A beautiful and lively companion to the award-winning The Cazuela That the Farm Maiden Stirred.A young girl sets out on errands for the day, and while she's gone, the farm maiden prepares a piñata from scratch with help from a boy, horse, goose, cat, sheep, and farmer. After they all fall asleep in the afternoon sun, they must scramble to finish preparations in time--just as the girl arrives back to her surprise party. Key English words change to Spanish as the cumulative verse builds to the celebratory ending. With the familiarity of "The House That Jack Built," the tale cleverly incorporates Spanish words, adding a new one in place of the English word from the previous page. This book makes learning the language easy and fun. Back matter includes a glossary, definitions, and directions for making a piñata at home.

    The Governor General Award--winning team behind When We Were Alone shares a story that honors our connections to our past and our grandfathers and fathers.A boy and Moshom, his grandpa, take a trip together to visit a place of great meaning to Moshom. A trapline is where people hunt and live off the land, and it was where Moshom grew up. As they embark on their northern journey, the child repeatedly asks his grandfather, Is this your trapline? Along the way, the boy finds himself imagining what life was like two generations ago -- a life that appears to be both different from and similar to his life now. This is a heartfelt story about memory, imagination and intergenerational connection that perfectly captures the experience of a young child's wonder as he is introduced to places and stories that hold meaning for his family.

    A little peace and quiet would make it just right. So the villagers elect the bossy Don Pepe as their mayor. Before long, singing of any kind is outlawed. Even the teakettle is afraid to whistle!But there is one noisy rooster who doesn't give two mangos about this mayor's silly rules. Instead, he does what roosters were born to do.He sings: "Kee-kee-ree-KEE!" Carmen Deedy's masterfully crafted allegory and Eugene Yelchin's bright, whimsical mixed-media paintings celebrate the spirit of freedom -- and the courage of those who are born to sing at any cost.

    If the first step toward healing the world is to build bridges of empathy and to celebrate rather than discriminate, Why Am I Me? helps foster a much-needed sense of connection, compassion, and love.

    Lyrically written and lovingly illustrated." - School Library Journal "Hesse's language is a quiet, elegant surge.... Muth contributes fine watercolor atmospherics." - Kirkus Reviews

    When people ask, “Why is your hair so BIG?” she answers, “Why isn’t yours?” Her hair is soft, it protects her, it’s both gentle and fierce. While some might worry about how it’s different and try to contain it, she gives it the freedom to be so extraordinary it almost has a life of its own.Told in bold verse and vivid, fantastical illustrations, these critical questions will ring familiar, and the proud, confident answers show that what really matters is how readers see themselves.

    In a three-generation family, the bag is transporter of objects and keeper of memories. And when Grandfather comes to the end of his life, the family finds a meaningful new way for the battered, but much-loved brown bag to continue its journey in the circle of life.

    In America, Sakura misses the blossoming cherry tree where she and her grandmother would play and picnic. How will she feel at home in this new and unfamiliar place? What if she forgets the beloved grandmother she left behind? Making friends with her neighbour helps Sakura feel more settled and when springtime finally arrives, a gorgeous and fateful surprise awaits her.Sakura's Cherry Blossoms captures the beauty of the healing power of friendship through Weston's Japanese poetry-inspired text and Saburi's breathtaking illustrations.

    One is raised by a grandmother, and another has two dads. One is full of stepsiblings, and another has a new baby.As one by one, her classmates describe who they live with and who loves them — family of every shape, size and every kind of relation — the child realizes that as long as her family is full of caring people, her family is special.A warm and whimsical look at many types of families written by award-winning author Sara O’Leary, A Family is a Family is a Family springs to life with quirky and sweet illustrations by Qin Leng.

    A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

    Lovely explores a world of differences that all add up to the same thing: we are all lovely!

    �Tenga cuidado! Ramsey shouts. Be careful! But it's too late. The octopus traps Grandma!Ramsey uses both art and intellect to free his beloved abuela.Then the story takes a surprising twist. And it can be read two ways. Open the fold-out pages to find Ramsey telling a story to his family. Keep the pages folded, and Ramsey's octopus adventure is real.This beautifully illustrated picture book, drawn from the author's childhood memories, celebrates creativity, heroism, family, grandmothers, grandsons, Puerto Rican food, Latinx culture and more.With an author's note and the Velasquez family recipe for Octopus Stew!A Bank Street Best Book of the Year

    The musician answers, "The most beautiful sound is the sound of ma, of silence."But Yoshio lives in Tokyo, Japan: a giant, noisy, busy city. He hears shoes squishing through puddles, trains whooshing, cars beeping, and families laughing. Tokyo is like a symphony hall!Where is silence?Join Yoshio on his journey through the hustle and bustle of the city to find the most beautiful sound of all.

    A cat, perhaps. Or a rabbit. An owl? But when a hungry wolf arrives—a wolf who HATES eating frogs—our hero decides that maybe being himself isn’t so bad after all.

    He has a room to himself, where he can line up his precious things and nobody will move them one inch. But one day everything changes. When the new small person comes along, it seems that everybody might like it a bit more than they like Elmore Green. And when the small person knocks over Elmore’s things and even licks his jelly-bean collection, Elmore’s parents say that he can’t be angry because the small person is only small. Elmore wants the small person to go back to wherever it came from. Then, one night, everything changes. . . . In her signature visual style, Lauren Child gets to the heart of a child’s evolving emotions about becoming a big brother or sister.