But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    The one-act play invites listeners into Sharon's unorthodox childhood, growing up in an apartment on the top floor of the St. Agnes Branch of the New York Public Library, where her father served as the building's custodian. A love of literature and boundless imagination helped the playwright as a young woman persevere over dragons of all forms.Directed by Maria Mileaf, Feeding the Dragon premiered at City Theatre in Pittsburgh and was subsequently produced by Hartford Stage and Primary Stages.©2018 Sharon Washington (P)2018 AO Media, LLC.

    They includes stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.

    Thirty diverse, authors and illustrators engage young people in frank discussions about racism, identity, and self-esteem.THE TALK has the following featured contributors: Selina Alko, Tracey Baptiste, Derrick Barnes, Natacha Bustos, Cozbi A. Cabrera, Raúl Colón, Adam Gidwitz, Nikki Grimes, Rudy Gutierrez, April Harrison, Wade Hudson, Gordon C. James, Minh Lê, E.B. Lewis, Grace Lin, Torrey Maldonado, Meg Medina, Christopher Myers, Daniel Nayeri, Zeke Peña, Peter H. Reynolds, Erin K. Robinson, Traci Sorell, Shadra Strickland, Don Tate, MaryBeth Timothy, Duncan Tonatiuh, Renée Watson, Valerie Wilson Wesley, Sharon Dennis Wyeth.

    Now a new generation of brilliant, outspoken women of color is speaking to the concerns of a new feminism, and their place in it. Daisy Hernandez of Ms. magazine and poet Bushra Rehman have collected a diverse, lively group of emerging writers who speak to their experience—to the strength and rigidity of community and religion, to borders and divisions, both internal and external—and address issues that take feminism into the twenty-first century. One writer describes herself as a “mixed brown girl, Sri-Lankan and New England mill-town white trash,” and clearly delineates the organizing differences between whites and women of color: “We do not kick ass the way the white girls do, in meetings of NOW or riot grrl. For us, it’s all about family.” A Korean-American woman struggles to create her own identity in a traditional community: “Yam-ja-neh means nice, sweet, compliant. I’ve heard it used many times by my parents’ friends who don’t know shit about me.” An Arab-American feminist deconstructs the “quaint vision” of Middle-Eastern women with which most Americans feel comfortable. This impressive array of first-person accounts adds a much-needed fresh dimension to the ongoing dialogue between race and gender, and gives voice to the women who are creating and shaping the feminism of the future.

    A sterling collection of classic and contemporary fiction and nonfiction evoking the unique spirit of the West and its people, selected and introduced by one of today's premier chroniclers of the Western landscape and a New York Times bestselling author.

    Conceived by acclaimed novelist Walter Mosley and sponsored by the New York University Africana Studies Program and the Institute of African American Affairs, this book originated as a series of community conversations where "visionaries with solutions" shared powerful views on personal and communal struggles, triumphs, and aspirations. The list of contributors suggests the range of perspectives and talents brought to bear on such issues as economics, political power, work, authority, and culture. Black Genius is a point of departure for vigorous discussion of our current realities and goals for the future-and a portrait of "genius" that leads the way to enriching American life in the twenty-first century.

    Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition. Including an enduring foreword by Oprah Winfrey, this keepsake celebrates the promise of America and affirms the power of poetry.

    His charismatic father was later convicted of a double murder. Peace's intellectual brilliance and hard-won determination earned him a full scholarship to Yale University. At college, while majoring in molecular biophysics and biochemistry, he straddled the world of academia and the world of the street, never revealing his full self in either place. Upon graduation from Yale, he went home to teach at the Catholic high school he'd attended, slid into the drug trade, and was brutally murdered at age thirty.That's the short version of Robert Peace's life. The long version, the complete version, is this remarkable tour de force by Jeff Hobbs, a talented young novelist who was Peace's college roommate. Hobbs attended Peace's funeral, reached out to his friends from both Yale and Newark, and ultimately decided to write this harrowing and beautiful account of his life.What does the haunting, untimely death of one man mean? Robert Peace's life doesn't reduce to easy sociological constructions. Through Hobbs's relentless research and remarkable writing, we learn the cost of living between the world Peace was born into and the one his potential allowed him to enter. We see him work, love, fail, succeed, give to others, care for his mother, travel, and dream. We witness the decisions he made for himself and the ones that life forced upon him. But most importantly, we come to understand the sheer complexity of his existence and are irrevocably changed by the fascinating, devastating, and unforgettable life of Robert Peace.

    These 15 original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth.Wild Tongues Can’t Be Tamed features bestselling and award-winning authors as well as new, up-and-coming voices, including:Elizabeth AcevedoCristina ArreolaIngrid Rojas ContrerasNaima CosterNatasha DiazKahlil HaywoodZakiya JamalJanel MartinezJasminne MendezMeg MedinaMark OshiroJulian RandallLilliam RiveraIbi ZoboiFull of both sorrow and joy, Wild Tongues Can’t Be Tamed is an essential celebration of this rich and diverse community.

    The challenges faced by movements working for antiviolence, anti-imperialist, and queer liberation, as well as racial, economic, reproductive, gender, and food justice are the same challenges that marginalized mothers face every day. Motivated to create spaces for this discourse because of the authors’ passionate belief in the power of a radical conversation about mothering, they have become the go-to people for cutting-edge inspired work on this topic for an overlapping committed audience of activists, scholars, and writers. Revolutionary Mothering is a movement-shifting anthology committed to birthing new worlds, full of faith and hope for what we can raise up together. Contributors include alba onofrio, Alexis Pauline Gumbs, Ariel Gore, Arielle Julia Brown, Autumn Brown, Cheryl Boyce-Taylor, China Martens, Christy NaMee Eriksen, Claire Barrera, Cynthia Dewi Oka, Esteli Juarez Boyd, Fabielle Georges, Fabiola Sandoval, Gabriela Sandoval, H. Bindy K. Kang, Irene Lara, June Jordan, Karen Su, Katie Kaput, Layne Russell, Lindsey Campbell, Lisa Factora-Borchers, Loretta J. Ross, Mai’a Williams, Malkia A. Cyril, Mamas of Color Rising, Micaela Cadena, Noemi Martinez, Norma A. Marrun, Panquetzani, Rachel Broadwater, Sumayyah Talibah, Tara CC Villaba, Terri Nilliasca, tk karakashian tunchez, Victoria Law, and Vivian Chin.

    29 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of Naked. This detailed literature summary also contains Topics for Discussion and a Free Quiz on Naked by David Sedaris.

    From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas’ will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book’s topics range from the “alien” experience of blacks in America to the “wake up” cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.

    Its illustrative and popular material promote a deeper appreciation of different themes and approaches. Complete works that have become classics in the field, combined with ones from the modern era, make this collection rich in historical and theoretical context. Selections of non-fiction, fiction, poetry, and drama, include works by Paula Gunn Allen, Elizabeth Cook-Lynn, Carter Revard, Leslie Marmon Silko, Sherman Alexie, Kimberly Blaeser, Peter Blue Cloud, Louise Erdrich, Scott N. Momaday, Simon Ortiz, and many more. An effective introduction to Native American Literature for readers interested in this area of writing.Contents:Nonfiction. Postmodernism, Native American literature, and the real : the Silko-Erdrich Controversy by Susan Pérez CastilloThe American Indian fiction writers : cosmopolitanism, nationalism, the third world, and First Nation sovereignty by Elizabeth Cook-LynnIndian humor by Vine Deloria, Jr.The Ghost Dance War by Charles Eastman OhiyesaThe sacred hoop : a contemporary perspective by Paula Gunn AllenThe man made of word by N. Scott MomadayDecolonializing criticism : reading dialectics and dialogics in Native American literatures by David L. MooreTowards a national Indian literature : cultural authenticity in nationalism by Simon J. OrtizHistory, myth, and identity among Osages and other peoples by Carter RevardThe woman who loved a snake : orality in Mabel McKay's stories by Greg SarrisLanguage and literature from a Pueblo perspective by Leslie Marmon SilkoAn old-time Indian attack conducted in two parts : Part one, imitation "Indian" poemsbyPart two, Gary Snyder's Turtle IslandIntroduction : only the beginning by Brian Swann. Fiction. The approximate size of my favorite tumor ; This is what it means to say Phoenix, Arizona by Sherman AlexieSwimming upstream by Beth BrantA good chance ; The power of horses by Elizabeth Cook-LynnThe red convertible by Louise ErdrichUnfinished business by Eric GansworthAunt Parnetta's electric blisters by Diane GlancyDeer woman by Paula Gunn AllenSleeping in rain by Gordon HenryAunt Moon's young man by Linda HoganAs it was in the beginning by Pauline E. JohnsonBorders ; A seat in the garden by Thomas KingThe hawk is hungry by D'Arcy McNickleVeteran's dance by Jim NorthrupThe killing of a state cop by Simon J. OrtizBlessed sunshine by Louis OwensReport to the nation : repossessing Europe by Carter RevardHow I got to be queen by Greg SarrisThe man to send rain clouds ; Tony's story ; Yellow woman by Leslie Marmon SilkoThe disposal of Mary Joe's children by Mary TallMountainAll the colors of sunset by Luci TapahonsoThe warriors by Anna Lee WaltersThe soft-hearted Sioux by Zitkala-Sa. Poetry. The business of fancydancing ; Capital punishment ; Defending Walt Whitman ; The exaggeration of despair ; How to write the great American Indian novel ; Crazy Horse speaks by Sherman AlexieDear world ; Kopis'taya, a gathering of spirits ; Soundings by Paula Gunn AllenLiving history ; Rewriting your life ; Rituals : yours, and mine ; Where was I that day by Kimberly BlaeserBear : a totem dance as seen by Raven ; The old man's lazy ; Rattle ; To-ta Ti-om ; Turtle ; Yellowjacket ; Drum ; Reflections on milkweed by Peter Blue CloudAbove the line ; Blessing the waters ; Copal, red blood : Chiapas, 1998 by Joseph BruchacToday was a bad day like TB by ChrystosSalmon egg puller, $2.15 an hour by Nora DauenhaurCaptivity ; Indian boarding school : the runaways ; Jacklight ; Old man Potchikoo ; Dear John Wayne ; Turtle Mountain Reservation by Louise ErdrichShe had some horses ; Transformations ; I give you back ; Call it fear ; Eagle poem ; The woman hanging from the thirteenth floor window ; Grace ; The woman who fell from the sky by Joy HarjoBlessing ; Song for my name ; Bamboo ; Celebration : birth of a colt ; Drought ; The new apartment, Minneapolis ; The truth is ; Elk song ; Geraniums ; Heritage ; It must be ; Map ; Morning : the world in the lake by Linda HoganAkwesasne ; Legacy ; Sweetgrass ; The tell me I am lost ; Wild strawberry ; Wolf "aunt" by Maurice KennyWho am I by Joyce carlEtta MandrakeAngle of geese ; The bear ; At risk ; December 29, 1980 : Wounded Knee Creek ; The colors of night ; The eagle-feather fan by N. Scott MomadayBend in the river ; The creation, according to coyote ; Dry root in a wash ; My father's song ; A story of how a wall stands ; The boy and coyote by Simon J. OrtizAnd don't be deaf to the singing beyond ; Driving in Oklahoma ; In Kansas ; An eagle nation ; What the eagle fan says ; Wazhazhe grandmother by Carter RevardI expected my skin and my blood to ripen ; If I am too brown or too white for you ; Three thousand dollar death song by Wendy RoseIndian song : survival ; Untitled ; Untitled, from Ceremony ; Storytelling ; Story from Bear County ; Toe'osh : a Laguna coyote story ; When sun came to Riverwoman by Leslie Marmon SilkoGood grease ; The last wolf ; There is no word for goodbye ; Matmiya by Mary TallMountainBlue horses rush in ; In praise of Texas ; Light a candle ; Raisin eyes by Luci TapahonsoChristmas comes to Moccasin Flat ; Surviving ; Thanksgiving at Snake Butte ; Snow country weavers ; Riding the earthboy 40 by James WelchDream of rebirth ; For Heather, entering Kindergarten ; In the longhouse, Oneida Museum ; Black eagle child quarterly by Roberta Hill WhitemanThe first dimensions of skunk ; Winter of the salamander ; The language of weather ; Morning talking mother ; The significance of a water animal ; Nothing could take away the bear-king's image by Ray Young BearDrama. Harold of Orange : a screenplay by Gerald Vizenor

    Taut, lucid, and engrossing, provocative and dark—and often darkly funny—these stories have much to offer the lover of literary fiction as well as the reader who just loves a great story.