His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.

    The descendants of Ittykkora is believed to be active even now, living a secret life, controlling large number of business and power, following the gospel of Ittykkora with their own set of customs and rituals. Using medieval history as the base for his theme, Ramakrishnan does a good job in keeping the central theme intact, while exploring the other aspects of modern life across continents and culture.

    The novel is an attempt to address the complications of religion through Tulsidas while portraying him as a person who was afflicted with all the virtues and vices known to human beings. How Tulsidas finds Shri Ram -- is a question that the author answers in a fashion that can only be termed as brilliant for lack of better word. The best thing about the work is that it doesn't attempt to glorify any God or deity, but simple tries to go into the mind of the devotee -- Tulsidas in this case.

    Saadat Hasan Manto's stories are vivid, dangerous and troubling and they slice into the everyday world to reveal its sombre, dark heart. These stories were written from the mid 30s on, many under the shadow of Partition. No Indian writer since has quite managed to capture the underbelly of Indian life with as much sympathy and colour. In a new translation that for the first time captures the richness of Manto's prose and its combination of high emotion and taut narrative, this is a classic collection from the master of the Indian short story.

    So, when the mysterious Sheetal enters his life, applying for the job of looking after Ayush, he is thrilled. All Sheetal has ever wanted, even as a child, is to be a mother. Circumstances mean that she might never be one. The almost instant bond between her and the young boy is balm to her soul and like a godsend to Abhay. Still, something about Sheetal nags at him. She seems perfect, but why is she so reluctant to show him her identity card? What is she hiding? What happens when Abhay finally discovers her secret? Does he stand by her side, or abandon her, as everyone before him has done? And what is the gift that she gives him, a gift that will change his life? In An Unexpected Gift, bestselling writer Ajay K Pandey brings to us an emotionally resonant story that questions everything we believe about friendship, love and motherhood.

    . . .The yellow glowed beautifully in the morning light. There was something different about this particular yellow. This one entered through his eyes, dissolved in his blood, and went straight to his heart.” Uday Prakash’s novel of contemporary India is a tender love story—university student Rahul is swept away by a “sweet fever” of love for Anjali, the enchanting girl with the golden parasol. But Prakash’s tale is set in a world where the 3,000-year-old Hindu caste system still holds sway and social realities doom the chances of a non-Brahmin boy who loves a Brahmin girl. The Girl with the Golden Parasol is the first English translation of Prakash’s work to be published in the United States. His audacious novel captures the profound contradictions of India today, where the forces aligned against change outweigh even the power of love.

    Despite being part of the country's small Hindu community, that is terrorized at every opportunity by Muslim fundamentalists, they refuse to leave their country, as most of their friends and relatives have done. Sudhamoy, an atheist, believes with a naive mix of optimism and idealism that his motherland will not let him down... And then, on 6 December 1992, the Babri Masjid at Ayodhya in India is demolished by a mob of Hindu fundamentalists. The world condemns the incident but its fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack the Hindus... The nightmare inevitably arrives at the Duttas' doorstep - and their world begins to fall apart.

    A meeting is in progress to decide the fate of the establishment and its residents. And the zeitgeist of the 1990s appears to have touched everyone and everything around them.Ira is now a journalist on the civic beat, unearthing stories of corruption and indolence, and trying to push back memories of a lost love. Kartik works a corporate job with an MNC, and leads a secret, agonising, exhilarating second life. Between and around them throbs the living, beating heart of Mumbai, city of heaving inequities and limitless dreams.Milk Teeth is subtle, incisive, unputdownable.

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    In this book, Nikhil continues taking his readers along for a journey which try to solve the riddles of basic human existence - riddles of love, of childhood's lost and found, of relationships and of our day to day trials.His characters vary from a gangster who chooses love over looting, a couple trying to steal their first kiss in a right-wing nightmare, children playing one-tip one-hand cricket to an early jobber trying to rise above his mundane job to an old man contemplating the purpose of life after getting replaced by technology.Nikhil's characters are immensely relatable and his stories are his voice speaking out your own stories. This book reminds you of the smell of summer sunshine hitting garden leaves and takes you to back to a kinder gentler and simpler time.

    It presents the historical battle that progressed between the Maratha army and the army of Ahmad Shah Abdali, the founder of the Afghan Empire.The book initially follows the battle that takes place between the army of Najib-ud-Daulah, an ethnic Pashtun, and the Scindias. It then proceeds to cover the northward progress of the massive Maratha forces to counter the threat of Najib-ud-Daulah. Eventually, the Maratha infantry and cavalry succeed in entering the Mughal stronghold of Panipat. Here, they are surrounded by a huge force of Shia Muslim and Afghan soldiers who block their source of ration. The resulting frustration and malnutrition takes its toll on the Maratha army.The book speaks of the valiant efforts of men like Jankoji Shinde, Nanasaheb Peshwa, and many other Maratha compatriots. The author has also countered the common negative portrayal of Sadashivrao Bhau, one of the Maratha leaders, with strong appreciation of his war tactics.The book highlights the myriad experiences that cast their shadows on the battleground, including bloodshed, depression, disease, desolation, martyrdom, betrayal, death, fear, victory, loss, hatred, ignorance, and vengeance.It also focuses on certain key points pertaining to India as a federal nation. Some of these points include the role of religion, the battle for supremacy between the North and the South, the detrimental influence of regional politics, the role of language, and the importance of unity. At the end of the book, the author has provided insights into his research efforts, which included several trips to Panipat. Panipat was originally written in Marathi and first published on October 20, 1988. Since then, it been translated to English and several other Indian languages, including Hindi. Panipat has received thirty-eight awards since its release in 1988, and sold more than 200,000 copies.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Centuries ago, it was proclaimed of the Mahabharata: "What is not in it, is nowhere." But even now, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life. The Mahabharata is not a mere epic; it is a romance telling the tale of heroic men and women, and of some who were divine. It is a whole literature in itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival.

    The powerful kingdom is flourishing under its king, who enjoys the support and loyalty of his subjects, down to his lowly slaves. But is everything really as it appears, or is the empire hiding its own dirty secret?Orphaned at a young age and wrenched away from her foster family, Sivagami is waiting for the day she can avenge the death of her beloved father, cruelly branded a traitor. Her enemy? None other than the king of Mahishmathi. With unflinching belief in her father’s innocence, the fiery young orphan is driven to clear his name and destroy the empire of Mahishmathi against all odds. How far can she go in her audacious journey?From the pen of masterful storyteller and bestselling author Anand Neelakantan, comes The Rise of Sivagami, the first book in the series Baahubali: Before the Beginning. A tale of intrigue and power, revenge and betrayal, the revelations in The Rise of Sivagami will grip the reader and not let go.

    Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him. But upon her arrival, Shalini is brought face to face with Kashmir's politics, as well as the tangled history of the local family that takes her in. And when life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could hold dangerous repercussions for the very people she has come to love.With rare acumen and evocative prose, in The Far Field Madhuri Vijay masterfully examines Indian politics, class prejudice, and sexuality through the lens of an outsider, offering a profound meditation on grief, guilt, and the limits of compassion.