The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.

    Elizabeth Macquarie, widow of the disgraced former Governor of New South Wales, Lachlan Macquarie, is in mourning - not only for her husband, but the loss of their shared dream to transform the penal colony into a bright new world. Over the course of one long sleepless night on the windswept isle of Mull, she remembers her life in that wild and strange country; a revolution of ideas as dramatic as any in history; and her dangerous alliance with the brilliant, mercurial Francis Greenway, the colony's maverick architect. A stirring, provocative and thrilling novel of passion, ideas, reforming zeal and desire.

    Before Biff and her younger brother, Mark, there was baby Alison, who drowned in her bath because, it was said, her mother was distracted. Biff too, lives in fear of her mother's irrational behaviour and paranoia, and she is always on guard and fears for the safety of her brother. As Biff grows into teenage hood, there develops a conspiratorial relationship between her and her father, who is a famous and gregarious man, trying to keep his wife's problems a family secret. This was a time when the insane were committed and locked up in Dickensian institutions; whatever his problems her father was desperate to save his wife from that fate. But also to protect his children from the effects of living with a tragically disturbed mother.In My Mother's Hands is a beautifully written and emotionally perplexing coming-of-age true story about growing up in an unusual family.

    This tragedy returns to haunt Jasmine and Della when another child mysteriously goes missing on Hampstead Heath. As Jasmine immerses herself in the world of her literary idols – including Jane Austen, the Brontë sisters and Virginia Woolf – Della is inspired to rediscover the wisdom of her own culture and storytelling. But sometimes the stories that are not told can become too great to bear.Ambitious and engrossing, After Story celebrates the extraordinary power of words and the quiet spaces between. We can be ready to listen, but are we ready to hear?

    In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers—a note that makes question her memories of their disappearance and her father’s departure.A beguiling story that proves that gothic delights and uncanny family horror can live—and even thrive—under a burning sun, Flyaway introduces readers to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles.In these pages Jennings assures you that gothic delights, uncanny family horror, and strange, unsettling prose can live—and even thrive—under a burning sun.Holly Black describes as “half mystery, half fairy tale, all exquisitely rendered and full of teeth.” Flyaway enchants you with the sly, beautiful darkness of Karen Russell and a world utterly its own.

    A novel of suffering, sorrow, and redemption, "Ransom "tells the story of the relationship between two grieving men at war: fierce Achilles, who has lost his beloved Patroclus in the siege of Troy; and Priam, king of Troy, whose son Hector killed Patroclus and was in turn savaged by Achilles. Each man's grief demands a confrontation with the other's if it is to be resolved: a resolution more compelling to both than the demands of war. And when the aged father and the murderer of his son meet, "the past and present blend, enemies exchange places, hatred turns to understanding, youth pities age mourning youth."

    Surrounded by family and calm waters, seventeen-year-old Zoe Kennett has inexplicably vanished.Four storytellers share their version of what has led to this moment, weaving tales which span centuries and continents. But Tony needs facts, not fiction: how will such fables lead him to Zoe and to the truth?As Tony's investigation deepens, he is drawn into a world where myth and history blur, and where women who risk all for love must pay the price through every generation.

    Her ex has found love again, her children have their own lives, and it’s beginning to feel like her only comfort comes from her dog and her job as a taxidermist. So when Flick gets an offer to work in New Orleans for a few months, she’s drawn to the chance to make a fresh start.Zoe is ready to start a family with her husband, but when he betrays her, she’s left shattered and desperate for a change of scenery. Joining her mother on the other side of the world to drown her sorrows seems the perfect solution.Although both mother and daughter are wary of risking their hearts to love again, Theo, a jazz bar owner, and Jack, a local ghost hunter, offer fun, friendship and distraction. But all is not as it seems in New Orleans…A chance meeting with Aurelia, a reclusive artist who surprises them with lessons from her life, prompts Flick and Zoe to reassess what they want too. Can all three women learn from the past in order to embrace their future?An uplifting novel about three women joyously learning to move on after heartbreak by the bestselling author of The Patterson Girls and Flying The Nest.

    The only person she sees regularly is Henry, who comes after school for drawing lessons.When a girl in Henry's class goes missing, Jen is pulled back into the depths of her own past. When she was Henry's age she lost her father and her best friend Michael - both within a week. The whole town talked about it then, and now, nearly forty years later, they're talking about it again.Everyone is waiting - for the girl to be found and the summer rain to arrive. At last, when the answers do come, like the wet, it is in a drenching, revitalising downpour.

    In Like a House on Fire, Kennedy once again takes ordinary lives and dissects their ironies, injustices and pleasures with her humane eye and wry sense of humour. In ‘Laminex and Mirrors’, a young woman working as a cleaner in a hospital helps an elderly patient defy doctor’s orders. In ‘Cross-Country’, a jilted lover manages to misinterpret her ex’s new life. And in ‘Ashes’, a son accompanies his mother on a journey to scatter his father’s remains, while lifelong resentments simmer in the background. Cate Kennedy’s poignant short stories find the beauty and tragedy in illness and mortality, life and love.

    He takes the child on the road with him to spite his wife, but months pass and still no word comes to ask for the little girl back. Strangers to each other at first, father and daughter drift aimlessly through the dusty towns of Australia, sleeping rough and relying on odd jobs for food and money. Buster's resilience and trust slowly erode Macauley's resentment, and when he's finally able to get rid of her, he realises he can't let his shiralee go. In evocative prose that vividly conjures images of rural Australia, The Shiralee reveal an understanding of the paradoxical nature of the burdens we carry, creates a moving portrait of fatherhood, told with gruff humour and a gentle pathos.

    Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    Annie fled back to the city, but the mountain continues to haunt her. Now, drawn by a call for help from her uncle, she's going back to the place she loves most in the world, to try to heal herself, her marriage, her daughter and her mother. A heart-wrenching, tender and lovely novel about loss, grief and regeneration, Ache is not only a story of how we can be broken, but how we can put ourselves back together.

    What are your fictions?Tara Moss has worn many labels in her time, including 'author', 'model', 'gold-digger', 'commentator', 'inspiration', 'dumb blonde', 'feminist' and 'mother', among many others. Now, in her first work of non-fiction, she blends memoir and social analysis to examine the common fictions about women. She traces key moments in her life - from small-town tomboy in Canada, to international fashion model in the 90s, to bestselling author taking a polygraph test in 2002 to prove she writes her own work - and weaves her own experiences into a broader look at everyday sexism and issues surrounding the underrepresentation of women, modern motherhood, body image and the portrayal of women in politics, entertainment, advertising and the media. Deeply personal and revealing, this is more than just Tara Moss's own story. At once insightful, challenging and entertaining, she asks how we can change the old fictions, one woman at a time.'This book, part memoir, part manifesto, catapults [Tara] into the frontline as a public commentator who demands serious attention. She is a welcome addition to any conversation about social justice, public ethics and the objectification of women, about which she knows a great deal.' Caroline Baum'a nimbly argued, statistic-laden exploration of the various labels we give women and the impact this has on their lives' Catherine Keenan, ABC The Drum'This is a book which needs to be read by men and women. Well written, clearly argued, informative, powerful and thought provoking. Forget everything you thought you knew about Tara Moss, with The Fictional Woman, Tara sets the record straight and takes her place as one of our generations great commentators.' John Purcell, Booktopia

    Margie is prickly, demanding and a stickler for convention. Stella has exciting dreams for the future. Margie has only bitter memories of the past. When Margie needs help recovering from a major operation, Stella offers her a place to stay. With no other options, Margie returns to the family farm where for decades, until Stella's arrival, she was the one in charge. Margie has never made life easy for her daughter-in-law, and that's not going to change now she's been made a guest in her former home. But as the dry summer turns to a beautiful autumn, the two women gradually form an unlikely bond, as the ambitions, secrets, and tragedies that have shaped their lives are slowly uncovered...