The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Suddenly, no amount of cocktails can cure the stress that simultaneously unsettles their lives. Nandi’s final wedding arrangements are nearly in place so why is she feeling on edge? Zaza, the “trophy wife”, waits for the day her affair comes to light and her husband gives her a one-way ticket back to the township. Tumi has only one wish to complete her perfect life – a child. But when her wish is granted, it’s not exactly how she pictured it. And Princess? For the first time ever, she has fallen in love – with Leo, a painter who seems to press all the right buttons. But soon she discovers – like her friends already have – that life is not a bed of roses, and happiness never comes with a manual . . .

    

    The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.

    Ure comes from a poor but honest family, and works as a houseboy to pay his own school fees. Towards the end of his primary school days he is accused of stealing money. He is saved by the well-placed total trust of his parents and his teacher.

    'Twenty-four Hours in the Life of a Woman' is the story of a middle-aged English widow who travels through Europe to escape loneliness and boredom.

    A. riots of the 1990s.Straight's brilliant story of the effects of violence in America on three generations of a family is told through the lives of the Thompsons, a large clan who live in Treetown, above downtown Rio Seco, California, and operate a car towing and repair business. Patriarch Hosea is a proud man, and a hardened one, whose father was killed in the violence that erupted in Tulsa many years earlier. All Hosea's memories come flooding black with ferocious force when the bodies of two white women are found engulfed in flames in an abandoned car on his property. These are the first signs that someone wants Hosea off his land; it is up to his son Marcus, the only one of the six children of Hosea and his half-Mexican wife who can negotiate with the white world, to help the family hold on to their home and their livelihood.But it is only when Marcus' nephew Motrice-a young man infatuated with guns and the power that they bring- comes back to Rio Seco from gang-ridden Los Angeles that the real secrets of the bodies found on Thompson land are revealed, as Rio Seco erupts in the same wave of trashing and looting that has engulfed the nearby metropolis.The Gettin Place is a powerful portrait of a family struggling to defend its turf in a changing world, to hold on to the gettin place, the source from which they derive the tools for survival.

    She began her journey as a bubbly child but grew into a lonely teenager after the devastating loss of both her parents. For so long after, it seemed as though she would never find herself.On Becoming is the real Toke Makinwa telling us what it is like to be one of the most talked about celebrities in Nigeria. She reveals the truth behind her 14-year relationship with the man she finally married. A marriage that ended in an atrocious scandal that nearly brought her to her knees.In the wake of the peaks and troughs that characterise Toke’s experiences, she now shares her struggle with blinding betrayal, finding forgiveness and drawing strength from her faith in God.On Becoming is Toke’s journey through pain to victory.

    In this novel, he tells of Obuechina, the only brother of six older sisters, prize pupil in the village school, apple of his doting mother's eye, eight years old and hopelessly spoilt. In a vain attempt to salvage his character, his father decides he must be sent away as a servant to a schoolmaster with a dragon of a wife. Obu goes - and comes back very different.

    He was older, married, more “establishment,” a celebrated foreign correspondent and editor. She, who entered Harvard at age sixteen, was a brilliant wild child of the sixties. She lived life in the present tense, where every affair was an adventure. Then Darling fell in love and everything changed.This is a story of the many lessons love can teach us, of a marriage turned upside down and inside out, and all the tenderness, thrills, comfort, and yes, even disappointment, that comes with the territory. Lynn Darling thought she knew the narrative of her own life, until it really began with her “one true north,” and now, ten years after his death, her story is still unfolding.From the Hardcover edition.

    I need to talk to you

    In Nishkriti (Deliverance), the strong-willed Shailaja, the youngest daughter-in-law in a joint family, is made an outcast as a result of a misunderstanding; much later, her elders realize their mistake, just in time to save the family from disintegration.

    Focusing on the epic love affair between a former amateur musician—who happens to be a bootlegger, mercenary, and killer—and a shebeen queen, this South African love story traces the couple's lives and loves through the interweaving of history and memory in the tradition of village storytellers.

    While his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to a colder, ruthlessly commercial underbelly—callous agents, greedy landlords, boorish and hostile neighbors, and, beneath a superficial cosmopolitanism, a bedrock of white cultural superiority and racist assumptions about Africa, its peoples, and worst of all, its food.Reckoning, at the same time, with the recent history of the devastating and brutal Biafran War, in which Ekong’s people were a minority of a minority caught up in the mutual slaughter of majority tribes, Ekong’s life in New York becomes a saga of unanticipated strife. The great apartment deal wrangled by his editor turns out to be an illegal sublet crawling with bedbugs. The lights of Times Square slide off the hardened veneer of New Yorkers plowing past the tourists. A collective antagonism toward the “other” consumes Ekong’s daily life. Yet in overcoming misunderstandings with his neighbors, Chinese and Latino and African American, and in bonding with his true allies at work and advocating for healing back home, Ekong proves that there is still hope in sharing our stories.Akpan’s prose melds humor, tenderness, and pain to explore the myriad ways that tribalisms define life everywhere, from the villages of Nigeria to the villages within New York City. New York, My Village is a triumph of storytelling and a testament to the life-sustaining power of community across borders and across boroughs.

    You will sacrifice our rights in order to secure your peace with the Boers and shrug us off. It is for this expedience that men like Tom and Reuben and Sonwabo Pumami are dead. There will be thousands like them in the time to come. ' Against a backdrop of drought, the rinderpest pandemic, the South African War, the burgeoning gold-mining industry and the complex birth of the exploitative system of recruiting migrant labour, Shades explores the growing tensions between cultures in South Africa at the turn of the twentieth century and the deepening awareness of the black mission-educated elite, empowered by the printing press, of the need to articulate their political and spiritual beliefs. Set within the microcosm of an isolated Eastern Cape mission, Shades is not only a love story and the chronicle of a family but a sensitive and perceptive insight into the country's wider conflicts. It explores the slow but inexorable destruction of the fabric of a community, the assault on its traditions and the struggle to reconcile two faiths: the Christian and the traditional beliefs of the amaXhosa in their ancestral shades. It is the story of those far-sighted enough to seek convergence and those destined to undermine its wisdom. Primarily, Shades is an intimate tale of love, friendship, acceptance and profound loss: of life, of faith and of belonging.