Maybe she’s ready now. Maybe she can trust again. Maybe it's time to let her terrifying secret past go. Then her daughter rescues a boy from drowning and their pictures are all over the news for everyone to see. Lisa's world explodes, and she finds everything she has built threatened. Not knowing whom she can trust, it's up to her to face her past to save what she holds dear.

    Her signature? Arriving first on the scene—in impractical designer stilettos. Armed with a master’s degree in forensic science and impeccable instincts, Jordan has thus far been able to balance her dueling motivations: breaking every big story—and giving voice to the voiceless.From her time reporting in Texas, she’s sure she has covered the vilest of human behaviors, but nothing has prepared her for Chicago. You see, Jordan is that rare breed of journalist who can navigate a crime scene as well as she can a newsroom—often noticing what others tend to miss. Again and again, she is called to cover the murders of black females, many of them sexually assaulted, most brutalized, and all of them quickly forgotten.All until Masey James—the story that Jordan just can’t shake, try as she might. A fifteen-year-old girl whose body was found in an abandoned lot, Masey has come to represent for Jordan all of the frustration that her job—with its required distance—often forces her to repress. Putting the rest of her workload and her (fraying) personal life aside, Jordan does everything she can to give the story the coverage it desperately requires, and that a missing black child would so rarely get. Three young boys are eventually charged with Masey’s murder, but Jordan remains unconvinced.There’s a serial killer on the loose, Jordan believes, and he’s hiding in plain sight.

    March. As a character, she is fascinating, complex, and deeply human and I can’t wait to sink my teeth into her.” ―Elisabeth MossWho is Mrs. March?A twenty-first-century Highsmith, Virginia Feito conjures the unforgettable Mrs. March, an Upper East Side housewife whose life is shattered by her husband’s latest novel.In this astonishing debut, the venerable but gossipy New York literary scene is twisted into a claustrophobic fun house of paranoia, horror, and wickedly dark humor. George March’s latest novel is a smash. No one is prouder than Mrs. March, his doting wife. But one morning, the shopkeeper of her favorite patisserie suggests that his protagonist is based on Mrs. March herself: “But . . . ―isn't she . . .’ Mrs. March leaned in and in almost a whisper said, ‘a whore?” Clutching her ostrich-leather pocketbook, she flees, that one casual remark destroying her belief that she knew everything about her husband―as well as herself. Suddenly, Mrs. March is hurled into a harrowing journey that builds to near psychosis, one that begins merely within the pages of a book but may uncover both a killer and the long-buried secrets of her past.

    The tragedy has become a local legend, but Cara has moved past her grief to have a successful career and a happy family. Pity about Anna. Recently released from incarceration, she’s struggling with addiction, guilt, and shame—a shattered life. Cara’s forgiveness seems to be the only thing that helps her pick up the pieces.But as Anna pulls herself together, her memories of that night on the bridge start to come into focus. And few of them match her sister’s.As past secrets unfold and nothing is what it seems anymore, Anna desperately searches for the truth. But what if Cara doesn’t want her to find it?

    The local junkyard is burning, and the town pariah Lizzie Oullette is dead—with her husband, Dwayne, nowhere to be found. As scandal ripples through the community, Detective Ian Bird’s inquiries unexpectedly lead him away from small-town Maine to a swank city townhouse several hours south. Adrienne Richards, blonde and fabulous social media influencer and wife of a disgraced billionaire, had been renting Lizzie’s tiny lake house as a country getaway…even though Copper Falls is anything but a resort town.As Adrienne’s connection to the case becomes clear, so too does her connection to Lizzie, who narrates their story from beyond the grave. Each woman is desperately lonely in her own way, and they navigate a relationship that cuts across class boundaries: transactional, complicated, and, finally, deadly. A Gone Girl for the gig economy, this is a story of privilege, identity, and cunning, as two devious women from opposite worlds discover the dangers of coveting someone else’s life.

    But when the FBI starts investigating the kid she thought she knew, will she jeopardize her own career at the Bureau to keep her child safe? From the New York Times bestselling author of Need to Know. . . .Stephanie Maddox makes tough decisions every day. She has her hands full heading the FBI's Internal Investigations division, policing wrongdoers within the Bureau. But, as a single mother, the most important thing in her life is her teenage son Zachary, who's anxiously awaiting college acceptance letters. So when she discovers a gun concealed in Zach's room, her world reels. And then an FBI agent on the domestic terrorism squad shows up at her door and utters three devastating words: "It's about Zachary..."Has she been wrong about her near-perfect son? Is Zach embroiled in something criminal--something deadly? And, if so, what is her greater duty: To protect him? Or to betray him?

    She knows which boards will creak. She knows where the gaps are in the walls. She knows which parts can take her in, hide her away. It’s home, after all. The home her parents made for her, before they were taken from her in a car crash. And home is where you stay, no matter what.Eddie is a teenager trying to forget about the girl he sometimes sees out of the corner of his eye. But when his hotheaded older brother senses her, too, they are faced with the question of how to get rid of someone they aren’t sure even exists. And as they try to cast her out, they unwittingly bring an unexpected and far more real threat to their doorstep. Written with grace and enormous heart, Girl in the Walls is a novel about carrying on through grief, forging unconventional friendships, and realizing, little by little, that we don’t need to fear what we do not understand.

    Banner, USA TODAY bestselling author) thriller from the author of the “haunting, twisting thrill ride” (Megan Miranda, New York Times bestselling author) The River at Night, a young woman leaves behind everything she knows to take on the Bolivian jungle, but her excursion abroad quickly turns into a fight for her life.Lily Bushwold thought she’d found the antidote to endless foster care and group homes: a teaching job in Bolivia. As soon as she could steal enough cash for the plane, she was on it. When the gig falls through, world-weary Lily decides to stay in Bolivia when an intense passion finds her in the form she least expected: Omar, a savvy, handsome local man who’d abandoned his life as a hunter in Ayachero—a remote jungle village—to try his hand at city life. When Omar learns that a jaguar has killed his four-year-old nephew in Ayachero, he gives Lily a choice: Stay alone in the unforgiving city, or travel to the last in a string of ever-more-isolated river towns in the jungles of Bolivia. Thirty-foot anaconda? Puppy-sized spiders? Vengeful shamans with unspeakable powers? Lovestruck Lily is oblivious. She follows Omar to this ruthless new world of lawless poachers, bullheaded missionaries, and desperate indigenous tribes driven to the brink of extinction. To survive, Lily must navigate the jungle—its wonders as well as its terrors—using only her wits and resilience. “Gripping, breathtaking, and exquisitely told—Into the Jungle pulls you into another world, returning you forever transformed” (Wendy Walker, USA TODAY bestselling author).

    Through the good and bad; through raising a son and sending him off to life after university. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector’s aloof mother on their wedding day.But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can’t recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta’s visions persist and her reality grows more disjointed, it’s unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.