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The 25th Annual Putnam County Spelling Bee
William Finn - 2006
Vocal selections from the popular Broadway musical, including: 25th Annual Putnam County Spelling Bee * My Friend, the Dictionary * Pandemonium * I'm Not That Smart * Magic Foot * Prayer of the Comfort Counselor * My Unfortunate Erection * Woe Is Me * I Speak Six Languages * The I Love You Song.
The Invisible Hand
Ayad Akhtar - 2015
In remote Pakistan, Nick Bright awaits his fate. A successful financial trader, Nick is kidnapped by an Islamic militant group, but with no one negotiating his release, he agrees to an unusual plan. He will earn his own ransom by helping his captors manipulate and master the world commodities and currency markets. "[A] tense, provocative thriller about the unholy nexus of international terrorism and big bucks...."-Seattle Times "Ahktar again turns hypersensitive subjects into thought-provoking and thoughtful drama"-Newsday "The prime theme is pulsing and alive: when human lives become just one more commodity to be traded, blood eventually flows in the streets"-Financial Times "Whip-smart and twisty"-Time Out New York "The Invisible Hand offers genuine insight into the future of the West" (Village Voice).
Golden Child
David Henry Hwang - 1998
A “skillfully-told story that engages the emotions as well as the brain,” Golden Child explores the impact of these decisions on each of his great-grandfather’s three wives, and succeeding generations (Entertainment Focus).David Henry Hwang is the author of the Tony Award-winning M. Butterfly, Yellow Face (OBIE Award, 2008 Pulitzer Prize finalist), Golden Child (1997 OBIE Award), FOB (1981 OBIE Award), Family Devotions (Drama Desk nomination), and the books for musicals Aida ( co-author), Flower Drum Song (2002 Broadway revival), and Tarzan, among other works. David Henry Hwang graduated from Stanford University, attended the Yale School of Drama, and holds honorary degrees from Columbia College in Chicago and The American Conservatory Theatre. He lives in New York City with his wife, actress Kathryn Layng, and their children, Noah David and Eva Veanne.
Everyman (Faber Drama)
Carol Ann Duffy - 2015
Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.
A Feminine Ending
Sarah Treem - 2009
But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.
Dragon (Aggadeh Chronicles #2)
William D. Richards - 2017
The Aggadeh Empire was seeking dragons. Little did Nem expect that he would come face-to-face with both in the far north city of Balon. Is he destined to become an ally of the Empire? Or its prisoner? And what is he going to do with a dragon who might turn the city into a bloodbath?
Chance Taken (Chance Series Book 2)
Diana W. - 2017
As their friendship strengthens, Kelise’s resistance to relationships—thanks to her past— starts to lower. The possibility of something more with Mike enters her mind but not before he sets his eyes on a new distraction named Danielle Kingston. As Mike and Danielle’s relationship attempts to bloom, Kelise learns some unsettling information about Mike’s new lady, but also finds herself caught up in a distraction of her own with a sexy blast from her past. Mike realizes he may have made a mistake in his choice and now has to deal with the consequences of watching Kelise’s happiness be sparked by another guy. In a series of missed opportunities and misunderstandings, can Mike and Kelise get their minds and hearts on the same page or will they have to deal with a chance not taken? >>>Note: This book is a standalone and can be read as such. However, it is advised and recommended that you check out By Chance as well, which is the first story in the series and connected to the main characters of Chance Taken, to get the complete reading experience <<<
Gunsight Justice
Mike Hundley - 2019
After the Civil War, Will Garrison takes his family west. Together they build a ranch and battle powerful Indian tribes who have hunted the lands for centuries. A peace feather is offered after a climactic battle. With the Indian tribes and the Garrisons now walking a path of peace, a new threat has emerged… the railroad. Greedy government-backed killers plan to annihilate everyone and claim the land they need to expand their rail lines north across Colorado and into Utah. Their vile, sinister plan is revealed after many fights. Will Garrison’s son, Gabe, fights back and unleashes his pent-up vengeance against the railroad and kills one of their hired mercenaries. A destined meeting of chance leaves him rescuing a bloodied woman and falling hopelessly in love with the dark beauty. May is a brave woman who fights to guard a secret of her own. Together they flee to ancient trails, and as paid assassins track them, it becomes a long vengeance trail of dead men. When May reveals her deadly secret, Gabe finds himself at war with the railroad, an evil killer, and with everything he ever knew. He knows it’s time for GUNSIGHT JUSTICE! This is the action-packed Western that will remind you that freedom is something you must always fight for. Good battles evil as epic conflicts become climatic love scenes, and you find yourself breathlessly riding a trail of danger, deceit and passion with Mike Hundley in this Western that leaves no bullet unfired, no emotion untouched, and no reader left behind. This book was previously published as "The Silver Saddle."
All Eyes on the Crown 3: The Rise of a New Connect
Tina J. - 2017
Morgan, is still trying to move past MJ's infidelities and has to make a decision on if she wants to stay with him or not. Gabby is still taking Alex through the ringer and he's had enough. She shut him out, with no intentions of allowing him back in her life. Unfortunately, Gabby gets herself in a situation that can cost her life, but will Alex save her? Joy and AJ are the happy couple in everyone's eyes, that is until, Shayla has the baby and causes major turmoil in their relationship. She is upset that he chose Joy, and does the unthinkable to gain his attention. With everything going on, Akeena, PJ and Armond come up with a plan to take MJ and his family out. MJ and Alex will make them all regret ever coming for the Rodriquez family.
The Women of Lockerbie (Acting Edition)
Deborah Brevoort - 2005
She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.
Love Letters and Two Other Plays: The Golden Age, What I Did Last Summer
A.R. Gurney - 1990
R. Gurney has wittily captured the manners of upper-middle-class WASP America, but never as gracefully or with such dazzling economy as in Love Letters. Tracing the lifelong correspondence of the staid, dutiful lawyer Andrew Makepeace Ladd III and the lively, unstable artist Melissa Gardner, the story of their bittersweet relationship gradually unfolds from what is written--and what is left unsaid--in their letters. A smash hit both off and on Broadway, Love Letters captures Andy and Melissa with a precision of detail and depth of feeling that only Gurney can command. Two other, thematically related plays by Gurney, The Golden Age and What I Did Last Summer, are included, providing a trio of wry and affectionate paeans to love lost, found, and fleetingly glimpsed.
Grey Gardens
Doug Wright - 2007
Grey Gardens is based on the 1975 Albert and David Maysles film about Jacqueline Kennedy Onassis's eccentric aunt and cousin. The touching and sometimes heart-wrenching musical adaptation explores the dysfunctional relationship between former socialite Edith Bouvier Beale and her daughter, Little Edie, as they languish in a derelict East Hampton manor, Grey Gardens. Propelled by Christine Ebersole's tour-de-force performance, the gorgeous score, and intricate lyrics, the Broadway musical has garnered much critical praise. "An experience no passionate theatergoer should miss." Ben Brantley, The New York Times