He writes human-interest pieces for British and American papers, avoiding the investigative journalism that could get him deported. But as war approaches, he faces the prospect of having to leave his son and his longtime girlfriend. Then, an acquaintance from his communist days approaches him to do some work for the Soviets. Russell is reluctant but ultimately unable to resist. He becomes involved in other dangerous activities, helping a Jewish family and an idealistic American reporter. When the British and the Nazis notice his involvement with the Soviets, Russell is dragged into the world of warring intelligence services.

    When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do's and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job--and don't ever associate with loose women.The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail. Within a single night, his search for gainful employment--and a stiff drink--leads him to a local bar, where he is hired for what seems like a simple job: to collect a debt owed to a powerful local businessman, Hank Pittleman.Soon Archer discovers that recovering the debt won't be so easy. The indebted man has a furious grudge against Hank and refuses to pay; Hank's clever mistress has her own designs on Archer; and both Hank and Archer's stern parole officer, Miss Crabtree, are keeping a sharp eye on him.When a murder takes place right under Archer's nose, police suspicions rise against the ex-convict, and Archer realizes that the crime could send him right back to prison . . . if he doesn't use every skill in his arsenal to track down the real killer.

    Under its charismatic Sultan, Suleiman the Magnificent, it is an empire on the rise. It has defeated Christian fleets. It has conquered Christian cities.Then the Sultan sends out an invitation to every king in Europe: send forth your champion to compete in a tournament unlike any other.We follow the English delegation, selected by King Henry VIII himself, to the glittering city of Constantinople, where the most amazing tournament ever staged will take place.But when the stakes are this high, not everyone plays fair, and for our team of plucky English heroes, winning may not be the primary goal. As a series of barbaric murders take place, a more immediate goal might simply be staying alive…

    What she never expected was to find herself at the heart of a 200-year-old mystery that still has the power to put lives on the line. And with each new lead she pursues, death follows hard on her heels….

    Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down as accusations and rumors swirl. When Kiera and Gage's search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim...

    When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

    The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power.Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.Here, too, are some of the most influential figures of the era—Babe Ruth; Eugene O'Neill; leftist activist Jack Reed; NAACP founder W. E. B. DuBois; Mitchell Palmer, Woodrow Wilson's ruthless Red-chasing attorney general; cunning Massachusetts governor Calvin Coolidge; and an ambitious young Department of Justice lawyer named John Hoover.Coursing through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminating in the Boston Police Strike of 1919, The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

    for the best mystery of 1999, this complex literary thriller may be one of the most satisfying suspense novels to come along in some time. Robert Wilson has written several political thrillers, most of which are set in West Africa, but they are, alas, largely unavailable in the U.S.In A Small Death in Lisbon, the narrative switches back and forth between 1941 and 1999, and Wilson's wide knowledge of history and keen sense of place make the eras equally vibrant. In 1941 Germany, Klaus Felsen, an industrialist, is approached by the SS high command in a none-too-friendly manner and is "persuaded" to go to Lisbon and oversee the sale--or smuggling--of wolfram (also known as tungsten, used in the manufacture of tanks and airplanes). World War II Portugal is neutral where business is concerned, and too much of the precious metal is being sold to Britain when Germany needs it to insure that Hitler's blitzkrieg is successful.Cut to 1999 Lisbon, where the daughter of a prominent lawyer has been found dead on a beach. Ze Coelho, a liberal police inspector who is a widower with a daughter of his own, must sift through the life of Catarina Oliveira and discover why she was so brutally murdered. Her father is enigmatic, her mother suicidal; her friends were rock musicians and drug addicts.The reader is treated to a wonderful portrait of Lisbon in the aftermath of the 1974 revolution that ousted Salazar from power, and the scars from that conflict are still close to the surface for the citizens of Lisbon, including Coehlo and his colleagues. We also see World War II in a slightly different manner from that to which we are accustomed--through the eyes of the Germans and the Portuguese. The pace of the book is leisurely but compelling as the events of 1941 and those in 1999 merge in an extraordinary climax

    Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    So, when she commits murder in self-defense, she flees her cherished Ireland, under cover of a false identity, for the anonymous shores of late nineteenth-century America. When she arrives in New York and sees the welcoming promise of freedom in the Statue of Liberty, Molly begins to breathe easier. But when a man is murdered on Ellis Island, a man Molly was seen arguing with, she becomes a prime suspect in the crime.If she can't clear her name, Molly will be sent back to Ireland where the gallows await, so using her Irish charm and sharp wit, she escapes Ellis Island and sets out to find the wily killer on her own. Pounding the notorious streets of Hell's Kitchen and the Lower East Side, Molly undertakes a desperate mission to clear her name before her deadly past comes back to haunt her new future.

    Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests. Prepared to accept that Edward's death was due to a long-standing physical infirmity, Julia is outraged when Brisbane visits and suggests that Sir Edward has been murdered. It is a reaction she comes to regret when she discovers the damning paper for herself, and realizes the truth. Determined to bring her husband's murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.

    The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the Demon Dog of American Crime Fiction.

    Clover's suicide appears to be more than it at first seemed; the suspected foul play may involve matters of national importance.Holmes is currently on his Great Hiatus--his three-year absence after Reichenbach Falls during which time the people of London believe him to be deceased. Holmes has faked his own death because, through his powers of ratiocination, the great detective has come to the conclusion that he is a fictional character.This leads to serious complications for James--for if his esteemed fellow investigator is merely a work of fiction, what does that make him? And what can the master storyteller do to fight against the sinister power -- possibly named Moriarty -- that may or may not be controlling them from the shadows?

    It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I