Matthew Bannister said he was going to reinvent the station, the most popular in Europe. But things didn't go exactly to plan. The station lost millions of listeners. Its most famous DJs left, and their replacements proved to be disasters. Radio 1's commercial rivals regarded the internal turmoil with glee. For a while a saviour arrived, in the shape of Chris Evans. But his behaviour caused further upheavals, and his eventual departure provoked another mass desertion by listeners. What was to be done? In the middle of this crisis, Radio 1 bravely (or foolishly) allowed the writer Simon Garfield to observe its workings from the inside. For a year he was allowed unprecedented access to management meetings and to DJs in their studios, to research briefings and playlist conferences. Everyone interviewed spoke in passionate detail about their struggle to make their station credible and successful once more. The result is a gripping and often hilarious portrait a much loved national institution as it battles back from the brink of calamity.

    A year earlier his managerial career had reached its nadir amid speculation he would be forced out of Old Trafford. He was taken to the limit over the Roy Keane scandal, his volatile relationship with the media, the political fallout of Malcolm Glazer's takeover and a miserable six-month run in which the team were humbled in Europe, embarrassed by the Conference side Burton Albion and barracked by their own fans. Ferguson, it is claimed, came close to quitting. But the great man has used his inimitable managing skills and bloody-minded determination to turn it around yet again and remind everyone he is still the most formidable manager in the business.Written over the course of two hugely eventful, diverse and controversial seasons, "This Is The One" offers a unique, warts-and-all portrait of Ferguson from a privileged behind-the-scenes position. As a football writer for the Guardian, Daniel Taylor has been there from day one and seen every side of Ferguson, from the flint-faced authoritarian to the kind, quick-witted man with the heart the size of the Old Trafford trophy room. Entertaining, revelatory, sometimes shocking but always affectionate, this is the close-up look at one of the most talked-about figures in sport, in good times and bad, and culminating in the glory of his ninth tittle win.

    Nineteen-year-old Finn has just arrived in the city with his irrepressible and volatile girlfriend, Dilly, determined to even the score with his older brother Jack for abandoning him in the UK in the aftermath of their parents’ deaths. Across town, successful gallery owner Leo Emerson is haunted by loneliness, unsettled by the contrast between his life and that of his brother-in-law and oldest friend Isidor, who is enviably contented in his faith and his marriage. When Finn wanders into Leo’s gallery, a series of unexpected and interconnected events unfold, changing the lives of all four men, for better or worse. Leo and Isidor’s settled existences are overturned by events outside of their control, while Jack and Finn’s complex relationship reaches its long overdue showdown. Beautifully orchestrated and richly comic, Men Like Air explores the romance and solitude of cosmopolitan life, the transformative power of art, and the impact we have on one another’s lives—and what happens when the ties that bind us are tested or broken. It is an intense and uplifting story of growth and renewal, mapping the complex workings of the human heart across the streets of New York City.