Faced with destitution after the death of her father, she becomes a highwaywoman to support her impoverished family. One fatal mistake leads to her arrest, and the king’s justice demands her death. But rather than beg for mercy, Jenny condemns the system that would make her choose between obeying the law and dying, and breaking it for the chance to survive. Her ferocity convinces the judge to spare her life, and he sentences her and dozens of other convicts to transport across the seas to England's penal colony in Australia.   After a grueling passage on a filthy ship where she must sell her body for protection, Jenny learns that her struggles have only just begun. The landscape of Sydney Cove is harsh and unwelcoming to the new settlers, with its arid climate and precious little fresh water. Despite the lack of shackles or bars, she and the others are still prisoners under the strict watch of Governor Edward Lockharty, and no amount of cunning can earn his favor. Jenny refuses to submit to the governor or to the barren land unable to support the growing population. Determined to find a better life for herself and her children, she braves the sea, and a journey of over three thousand miles in a small rowboat, for a chance at a future worth fighting for.   Based on the true story of Mary Bryant, an iconic figure in the foundation lore of Australia, Fled is a sweeping, heart-wrenching account of one woman's life-long search for freedom.

    Meet Mercy Blain, whose house has just burnt down. Unfortunately for Mercy, this goes beyond the disaster it would be for most people: she hasn't been outside that house for two years now.Flung out into the world she's been studiously ignoring, Mercy goes to the only place she can. Her not-quite-ex-husband Eugene's house. But it turns out she can't stay there, either.And so begins Mercy's unwilling journey. After the chance purchase of a cult classic campervan (read tiny, old and smelly), with the company of her sausage dog, Wasabi, and a mysterious box of cremated remains, Mercy heads north from Adelaide to Darwin.On the road, through badly timed breakdowns, gregarious troupes of grey nomads, and run-ins with a rogue adversary, Mercy's carefully constructed walls start crumbling. But what was Mercy hiding from in her house? And why is Eugene desperate to have her back in the city? They say you can't run forever...Exquisite, tender and wry, this is a break-out novel about facing anxiety and embracing life from an extraordinary new talent.PRAISE: 'Tender, funny and quietly profound, The Other Side of Beautiful is a breath of fresh air.' - The Sunday Times'A colourful, engaging story of escape and road-trip adventure ... also compellingly cinematic and features an endearing narrator-heroine with plenty of meaty real-world troubles.' - Sydney Morning Herald'An engaging story about second chances and a life changing road trip ... a heart-warming story.' - Canberra Weekly magazine'Mercy Blain is a character you find yourself cheering on. Kim Lock mixes the transformative journey of Alice Hart with the quirkiness of Eleanor Oliphant in this story about embracing life, even when it threatens to overwhelm you' - Tricia Stringer, bestselling author of The Family Inheritance'Mercy Blain is an unforgettable character who will capture your heart from the first pages and hold it through until the end. Her madcap journey towards forgiveness - of herself and others - is moving and funny and all other good things that will make you want to keep reading and make you sad when your time with Mercy comes to an end.' - Sophie Green, bestselling author of The Shelly Bay Ladies Swimming Circle

    Together, they had another child, making seven. The Captain felt it was necessary to run the family with army discipline, but his rules and regulations were no match for the fun loving children, led by the redoubtable Judy."But now it was morning, and she could disbelieve it no longer. Esther had come to her bedside and kissed her sorrowfully, her beautiful face troubled and tender. The kind-hearted stepmother had begged as she had never done before for a remission of poor Judy's sentence, but the Captain was adamant. To boarding school she must go!"

    In a mountain-locked valley, Jessie is on the run.Born wild and brave, by twenty-six she has already lived life as a circus rider, horse and cattle rustler, and convict. But on this fateful night she is just a woman wanting to survive though there is barely any life left in her.Two men crash through the bushland, desperate to claim the reward on her head: one her lover, the other the law.But as it has always been for Jessie, it is death, not a man, who is her closest pursuer and companion. And while all odds are stacked against her, there is one who will never give up on her—her own child, who awaits her.

    Each narrator also pays homage to an author who has written imaginatively about animals during much the same time span: Henry Lawson, Colette, Kafka, Virginia Woolf, Tolstoy, Günter Grass, Julian Barnes, and others.These stories are brilliantly plotted, exquisitely written, inevitably poignant but also playful and witty. They ask us to consider profound questions. Why do animals shock us into feeling things we can't seem to feel for other humans? Why do animals allow authors to say the unsayable? Why do we sometimes treat humans as animals, and animals as humans? Can fiction help us find moral meaning in a disillusioned world?Ceridwen Dovey is a prodigiously gifted storyteller, an insightful thinker, and a prose writer of great range. Each of the storylines is an opening to a new way of considering the nature of violence and the relationship between human and animal experiences of the world. Only The Animals will ask you to believe again, just for a moment, in the redemptive power of reading and writing fiction.

    His logical mind draws him towards the pursuit of science and knowledge. Mary, who loves to draw, is passionate and impetuous. The small country town in which they live, in the aftermath of World War II, is not enough to contain her ambitions for life and for love.When Mary escapes to Melbourne in pursuit of sensuality and art, Dominic must shoulder the mantle of family responsibility. Mary begins a new life, exploring the bohemian haunts of a rapidly changing post-war city. Dominic studies hard and eventually finds himself drawn into the field of eugenics, a fraught pseudo-science based on ideology. Then he meets Hanna, the daughter of Jewish refugees, who begins to show him the limitations of his scientific view.But Dominic and Mary are destined to come together, and the past cannot be left behind so easily. When Dominic comes looking for his sister, Mary must decide where her loyalties lie: to her family or to her art.Dominic, meanwhile, bears a secret of his own.This is a powerful novel about the choices we make in pursuit of our ideas, and the inexorable pull of the past. Set in an era of social constraint but profound genetic discovery, The Science of Appearances examines how the complex interplay of heredity and environment makes, shapes, and sometimes breaks us.

    I can remember Hetty’s hand in mine as we moved slowly down the steps of the escalator, as if standing completely still would have been harder than moving.Hetty and Ness, best friends since childhood, have left suburban Melbourne for the first time to live abroad. Hetty is charming and captivating, the life of the party. Ness is a wallflower, hopelessly in love with her. In the student quarter of Toronto, the pair take a room in a share house full of self-assured creatives. Hetty disappears into barkeeping work and a whirlwind nightlife, while Ness drifts aimlessly. But when Ness finds Hope one day in the art gallery, an intense affair develops. There are new friends, too, and a job: at last her life starts to make some sense. And Hetty’s starts spectacularly to fall apart, in a mess of bad drugs and bad men.As winter freezes the lakeside city, the dark undercurrents of Hetty’s character—abusive relationships, a dangerous obsession with bodies of water—become ever stronger. Ness may lose the person she loves more than anyone else in the world.Beautifully written and intimate, Cherry Beach is a revelatory story of friendship and desire.

    Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.

    Rob, a stickler for correctness, manages a wealthy, company-owned property, while his easygoing brother Sandy struggles to support his wife and son on an impoverished leasehold. When tragedy throws the families together, before ultimately driving them even further apart, it's Sandy's young son Jim who suffers most. Left to rebuild his shattered world, he depends on the larger-than-life station characters and the comfort of horses. This is tough country, where personal heartache is kept in perspective by drought, fire and isolation. The times are just as unforgiving, and as the years pass, Jim discovers that he must pay for his father's mistakes as well as his own. Yet this harshly beautiful land is full of promise, a source of strength to Jim on his road from innocence to independence.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    A woman grapples with survivor’s guilt after a body is found in her garden bed; an ageing beauty queen contemplates her past; a world champion free-diver disappears during routine training...In moments disquieting or quietly inspiring, this collection considers the complexity of the connections we make—with our family, friends and neighbours, and with those met briefly or never at all.In her timely debut, Emily Paull voices a chorus of characters that reveal and re-evaluate the expectations of women in Australia today—after all, well-behaved women rarely make history.

    A man apparently happily married, yet, with two divorces behind him and three puzzled children. In death it seems that he is not the person everyone thought.As his extended family gathers to mourn, secrets and lies unfold uncomfortably around them. Those pornographic images on his laptop? An unexpected lover - is he still philandering? But somewhere in the turmoil of mourning each of them has to find an answer to the question - who was this man really? What mysteries has he taken to the grave with him?Goodbye Sweetheart is a powerful novel of love, the desire for understanding, and the inevitable messiness of life.

    She was young and frightened, trying to escape a brutal marriage, but despite the violence and cruelty she’d endured, she was not prepared for this final blow, this breathtaking punishment. Yvonne would not see her son again for nearly 40 years.Kristina was the first child of her mother’s subsequent, much gentler marriage and, like her siblings, grew up unaware of the reasons behind her mother’s sorrow, though Peter’s absence resounded through the family, marking each one. Yvonne dreamt of her son by day and by night, while Peter grew up a thousand miles and a lifetime away, dreaming of his missing mother. Boy, Lost tells how their lives proceeded from that shattering moment, the grief and shame that stalked them, what they lost and what they salvaged. But it is also the story of a family, the cascade of grief and guilt through generations, and the endurance of memory and faith.

    Any distraction is welcome, and the woman who has chained herself to the escalator, shouting about the perils of consumerism, is certainly that. She recognises Dot immediately - from their time campaigning for women's rights, and further back still, to the heyday of the Sydney Push when Margot married Laurence. Dot is in despair at the abandonment of the sisterhood, at the idea of pole dancing as empowerment and the sight of five year-olds with false eyelashes and padded bras. She's still a fierce campaigner, but these days she isn't sure where to direct her rage. Margot's despair is quieter; a haunting resentment that her youthful ambitions have always been shelved to attend to the needs of others. And as the two women turn to the past for solutions for the future, Margot's family is in crisis. Laurence sets off on a journey in a bid to repress his grief, daughter Lexie loses the job that has been her life for twenty years, and her younger sister Emma hides her pain with shopping binges that plunge her into debt. Liz Byrski assembles a fallible cast of characters who are asking the questions we ask ourselves. What does it mean to grow older? Are we brave enough to free ourselves from the pressure to stay young? And is there ever a stage in life when we can just be ourselves?

    Both need to start again.When the three women's paths unexpectedly cross, they throw themselves into realising Kate's magical vision for London's branch of The Tea Chest. But every time success is within their grasp, increasing tensions damage their trust in each other.With the very real possibility that The Tea Chest will fail, Kate, Leila and Elizabeth must decide what's important to each of them. Are they willing to walk away or can they learn to believe in themselves?An enchanting, witty novel about the unexpected situations life throws at us, and how love and friendship help us through. Written with heart and infused with the seductive scents of bergamot, Indian spices, lemon, rose and caramel, it's a world you won't want to leave.