World Trade Center--and only one of his friends and colleagues survives. In a single day, the life Rusty built in New York crumbles to the ground. Rusty returns to his tiny hometown and the brother he was more than happy to leave behind. Ben hasn't changed a bit, but the town has. Tensions are running high in the wake of the terrorist attack, while Rusty struggles to put the the past behind him and care for the exasperating brother he loves. He finds refuge drinking coffee in the early morning with beautiful Egyptian-American Anat in her father's bakery. Rusty is beginning to get his life back...until one awful night threatens to take it all away again.

    Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal.Nearly thirty years later, Hugo’s estranged daughter, Joanna, has returned home to the English countryside to arrange her father’s funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.Still dealing with the emotional wounds of her own personal trauma, Joanna embarks on a healing journey to Tuscany to understand her father’s history—and maybe come to understand herself as well. Joanna soon discovers that some would prefer the past be left undisturbed, but she has come too far to let go of her father’s secrets now…

     At thirty-five, Gabriella Graham—“Ella” to her family and friends—has already made a name for herself as a successful portrait artist in London. She can capture the essential truth in each of her subjects’ faces—a tilt of the chin, a glint in the eye—and immortalize it on canvas. This gift has earned Ella commissions from royals and regular folks alike.But closer to home, Ella finds the truth more elusive. Her father abandoned the family when she was five, and her mother has remained silent on the subject ever since. Ella’s sister, Chloe, is engaged to Nate, an American working in London, but Ella suspects that he may not be so committed. Then, at Chloe’s behest, Ella agrees to paint Nate’s portrait.From session to session, Ella begins to see Nate in a different light, which gives rise to conflicted feelings. In fact, through the various people she paints—an elderly client reflecting on her life, another woman dreading the prospect of turning forty, a young cyclist (from a photograph) who met a tragic end—Ella realizes that there is so much more to a person’s life than what is seen on the surface, a notion made even clearer when an unexpected email arrives from the other side of the world. And as her portraits of Nate and the others progress, they begin to reveal less about their subjects than the artist herself.A picture is worth a thousand words, and in Isabel Wolff’s vibrant and textured story, these words are brilliantly crafted to convey the humor, mystery, and beauty that exists within each of us.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    The Sweetness of Forgetting is the book that made Kristin Harmel an international bestseller.At thirty-six, Hope McKenna-Smith is no stranger to bad news. She lost her mother to cancer, her husband left her for a twenty-two year old, and her bank account is nearly depleted. Her own dreams of becoming a lawyer long gone, she's running a failing family bakery on Cape Cod and raising a troubled preteen.Now, Hope's beloved French-born grandmother Mamie, who wowed the Cape with her fabulous pastries for more than fifty years, is drifting away into a haze of Alzheimer's. But in a rare moment of clarity, Mamie realizes that unless she tells Hope about the past, the secrets she has held on to for so many years will soon be lost forever. Tantalizingly, she reveals mysterious snippets of a tragic history in Paris. And then, arming her with a scrawled list of names, she sends Hope to France to uncover a seventy-year-old mystery.Hope's emotional journey takes her through the bakeries of Paris and three religious traditions, all guided by Mamie's fairy tales and the sweet tastes of home. As Hope pieces together her family's history, she finds horrific Holocaust stories mixed with powerful testimonies of her family's will to survive in a world gone mad. And to reunite two lovers torn apart by terror, all she'll need is a dash of courage, and the belief that God exists everywhere, even in cake...

    When tragedy strikes, Rachel is separated from her brother Sam and sent to a Jewish orphanage where Dr. Mildred Solomon is conducting medical research. Subjected to X-ray treatments that leave her disfigured, Rachel suffers years of cruel harassment from the other orphans. But when she turns fifteen, she runs away to Colorado hoping to find the brother she lost and discovers a family she never knew she had.Though Rachel believes she’s shut out her painful childhood memories, years later she is confronted with her dark past when she becomes a nurse at Manhattan’s Old Hebrews Home and her patient is none other than the elderly, cancer-stricken Dr. Solomon. Rachel becomes obsessed with making Dr. Solomon acknowledge, and pay for, her wrongdoing. But each passing hour Rachel spends with the old doctor reveal to Rachel the complexities of her own nature. She realizes that a person’s fate—to be one who inflicts harm or one who heals—is not always set in stone.Lush in historical detail, rich in atmosphere and based on true events, Orphan #8 is a powerful, affecting novel of the unexpected choices we are compelled to make that can shape our destinies.

    When her best friend, Gemma, loses her parents in a tragic fire, Jessilyn's father vows to care for her as one of his own, despite the fact that Gemma is black and prejudice is prevalent in their southern Virginia town. Violence springs up as a ragtag band of Ku Klux Klan members unite and decide to take matters into their own hands. As tensions mount in the small community, loyalties are tested and Jessilyn is forced to say good-bye to the carefree days of her youth. Fireflies in December is the 2007 winner of the Christian Writers Guild's Operation First Novel contest.

    Devastated by her mother’s apparent insanity, Izzy, now seventeen, refuses to visit her in prison. But her new foster parents, employees at a local museum, have enlisted Izzy’s help in cataloging items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades old journal, and a window into her own past.Clara Cartwright, eighteen years old in 1929, is caught between her overbearing parents and her love for an Italian immigrant. Furious when she rejects an arranged marriage, Clara’s father sends her to a genteel home for nervous invalids. But when his fortune is lost in the stock market crash, he can no longer afford her care—and Clara is committed to the public asylum.Even as Izzy deals with the challenges of yet another new beginning, Clara’s story keeps drawing her into the past. If Clara was never really mentally ill, could something else explain her own mother’s violent act? Piecing together Clara’s fate compels Izzy to re-examine her own choices—with shocking and unexpected results.Illuminating and provocative, WHAT SHE LEFT BEHIND is a masterful novel about the yearning to belong—and the mysteries that can belie even the most ordinary life.

    Determined to make something of herself, Anna moves into a cramped New York slum and finds a job in a sweatshop. When two very different men fall in love with her, Anna is destined to be forever torn in love and loyalty.

    The curmudgeonly Charles Drooms is perfectly content with his life as the owner of a successful accounting firm. However, when the beautiful widow, Lillian Hapsey, and her two young sons move down the hall from him, his narrow world is shaken. Three forces—Lillian, the Christmas season, and a mysterious little boy—converge to stir up powerful memories, pushing Drooms to make some life-altering decisions.

    Now, in this riveting new novel by the author of The Other Alcott, we see the world through her eyes…In 1918, a fearless twenty-two-year old arrives in bohemian San Francisco from the Northeast, determined to make her own way as an independent woman. Renaming herself Dorothea Lange she is soon the celebrated owner of the city’s most prestigious and stylish portrait studio and wife of the talented but volatile painter, Maynard Dixon. By the early 1930s, as America’s economy collapses, her marriage founders and Dorothea must find ways to support her two young sons single-handedly. Determined to expose the horrific conditions of the nation’s poor, she takes to the road with her camera, creating images that inspire, reform, and define the era. And when the United States enters World War II, Dorothea chooses to confront another injustice—the incarceration of thousands of innocent Japanese Americans. Learning to See is a gripping account of the ambitious woman behind the camera who risked everything for art, activism, and love. But her choices came at a steep price…

    Just beginning, she takes on the jobs no one else wants: those most in need-and least likely to pay. Patience is willing to do what it takes to fulfill her mentor's wishes, but starting a midwife practice means gaining trust, and Patience's secrets are too fragile to let anyone in.A stirring piece of Americana, The Midwife of Hope River beats with authenticity as Patience faces seemingly insurmountable conditions: disease, poverty, and prejudices threaten at every turn. From the dangerous mines of West Virginia to the terrifying attentions of the Klu Klux Klan, Patience must strive to bring new light, and life, into an otherwise cruel world.

    Her grandson and her daughter, Yuko, perished nearly forty years ago during the bombing of Nagasaki. But the man carries with him a collection of sealed private letters that open a Pandora’s Box of family secrets Ama had sworn to leave behind when she fled Japan. She is forced to confront her memories of the years before the war: of the daughter she tried too hard to protect and the love affair that would drive them apart, and even further back, to the long, sake-pouring nights at a hostess bar where Ama first learned that a soft heart was a dangerous thing. Will Ama allow herself to believe in a miracle?

     In 1950, Constantine Stassos, a Greek immigrant laborer, marries Mary Cuccio, an Italian-American girl, and together they produce three children: Susan, an ambitious beauty, Billy, a brilliant homosexual, and Zoe, a wild child. Over the years, a web of tangled longings, love, inadequacies and unfulfilled dreams unfolds as Mary and Constantine's marriage fails and Susan, Billy, and Zoe leave to make families of their own. Zoe raises a child with the help of a transvestite, Billy makes a life with another man, and Susan raises a son conceived in secret, each extending the meaning of family and love. With the power of a Greek tragedy, the story builds to a heartbreaking crescendo, allowing a glimpse into contemporary life which will echo in one's heart for years to come.

     For four young immigrant women living in Boston’s North End in the early 1900s, escaping tradition doesn’t come easy. But at least they have one another and the Saturday Evening Girls Club, a social pottery-making group offering respite from their hectic home lives—and hope for a better future.Ambitious Caprice dreams of opening her own hat shop, which clashes with the expectations of her Sicilian-born parents. Brilliant Ada secretly takes college classes despite the disapproval of her Russian Jewish father. Stunning Maria could marry anyone yet guards her heart to avoid the fate of her Italian Catholic mother, broken down by an alcoholic husband. And shy Thea is torn between asserting herself and embracing an antiquated Jewish tradition.The friends face family clashes and romantic entanglements, career struggles and cultural prejudice. But through their unfailing bond, forged through their weekly gathering, they’ll draw strength—and the courage to transform their immigrant stories into the American lives of their dreams.