The problem is, the real story isn’t that easy or convenient—just like Nate and Cam’s friendship. Cam challenged Nate on every level from the day the boys met. He pushed him to break the rules, to dream, and to accept himself. But Nate—armed with a fierce moral code and conflicted by his own beliefs—started to push back. With each push, Nate and Cam moved closer to each other—but also spiraled closer to their breaking points.

    But they aren’t the only ones making his high school years a living hell. All Nate wants is to keep his secret and keep his head down until he can graduate. That is, until the new boy, James Powell, takes a seat next to him in homeroom. James not only notices him, he manages to work his way into Nate’s life. But James has issues of his own.Between dead grandmothers and living aunts, Nate has to navigate the fact that he’s falling in love with his only friend, all while getting advice from the most unusual places.Ghosts, bullies, first love: it’s a lot to deal with when you’re just trying to survive senior year.

    With his intrepid sister and the Veep’s genius granddaughter, they’re the White House Trio, a beautiful millennial marketing strategy for his mother, President Ellen Claremont. International socialite duties do have downsides—namely, when photos of a confrontation with his longtime nemesis Prince Henry at a royal wedding leak to the tabloids and threaten American/British relations. The plan for damage control: staging a fake friendship between the First Son and the Prince. As President Claremont kicks off her reelection bid, Alex finds himself hurtling into a secret relationship with Henry that could derail the campaign and upend two nations. What is worth the sacrifice? How do you do all the good you can do? And, most importantly, how will history remember you?

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    Quick-witted and distinctively unique, Juno walks Dancing Elk High's halls to her own tune—preferably anything by The Stooges—but underneath her tough, no-nonsense exterior is just a teenage girl trying to figure it all out.While most girls at Dancing Elk are updating their MySpace page or shopping at the mall, Juno is a whip-smart Minnesota teen living by her own rules. A typically boring afternoon becomes anything but when Juno decides to have sex with the charmingly unassuming Bleeker (Michael Cera). Faced with an unplanned pregnancy, she and best friend Leah (Olivia Thirlby) hatch a plan to find Juno's unborn baby the perfect set of parents courtesy of the local Penny Saver.They set their sights on Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), an affluent suburban couple longing to adopt their first child. Luckily, Juno has the support of her dad and stepmother (J. K. Simmons and Allison Janney). Juno's physical changes mirror her personal growth while the veneer of Mark and Vanessa's idyllic life starts to show signs of cracking. With a fearless intellect far removed from the usual teenage angst, Juno conquers her problems head-on, displaying a youthful exuberance both smart and unexpected.

    His strict Greek mother refuses to see him as anything but a disappointment. His quiet, workaholic father is a staunch believer in avoiding any kind of conflict. And his best friend Henry has somehow become distractingly attractive over the summer. Tired, isolated, scared—Evan’s only escape is drawing in an abandoned church that feels as lonely as he is. And, yes, he kissed one guy over the summer. But it’s his best friend Henry who’s now proving to be irresistible. It’s Henry who suddenly seems interested in being more than friends. And it’s Henry who makes him believe that he’s more than his mother’s harsh words and terrifying abuse. But as things with Henry heat up, and his mother’s abuse escalates, Evan has to decide how to find his voice in a world where he has survived so long by avoiding attention at all costs.

    and wakes up the next morning to find a lanky, dread-locked vagrant named TJ in his kitchen.TJ claims that the two have made a drunken pact to travel from Berkeley, California to Providence, Rhode Island. As it happens, Amal promised his sister he'd be in Providence for her graduation the following week. As for TJ... well, he's got his own reasons.The agreement is simple: Amal does the driving, TJ pays the way - but a 3500 mile journey leaves plenty of time for things to get complicated.Volume 1 collects the first 13 chapters of EK Weaver's free online graphic novel.

    His story begins here—before the homemade goat milk soaps and hand-gathered honeys, before his memoir of the city mouse’s move to the country, The Bucolic Plague—in I Am Not Myself These Days,  with “plenty of dishy anecdotes and moments of tragi-camp delight” (WashingtonPost).

    And I have to bring my boyfriend—the boyfriend who doesn’t exist because I’m straight.At least, I think I am. Meeting the guy I’m bribing to be my boyfriend for the weekend makes me question everything about myself.DAMONWhen my sister asks me to pretend to be some straight guy’s boyfriend, my automatic response is to say no. It’s because of guys like him people don’t believe me when I tell them I’m gay.But Maddox has something I need.After an injury that cost me my baseball career, I’m trying to leave my playing days behind and focus on being the best sports agent I can be. Forty-eight hours with my sister’s best friend in exchange for a meeting with a possible client. I can do this.I just wish he wasn’t so hot. Or that he didn’t kiss like he means it.Wait … why is the straight guy kissing me?*Fake Out is a full-length MM novel with no cliffhanger.*

    In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two. Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.

    Almost one hundred years later, a groom-to-be prepares for his gay wedding.Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals.Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories.Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were staged at The Old Vic in London.This volume includes:The Man on the Platform by Mark GatissThe Perfect Gentleman by Jackie CluneSafest Spot in Town by Keith JarrettMissing Alice by Jon BradfieldI Miss the War by Matthew BaldwinMore Anger by Brian FillisA Grand Day Out by Michael DennisSomething Borrowed by Gareth McLean

    Yet Cara, the free spirit, and Pen, the stoic, craft a bond so strong it seems as though nothing could sever it: not the bickering, not the secrets, not even Cara’s infidelities.But thirteen years on, a car crash kills Cara and rips the lid off Pen’s world. Pen is still in the closet, teaching at her old school, living under the roof of Cara’s gentle father, who thinks of her as his daughter’s friend. How can she survive widowhood without even daring to claim the word? Over the course of one surreal week of bereavement, she is battered by memories that range from the humiliating, to the exalted, to the erotic, to the funny. It will take Pen all her intelligence and wit to sort through her tumultuous past with Cara, and all the nerve she can muster to start remaking her life.

    Sixty Five Hours to get along. Sixty Five Hours to not kill each other. Sixty Five Hours to fall in love.** First published in 2012. No additional content has been added.

    Check out the full feature article inside…** This book contains an M/M romance relationship. **

    It's where he met his best friends. It's where he takes to the stage in the big musical. And it's where he fell for Hudson Aaronson-Lim - who's only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.This year, though, it's going to be different. Randy has reinvented himself as 'Del' - buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he's determined to get Hudson to fall for him.But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn't know who he truly is?