There was a heavy crash and fall, and the parson lay motionless and livid, while lilies from a vase fell, like a wreath, across his chest. The Rev. Ulder, everyone agreed, was the parish priest from hell. In addition to tales of drunkenness and embezzlement, the repellent cleric had recently added blackmail to his list of depravities. There was scandal in the district, plenty of it, and Ulder had the facts. Until, that is, a liberal helping of morphia, served to him in the Bishop’s Palace, silenced the insufferable priest – for good.Was it the Bishop himself who delivered the fatal dose? Was it Soames, the less-than-model butler? Or one of a host of other inmates and guests in the house that night, with motives of their own to put Ulder out of the way? Young Dick Marlin, ex-military intelligence and now a Church deacon, finds himself assisting Chief Constable Mack investigate murder most irreverent.Arrest the Bishop? was first published in 1949. This new edition, the first in many decades, includes a new introduction by crime fiction historian Martin Edwards.

    Outside his office window, Jack hears a booming sound, and then the worst thing imaginable. He works in the World Trade Center, and it is September 11, 2001.His wife in Connecticut, Diane, is visited the next day by a grief counselor, and then the mob, where she learns her husband owes them $750,000. Their personal bank accounts have been emptied. She’s totally and utterly broke. Lost in grief and now shock, Diane soon learns her husband was not the loving spouse he appeared to be. But neither is she, owing to that Beretta she keeps tucked into her handbag.The perfect summer read, Unknown Remains boasts an exciting crime story, inventive plot twists, and a cast of rogues, who just might be using a national tragedy to cover up their own deep transgressions and greed.

    Miss Butterworth is a nosy high-society lady whose wealth and lack of family give her the free time solve several Victorian-era crimes.Anna Katharine Green (1846-1935) was a pioneering American author of detective fiction. Her legally accurate and intricately-plotted works served to inspire later generations of writers, including Sir Arthur Conan Doyle and Agatha Christie, who patterned her 'Miss Marple' character after Green's spinster crimefighter Amelia Butterworth. Includes an active table of contents with back-linking for easy navigation.• That Affair Next Door• Lost Man’s Lane• The Circular Study

    Or the dead guy. Or the steamer trunk. Or the rag doll. If only he hadn’t found any of these things, everything might have been okay. But he had found them. All of them. Now Carson Halliday is on the run, trying his damnedest to keep one step ahead of a dangerous gang of outlaws and mad men. A run leading him from town to town in the dry wasteland of the southern New Mexico desert, over dark hills and dangerous plains, through shantytowns and city streets, and, most frightening of all, into the mysterious depths of the human heart."One of the best of the new breed of writers." —Joe R. Lansdale"A powerful and good writer." —Neil Gaiman"Trent Zelazny is the best hard-boiled noir writer of this generation!" —Sarah L. Covert, Editor of She Never Slept

    A departure from his previous book, Friends in High Places, an account of his rise and fall in Little Rock, Hubbell crafts a deft narrative of mystery and political intrigue. Set in a fictionalized version of his home town of Little Rock, Arkansas, readers will be immersed into the steamy world behind the southern BBQ and antebellum facade-a seedy underbelly of secrets and betrayals. Clever readers may recognize the colorful personalities and locales of the Arkansas political scene.    Jack is supported by a motley but able crew; loyal assistant Maggie, college-aged daughter Beth, feisty lawyer Micki, and his bodyguard Clovis. Together, Jack and his rag-tag team are in a race against time to discover Woody's hidden motive. All he has is a series of strange clues, hired thugs gunning for him, and the one man who knows everything isn't talking. Alliances are tested, buried tensions surface, and painful memories are relived as he tries to clear the name of his old college friend. Jack Patterson will find that even the oldest friendships can be quickly destroyed when men betray

    A further probe into the matter only pushes Hugh into dangerous corners, as he finds that the ranch's slick new owner, his beautiful wife, and even old Mr. Pettyjohn have terrible secrets to keep.

    The problem is Geoffrey's a little too delighted with her, and his wife is not happy about it. While Rosamund is in a feverish state from a bout of the flu, she dreams of murdering Lindy — and upon waking is horrified to discover that she has inexplicably disappeared. What could possibly have happened? Was it more than just a terrible nightmare? "A tense situation, ultimately resolved by a beautifully fitting plot twist," declared Anthony Boucher in The New York Times, adding, "Even more memorable than the suspense story is the witty and acute comedy." Celia Fremlin is noted for injecting her fast-paced psychological thrillers with keen observations of domestic life in the London suburbs during the 1960s. Her other novels, also available from Dover Publications, include Uncle Paul, The Trouble Makers, and the Edgar Award–winning classic The Hours Before Dawn.

    Vandam begins an investigation into the dead man, Albert Smith, which takes the case from the wilds of South Africa to mountains and glens of Scotland, where a near-identical crime has been perpetrated… ABOUT THE AUTHOR Freeman Wills Crofts, the ‘King of Detective Story Writers’, was one of the pre-eminent writers in the golden age of British crime fiction. Acclaimed by his contemporaries, Agatha Christie and Raymond Chandler, he wrote more than 30 detective novels and was a founder member of the hugely influential DETECTIVE CLUB. Crofts’s most famous creation was Scotland Yard detective, Inspector French (‘As near the real thing as any sleuth in fiction’ THE SUNDAY TIMES). Born in Dublin, Crofts became an engineer and wrote his debut novel, THE CASK: A DETECTIVE STORY (‘An imaginatively ingenious mystery’ THE EVENING STANDARD) in 1919 during a long absence from work due to illness. He became a full-time writer in 1929 and moved to England with his wife Mary to live in Guildford. He died in 1957. PRAISE FOR FREEMAN WILLS CROFTS ‘One of the classics of modern crime fiction’ NEW YORK TIMES ‘Exactly what a detective novel should be – ingenious, lucid, reasonable, intricate and exciting’ THE DAILY TELEGRAPH ‘The author who goes from strength to strength with every book he writes. The construction is flawless’ THE DAILY MAIL ‘Yet another instance of his unfailing ingenuity’ TIMES LITERARY SUPPLEMENT ‘If there is a better writer of detective stories alive, I would like to know his name’ GLASGOW CITIZEN ‘A detective novel by Freeman Wills Crofts is always an event’ THE DAILY EXPRESS ‘Freeman Wills Crofts’ crimes are solved with dogged diligence and attention to detail… they seem to have improved with age.’ THE INDEPENDENT ‘Supremely good’ YORKSHIRE POST ‘Freeman Wills Crofts is the only author who gives us intricate crime in fiction as it might really be, and not as the irreflective would like it to be’ THE OBSERVER ‘Brilliant… will delight all lovers of detective fiction’ THE DAILY TELEGRAPH

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    

    But Chief Inspector Pointer has his doubts. Why, for instance, would the dead man choose to expire in the rather inconvenient confines of a piece of furniture? And who was the dead man, anyway? Soon these and other questions lead Pointer onto the trail of a completely different crime. Written by an author whose identity is as great a mystery as his/her novels. The Eames-Erskine Case is the first of nearly two dozen mysteries from the 1920’s and 1930’s to feature Chief Inspector Pointer.

    Lizzie Browne moves from London to a small town on the coast, looking forward to a quiet life, but when she finds a murdered patient on her first day it seems that perhaps Stibbington is not so quiet after all. DCI Adam Maguire, and colleague Steve Grayson, haven’t been challenged by a case for a long time, and welcome this break from their normal routine, except that there seems to be no apparent motive for anyone to kill a harmless young drop-out. When a second body, similar to the first, is found in Lizzie’s garden she is drawn into Adam’s investigation against her will, and against her better judgment her quiet life is riven with tension and conflict.

    She takes a job at the Exeter Independent, where her days are filled with stories of church bazaars, runaway turkeys, and news from the garden club.Piper assumes her assignment to cover the American Independence Festival, honoring her town’s role in the Revolutionary War, is just another mundane event. But when a body dressed in a Red Coat soldier jacket is found hanged from the top of the historic Town Hall, Piper finds herself in the middle of a murder. The victim is her news editor, Charlotte Campbell, and there is no shortage of people who would be glad to see her dead.Suspicion quickly lands on the paper’s photographer, who was fired the day before, but Piper cannot believe he is capable of murder. With the help of her high school crush, now a detective, her best friend at the bakery, and the town historian, Piper sets out to prove her friend’s innocence. But as she persists, she learns that unearthing small-town secrets is harder than she thought—and that some parts of local history can be deadly.

    . . . Or you can pay me to find it for you. Brodie Farrell is a busy woman, what with running her one-woman firm Looking for Something? and raising her daughter. So on her night off, all she wants is to spend a relaxing evening teaching her friend Daniel Hood to drive. But the evening takes a disturbing turn when Daniel hits a young woman who seems to appear out of nowhere. The girl, Alison Barker, is mostly uninjured, but before she runs off she accuses Daniel of trying to kill her.            The other man in Brodie's life, Detective Superintendent Jack Deacon, isn't much help; he's too busy investigating a dangerous new drug called Scram. But when Alison Barker turns up at the hospital, not as a result of the car accident but because of the lethal amount of Scram in her system, Jack is forced to get involved. Alison claims that the death of her father, a local purebred horse dealer, was murder---and that unless someone helps her, she'll be next.            Brodie once again finds herself torn between the two men in her life---Daniel believes Alison's story, Jack doesn't. It's up to Brodie to infiltrate Alison's world of show jumping and discover the truth herself, before it's too late.