This second collection brings together the best of his other non-fiction pieces, on film and tv, writers and painters and music, and including one exceptional fragment of autobiography. With subject matter ranging from the Sundance Festival to Abbey Road Studios, from P.G. Wodehouse to The West Wing, these are pieces that ‘were written for fun, or because I felt I had things to say and time to say them, or because the commissions were unusual and imaginative, or because … I was being asked to go somewhere I had never been before.’

    It ultimately challenges the cultural assumptions of both conservatives and traditional liberals. 47 photographs.

    It includes Urth humor and a lexicon of the words he used (every one of which is/was an actual word used at one time--a well known trait of Gene.) A must have, though a hard find, for any Gene Wolfe fan. And if you're not a fan, go be one, okay? It's way worth it.

    Welcome to Urban Monad 116. A lofty spire reaching nearly two miles into the sky, the one thousand stories of this building are home to over eight hundred thousand people living in peace and harmony. In the year 2381, nearly all of Earth's 75 billion live in the hundreds of monolithic structures scattered across the globe, with the exception of the small agricultural communes that supply the Urbmons with food. Life in Urbmon 116 is highly regulated, life is cherished, and the culture of procreation is seen as the highest pinnacle of god's plan. Conflict is abhorred, and any who disturb the peace face harsh punishment, to risk being labeled a flippo, for whom there is only one punishment, being sent "down the chute" to be recycled as fertilizer. But inside their glorious world are a few who dare to doubt and dream:Aurea Holston, a beautiful young bride who fears leaving the only world she's ever known.Jason Quevedo, a historian, searches records of the twentieth century hoping to find the root of his discontent with the perfection of Urbmon life.Siegmund Kluver, a young and ambitious administrator, strives to reach the top levels of the Urbmon?s government and discovers the civilization's dark truths.Michael Statler, a computer engineer, harbors a forbidden desire. He dreams of leaving the building, of walking in the open air and visiting the far-off sea. This is a dream he must keep secret. If anyone were to find out, he'd face the worst punishment imaginable.The World Inside is a fascinating exploration of society and what makes us human, told by a master of speculative fiction. This novel consists of a number of shorter works linked together. Fixup of the following stories: All the Way Up, All the Way Down (1971), We Are Well Organized (1970). The Throwbacks (1970), The World Outside (1970), A Happy Day in 2381 (1970), and In the Beginning (1970).

    Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, García Márquez, Beckett, and Calvino, Annie Dillard shows why fiction matters and how it can reveal more of the modern world and modern thinking than all the academic sciences combined. Like Joyce Cary's Art and Reality, this is a book by a writer on the issues raised by the art of literature. Readers of Pilgrim at Tinker Creek and Holy the Firm will recognize Dillard's vivid writing, her humor, and the lively way in which she tackles the urgent questions of meaning in experience itself.

    Steiner’s discussion of the break with the traditional literary past (Jewish, Christian, Greek, and Latin) is illuminating and attractively undogmatic.  He writes as a man sharing ideas, and his original notions, though scarcely cheerful, have the bracing effect that first-rate thinking always has.” –New Yorker“In Bluebeard’s Castle is a brief and brilliant book.  An intellectual tour de force, it is also a book that should generate a profound excitement and promote a profound unease…like the great culturalists of the past.  Steiner uses a dense and plural learning to assess his topic: his book has the outstanding quality of being not simply a reflection on culture, but an embodiment of certain contemporary resources within it.  The result is one of the most important books I have read for a very long time.”—New Society

    Here is the definitive guide to the geography of Middle-earth, from its founding in the Elder Days through the Third Age, including the journeys of Bilbo, Frodo, and the Fellowship of the Ring. Authentic and updated -- nearly one third of the maps are new, and the text is fully revised -- the atlas illuminates the enchanted world created in THE SILMARILLION, THE HOBBIT, and THE LORD OF THE RINGS.Hundreds of two-color maps and diagrams survey the journeys of the principal characters day by day -- including all the battles and key locations of the First, Second, and Third Ages. Plans and descriptions of castles, buildings, and distinctive landforms are given, along with thematic maps describing the climate, vegetation, languages, and population distribution of Middle-earth throughout its history. An extensive appendix and an index help readers correlate the maps with Tolkien's novels.

    He chronicles his journey in the New York Times bestseller Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World. What brought Denby back to his alma mater was not a sense of nostalgia, but the current academic debate surrounding Western literature. This culture war centers on the left's denunciation of "dead white European males" as oppressive and exclusionary and the right's reverence of the Western canon as the foundation of traditional values and patriotism. Like many of the extremists engaged in the debate, Denby found his memories of these works faded and forgotten. "I possessed information without knowledge, opinions without principles, instincts without beliefs.... And I wanted to add my words to the debate from the ground up, beginning and ending in literature, never leaving the books themselves." Thus Denby returns to Columbia for the two "great books" courses: Literature Humanities and Contemporary Civilization. During his yearlong education he explores the difficulties of going back to reading seriously; analyzes today's college students; observes the teaching styles of four professors; and enters into a period of self-discovery as he learns to deal with life as a middle-aged student, father, and husband. Along the way he gains a new appreciation of writers such as Homer, Boccaccio, Austen, Nietzsche, Conrad, Machiavelli, Marx, and Woolf. He walks away from his experiences believing deeply that students today, more than ever, need this type of humanistic education and that both sides of the culture war are simplifying the Western tradition.