The careful existence they have built for themselves starts to crumble when two murders rock their neighborhood.

    So cut off from the rest of the world that even the Internet is blocked, Rosary is a town named by Catholics but run by evangelicals (and the evangelicals aren’t particularly happy about that). It’s a town on very formal relations with its neighbors, one that doesn’t have much traffic in or out and that boasts an oil refinery as well as a fairly sizable population of teenagers.For Helen and her friends, the Tire Yard, sex, and beer are the best ways to pass the days until they turn eighteen and can leave Sky County. Her best friends, Win and Rainbolene, late arrivals to Rosary, are particularly keen to depart—Rain in part because she’ll finally be able to get the hormones she needs to fully become herself. Watching over them is Aunt Bev, an outcast like the kids, who runs the barely tolerated Psychic Encounter Shoppe. As time passes, though, tensions are amping up for everyone: and threats against the Psychic Encounter Shoppe become actions. What these flawed, lovable characters in Tupelo Hassman’s gods with a little g discover about one another in the process will reshape how they think about trust and family, and how to make a future you can see.

    Not with his mother's new family. Not as a weekend guest with his father and his father's wife. Not at school, where he's an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he's tamed and to a blind ninety-two-year-old woman in his building who's introduced herself with a curious question: Have you seen Luis Velez?Mildred Gutermann, a German Jew who narrowly escaped the Holocaust, has been alone since her caretaker disappeared. She turns to Raymond for help, and as he tries to track Luis down, a deep and unexpected friendship blossoms between the two.Despondent at the loss of Luis, Mildred isolates herself further from a neighborhood devolving into bigotry and fear. Determined not to let her give up, Raymond helps her see that for every terrible act the world delivers, there is a mirror image of deep kindness, and Mildred helps Raymond see that there's hope if you have someone to hold on to.

    Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan's powerbrokers.Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1%, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets...Twenty-seven years ago, their mother, Blanca, a Young Lord-turned-radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives.Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico's history, Olga Dies Dreaming is a story that examines political corruption, familial strife and the very notion of the American dream--all while asking what it really means to weather a storm.

    The house once belonged to her father, a renowned black poet who died unexpectedly when Billie was four years old. Though Billie was there when the accident happened, she has no memory of that day—and she hasn’t been back to the South since.Thirty years later, Billie returns, but her father’s home is unnervingly secluded; her only neighbors are the McGees, the family whose history has been entangled with hers since the days of slavery. As Billie encounters the locals, she hears a strange rumor: that she herself went missing on the day her father died. As the mystery intensifies, she finds out that this forgotten piece of her past could put her in danger.Inventive, gritty, and openhearted, The Gone Dead is an astonishing debut novel about race, justice, and memory that lays bare the long-concealed wounds of a family and a country.

    Jadine Childs is a black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between blacks and whites, masters and servants, and men and women.

    Sometimes it's easy to fall between the cracks...At 3.04pm on a hot, sticky day in June, Bess finds out she's pregnant.She could tell her social worker Henry, but he's useless.She should tell her foster mother, Lisa, but she won't understand.She really ought to tell Boy, but she hasn't spoken to him in weeks.Bess knows more than anyone that love doesn't come without conditions.But this isn't a love story...

    Magazine* *Medium* *BookRiot* *BookPage* CrimeReads* Tor Nightfire* Bookshop* *Book Talk* BiblioLifestyle* and more! Morrow uses her heroine's warped perspective to examine painful truths about race and class in America, but this isn't a book intended to teach anyone a lesson, except maybe: Be careful. You never know who's really in control.--LA TimesFrom bestselling author Bethany C. Morrow comes a new adult social horror novel in the vein of Get Out meets My Sister, the Serial Killer, about Farrah, a young, calculating Black girl who manipulates her way into the lives of her Black best friend's white, wealthy, adoptive family but soon suspects she may not be the only one with ulterior motives. . . .Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS--White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can't seem to afford--and it creates a dissonance in her best friend that Farrah can exploit. When her own family is unexpectedly confronted with foreclosure, the calculating Farrah is determined to reassert the control she's convinced she's always had over her life by staying with Cherish, the only person she loves--even when she hates her.As troubled Farrah manipulates her way further into the Whitman family, the longer she stays, the more her own parents suggest that something is wrong in the Whitman house. She might trust them--if they didn't think something was wrong with Farrah, too. When strange things start happening at the Whitman household--debilitating illnesses, upsetting fever dreams, an inexplicable tension with Cherish's hotheaded boyfriend, and a mysterious journal that seems to keep track of what is happening to Farrah--it's nothing she can't handle. But soon everything begins to unravel when the Whitmans invite Farrah closer, and it's anyone's guess who is really in control.Told in Farrah's chilling, unforgettable voice and weaving in searing commentary on race and class, this slow-burn social horror will keep you on the edge of your seat until the last page.

    There's Gemma, an insecure theater major from London; John, a tall, handsome, and wealthy New Englander; Max, John's cousin and a shy pre-med major; Khaled, a wise-cracking prince from Abu Dhabi; and Ruby, a beautiful art history major. But Malin isn't quite like the rest of her friends. She's an expert at hiding her troubling past. She acts as if she is concerned with the preoccupations of those around her - boys, partying - all while using her extraordinary insight to detect their deepest vulnerabilities and weaknesses.By Senior Day, on the cusp of graduation, Malin's secrets - and those of her friends - are revealed. While she scrambles to maintain her artfully curated image, her missteps set in motion a devastating chain of events that ends in a murder. And as their fragile relationships hang in the balance and close alliances start shifting, Malin will test the limits of what she's capable of to stop the truth from coming out.In a mesmerising novel that peels back the innumerable layers of a seductive protagonist, debut author Cambria Brockman brings to life an entrancing setting through a story of friendship, heartbreak, and betrayal.

    An academically gifted yet painfully forgettable member of his New Jersey high school class, the withdrawn, mild-mannered freshman arrives at Harvard fully expecting to be embraced by a new tribe of high-achieving peers. Initially, however, his social prospects seem unlikely to change, sentencing him to a lifetime of anonymity.Then he meets Veronica Morgan Wells. Struck by her beauty, wit, and sophisticated Manhattan upbringing, David becomes instantly infatuated. Determined to win her attention and an invite into her glamorous world, he begins compromising his moral standards for this one, great shot at happiness. But both Veronica and David, it turns out, are not exactly as they seem.Loner turns the traditional campus novel on its head as it explores ambition, class, and gender politics. It is a stunning and timely literary achievement from one of the rising stars of American fiction.

    Living in small-town Utah has always been an uneasy fit for Tunde Akinola’s family, especially for his Nigeria-born parents. Though Tunde speaks English with a Midwestern accent, he can’t escape the children who rub his skin and ask why the black won’t come off. As he struggles to fit in and find his place in the world, he finds little solace from his parents who are grappling with their own issues.Tunde’s father, ever the optimist, works tirelessly chasing his American dream while his wife, lonely in Utah without family and friends, sinks deeper into schizophrenia. Then one otherwise-ordinary morning, Tunde’s mother wakes him with a hug, bundles him and his baby brother into the car, and takes them away from the only home they’ve ever known.But running away doesn’t bring her, or her children, any relief from the demons that plague her; once Tunde’s father tracks them down, she flees to Nigeria, and Tunde never feels at home again. He spends the rest of his childhood and young adulthood searching for connection — to the wary stepmother and stepbrothers he gains when his father remarries; to the Utah residents who mock his father’s accent; to evangelical religion; to his Texas middle school’s crowd of African-Americans; to the fraternity brothers of his historically black college. In so doing, he discovers something that sends him on a journey away from everything he has known.Sweeping, stirring, and perspective-shifting, A Particular Kind of Black Man is a beautiful and poignant exploration of the meaning of memory, manhood, home, and identity as seen through the eyes of a first-generation Nigerian-American.

    Enduring the mess of her parent’s divorce, she finds escape in dance—the rigorous hours of practice, the exquisite beauty, the precision of movement, the obsessive perfectionism. Ballet offers her control, power, and the promise of glory. It also introduces her to forty-seven-year-old Maurice DuPont, a reclusive, charismatic balletomane who becomes her mentor.Over the course of three years, Mira is accepted into the prestigious School of American Ballet run by the legendary George Balanchine, and eventually becomes one of “Mr. B’s girls”—a dancer of rare talent chosen for greatness. As she ascends higher in the ballet world, her relationship with Maurice intensifies, touching dark places within herself and sparking unexpected desires that will upend both their lives.In the present day, Kate, a professor of dance at a Midwestern college, embarks on a risky affair with a student that threatens to obliterate her career and capsizes the new life she has painstakingly created for her reinvented self. When she receives a letter from a man she’s long thought dead, Kate is hurled back into the dramas of a past she thought she had left behind.Told in interweaving narratives that move between past and present, Girl Through Glass illuminates the costs of ambition, secrets, and the desire for beauty, and reveals how the sacrifices we make for an ideal can destroy—or save—us.

    But the teachers also face plenty of personal challenges and this year, they may finally spill over into the classroom.English teacher Lena Wright, a spoken-word poet, can never seem to truly connect with her students. Hernan D. Hernandez is confident in front of his biology classes, but tongue-tied around the woman he most wants to impress. Down the hall, math teacher Maybelline Galang focuses on the numbers as she struggles to parent her daughter, while Coach Ray hustles his troubled football team toward another winning season. Recording it all is idealistic second-year history teacher Kaytee Mahoney, whose anonymous blog gains new readers by the day as it drifts ever further from her in-class reality. And this year, a new superintendent is determined to leave his own mark on the school—even if that means shutting the whole place down.

    Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia's Of Women and Salt is a kaleidoscopic portrait of betrayals—personal and political, self-inflicted and those done by others—that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots.

    She lives a quiet life caring for her alcoholic mother, working in the local chip shop, watching the regular customers come and go. She wears the same clothes each day (overalls, too small), has the same dinner each night (fish and chips, microwaved at home after her shift ends), and binge-watches old DVDs of the same show (Dallas, best show on TV) from the comfort of her bed.  But underneath Majella’s seemingly ordinary life are the facts that she doesn’t know where her father is and that every person in her town has been changed by the lingering divide between Protestants and Catholics. When Majella’s predictable existence is upended by the death of her granny, she comes to realize there may be more to life than the gossips of Aghybogey, the pub, and the chip shop. In fact, there just may be a whole big world outside her small town.  Told in a highly original voice, with a captivating heroine readers will love and root for, Big Girl, Small Town will appeal to fans of Sally Rooney, Ottessa Moshfegh, and accessible literary fiction with an edge.