When tragedy strikes, she and her mother must seek safety by immigrating to America. There the girl reinvents herself as an American teenager to survive, with the help of her cousin; but even as she assimilates and thrives, the secrets and scars of her past follow her into adulthood. In this new country of freedom, everything she has built begins to crumble around her, and her hold on reality becomes more and more tenuous. When the past and the present collide, she sees only one terrible choice.

    With a midlife crisis looming, Kido’s life is upended by the reemergence of a former client, Rié Takemoto. She wants Kido to investigate a dead man—her recently deceased husband, Daisuké. Upon his death she discovered that he’d been living a lie. His name, his past, his entire identity belonged to someone else, a total stranger. The investigation draws Kido into two intriguing mysteries: finding out who Rié’s husband really was and discovering more about the man he pretended to be. Soon, with each new revelation, Kido will come to share the obsession with—and the lure of—erasing one life to create a new one.In A Man, winner of Japan’s prestigious Yomiuri Prize for Literature, Keiichiro Hirano explores the search for identity, the ambiguity of memory, the legacies with which we live and die, and the reconciliation of who you hoped to be with who you’ve actually become.

    In a brilliant translation by Margaret Sayers Peyden, this remarkable new look at the Book of Genesis will appeal to readers of the novels of Isabel Allende, Anne Rice’s Jesus Chronicles, and to all lovers of great imaginative literature.

    It’s pretty cozy.” Herra Björnsson is at the beginning of the end of her life. Oh, she has two weeks left, maybe three—she has booked her cremation appointment, at a crispy 1,000 degrees, so it won’t be long. But until then she has her cigarettes, a World War II–era weapon, some Facebook friends, and her memories to sustain her. And what a life this remarkable eighty-year-old narrator has led. In the internationally bestselling and award-winning Woman at 1,000 Degrees, which has been published in fourteen languages, noted Icelandic novelist Hallgrímur Helgason has created a true literary original. From Herra’s childhood in the remote islands of Iceland, where she was born the granddaughter of Iceland’s first president, to teen years spent living by her wits alone in war-torn Europe while her father fought on the side of the Nazis, to love affairs on several continents, Herra Björnsson moved Zelig-like through the major events and locales of the twentieth century. She wed and lost husbands, had children, fled a war, kissed a Beatle, weathered the Icelandic financial crash, and mastered the Internet. She has experienced luck and betrayal and upheaval and pain, and—with a bawdy, uncompromising spirit—she has survived it all. Now, as she awaits death in a garage in Reykjavík, she shows us a woman unbowed by the forces of history. Each part of Herra’s story is a poignant piece of a puzzle that comes together in the final pages of this remarkable, unpredictable, and enthralling novel.

    At a tender age, she becomes convinced that she will never find true love, instead believing that “love is a terrible thing that will make you suffer. . . .” A chance meeting in Rio takes her to Geneva, where she dreams of finding fame and fortune.Maria’s despairing view of love is put to the test when she meets a handsome young painter. In this odyssey of self-discovery, Maria has to choose between pursuing a path of darkness—sexual pleasure for its own sake—or risking everything to find her own “inner light” and the possibility of sacred sex, sex in the context of love.