Strange and compelling, these are powerful works that exercise the same fascination today as they did on Lovecraft and Clark Ashton Smith, and all four are collected here.

    Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    Compressing an epic expanse of vision into narratives as hard and wounding as bullets, William Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of which human beings are capable. These tales are set not only in Yoknapatawpha County but in Beverly Hills and in France during World War I; they are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson (“A Justice”) as well as ordinary men and women who emerge in these pages so sharply and indelibly that they dwarf the protagonists of most novels.--back coverContains:Barn burning --Shingles for the Lord --The tall men --A bear hunt --Two soldiers --Shall not perish --A rose for Emily --Hair --Centaur in brass --Dry September --Death drag --Elly --Uncle Willy --Mule in the yard --That will be fine --That evening sun --Red leaves --A justice --A courtship --Lo! --Ad Astra --Victory --Crevasse --Turnabout --All the dead pilots --Wash --Honor --Dr. Martino --Fox hunt --Pennsylvania Station --Artist at home --The brooch --My Grandmother Millard --Golden land --There was a queen --Mountain victory --Beyond --Black music --The leg --Mistral --Divorce in Naples --Carcassonne.

    Aira, with his fuga hacia adelante or "flight forward" into the unknown, gives us imponderables to ponder and bizarre and seemingly out-of-context plot lines, as well as thoughtful and passionate takes on everyday reality. The title story, first published in the New Yorker, is the creme de la creme of this exhilarating collection.

    Howard Phillips Lovecraft may have been a writer for only a short time, but the creations he left behind after his death in 1937 have shaped modern horror more than any other author in the last two centuries: the shambling god Cthulhu, and the other deities of the Elder Things, the Outer Gods, and the Great Old Ones, and Herbert West, Reanimator, a doctor who unlocked the secrets of life and death at a terrible cost. In Lovecraft Unbound, more than twenty of today's most prominent writers of literature and dark fantasy tell stories set in or inspired by the works of H. P. Lovecraft. 9 • Introduction (Lovecraft Unbound) • essay by Ellen Datlow 11 • The Crevasse • short story by Dale Bailey and Nathan Ballingrud 31 • The Office of Doom • [Dust Devil] • short story by Richard Bowes 43 • Sincerely, Petrified • short fiction by Anna Tambour 73 • The Din of Celestial Birds • (1997) • short story by Brian Evenson 85 • The Tenderness of Jackals • short fiction by Amanda Downum 99 • Sight Unseen • short fiction by Joel Lane 113 • Cold Water Survival • short story by Holly Phillips 139 • Come Lurk With Me and Be My Love • short fiction by William Browning Spencer 161 • Houses Under the Sea • (2006) • novelette by Caitlín R. Kiernan 195 • Machines of Concrete Light and Dark • short story by Michael Cisco 213 • Leng • short fiction by Marc Laidlaw 239 • In the Black Mill • (1997) • short story by Michael Chabon 267 • One Day, Soon • short fiction by Lavie Tidhar 277 • Commencement • (2001) • novelette by Joyce Carol Oates 305 • Vernon, Driving • short fiction by Simon Kurt Unsworth 315 • The Recruiter • short fiction by Michael Shea 331 • Marya Nox • short fiction by Gemma Files 347 • Mongoose • [Boojum] • novelette by Elizabeth Bear and Sarah Monette 375 • Catch Hell • short fiction by Laird Barron 413 • That of Which We Speak When We Speak of the Unspeakable • short fiction by Nick Mamatas

    Munro) stands alongside Anton Chekhov and O Henry as a master of the short story. His extraordinary stories are a mixture of humorous satire, irony and the macabre, in which the stupidities and hypocrisy of conventional society are viciously pilloried. This collection includes Sredni Vastar and The Unrest Cure. 'We all know that Prime Ministers are wedded to the truth, but like other married couples they sometimes live apart'[Description from back cover]

    Zawartość zbioru:- Intymność- Pokój- Mur

    -- Washington Post Book WorldA finalist for the National Book Award for her 1995 novel, La casa de la laguna, Rosario Ferre is one of Latin America's most original andimportant writers. In the four stories that make up Maldito amor Ferre explores the history of political and cultural struggle in her native Puerto Rico through one family, the aristocratic and contentious De la Valles.The title story tells of the piratical Don Julio; his son, Nino Ubaldino, patriot and politician; andUbaldino's two sons, who are locked in a fight to the death over control of the Diamond Dust sugar mill andof the woman both men love. The other three stories follow the lives of later generations of the De la Valles, together creating a drama in four parts that raises fascinating issues of independence, religion, and race, imbued with all of Ferre's characteristic wit and verve."Marvelous, spellbinding". -- Chicago Tribune"A superb storyteller". -- Library Journal

    He was so impressed with the entries that he recommended they be published together in one book, which Cemetery Dance Publications and Hodder & Stoughton are pleased to report has become a reality. The six stories are: WILD SWIMMING by Elodie Harper EAU-DE-ERIC by Manuela Saragosa THE SPOTS by Paul Bassett Davies THE UNPICKING by Michael Button LA MORT DE L'AMANT by Stuart Johnstone THE BEAR TRAP by Neil Hudson Reader beware: the stories will make you think twice before cuddling up to your old soft toy, dipping your toe into the water or counting the spots on a leopard…

    This new edition brings together his collected short stories with 'Teatro Grottesco', a sequence of new stories not published before.Contents:The Frolic (1982)Les Fleurs (1981)Alice's Last Adventure (1985)Dream of a Mannikin (1982)The Chymist (1981)Drink to Me Only with Labyrinthine Eyes (1982)Eye of the Lynx (1983)The Christmas Eves of Aunt Elise (1996)The Lost Art of Twilight (1986)The Troubles of Dr. Thoss (1985)Masquerade of a Dead Sword (1986)Dr. Voke and Mr. Veech (1983)Dr. Locrian's Asylum (1987)The Sect of the Idiot (1988)The Greater Festival of Masks (1985)The Music of the Moon (1987)The Journal of J. P. Drapeau (1987)Vastarien (1987)The Last Feast of Harlequin (1990)The Spectacles in the Drawer (1987)Flowers of the Abyss (1991)Nethescurial (1991)The Dreaming in Nortown (1991)The Mystics of Muelenburg (1987)In the Shadow of Another World (1991)The Cocoons (1991)The Night School (1991)The Glamour (1991)The Library of Byzantium (1991)Miss Plarr (1991)The Shadow at the Bottom of the World (1990)The Medusa (1991)Conversations in a Dead Language (1989)The Prodigy of Dreams (1986)Mrs. Rinaldi's Angel (1991)The Tsalal (1994)Mad Night of Atonement (1989)The Strange Design of Master Rignolo (1989)The Voice in the Bones (1989)Teatro Grottesco (1996)Severini (1996)Gas Station Carnivals (1996)The Bungalow House (1995)The Clown Puppet (1996)The Red Tower (1996)

    Who was a witch! That evil aunt vented her spleen by casting a spell on the Princess that left her immune to gravity. Which was a strange (and often inconvenient!) way for things to be -- more than once the wind caught hold of her while she slept, and you can go the most amazing places on the wind if you have no weight. Then, when the princess got to be a young woman, she met a young prince and fell in love -- and the results of that love are the very essence of this tale . . . "I have never concealed the fact that I regarded him as my master . . . The quality that had enchanted me in his imaginative works turned out to be the quality of the real universe, the divine, magical, terrifying and ecstatic reality in which we all live." -- C.S. Lewis on George Macdonald

    A cycle of thirteen tenderly evocative stories written while Mu Xin was living in exile, this collection is reminiscent of the structural beauty of Hemingway’s In Our Time and the imagistic power of Kawabata’s palm-of-the-hand stories. From the ordinary (a bus accident) to the unusual (Buddhist halos) to the wise (Goethe, Lao Zi), Mu Xin’s wandering “I” interweaves plots with philosophical grace and spiritual profundity. A small blue bowl becomes a symbol of vanishing childhood; a painter in a race against fading memory scribblesnotes in an underground prison during the Cultural Revolution; an abandoned temple room holds a dark mystery. An Empty Room is a soul-stirring page turner, a Sebaldian reverie of passing time, loss, and humanity regained.

    Powerful, intriguing and essentially non-Western, these stories will be welcome by an audience truly ready for multicultural voices.

    Living in a well-ordered world that's beginning to lose its equilibrium, Taylor's fascinating characters struggle to come to terms with the constricting circumstances into which they were born. Delicately interweaving the joys and pains of these families, Peter Taylor goes beyond regionalism to the simple truths recognizable to people everywhere.