Or they were a family, until their father took his own life to escape his bed-bound wife, too obese to leave her room.But for Lori and the remaining brothers, there is no escape from their volatile, mentally unstable mother. They raise themselves away from the gaze of the authorities, realising that though abandoned, they are now in charge. They can control everything, including their mother's food intake.In time, their mother emerges, after losing two-thirds of her body weight. But does she bring with her the seed of hope for a better future, or will all hell break loose?'The texture of the writing as well as the mind-boggling plots give her books a fatally addictive attraction' Saturday Age

    In this clever and explosive thriller, a feisty but flawed investigative journalist battles unexplained deaths, big business, trade unions and media manipulation amidst the gritty underside of Melbourne.She was slipping away. The further she fell, the closer the clouds seemed to come. Wispy transparent slipstreams of white. Cirrus. Pain smashed her head. Floating ... When investigative journalist Chrissie O’Brian lands a senior job at The Argus, she is desperate to escape the nightmares of her past. Her life has become a daily battle to numb the pain. But her job is something she does better than anyone else – and the only thing that’s keeping her anchored to this world. A face-off on the waterfront between the unions and big business is just the kind of headline-grabbing story to get her career back on track. But when a dockworker turns up dead, she becomes obsessed with unravelling the truth. When a gruesome threat lands on her desk, it's clear someone will do anything to stop her. But this is one battle Chrissie won't give up without a fight.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    When a local printer is found dead in his workshop, his body in the shape of an X, Martin and his co-investigator, journalist Lucy Tan, are drawn into a mystery that is stranger than anything they have encountered before. Someone is leaving typographical clues at the scenes of a series of murders. All the trails lead back to Pieter van Floogstraten, a Dutch design genius who disappeared without trace in the 1970s, and who has since been engaged in a mystical scheme to create the world's most perfect font, which is concealed in locations around the globe. But is he really the killer, and how are the crimes connected to his secret font? In solving the mystery, Martin and Lucy may have to expose Martin's hero as a psychopath. The main plot of the novel unfolds in Melbourne, while interleaved chapters set variously in a Tibetan monastery, on the plains of Peru, in London, Naples and Amsterdam, gradually reveal the story of Floogstraten in flashback. Other characters include a noir-style private font investigator, a typographical monk from the Renaissance, a Dutch prog rock group named I Am A Dolphin, and a collective of Italian typo-terrorists. This novel takes the reader into the arcane world of typographers and their typefaces, of symbols, swashes and glyphs, where the difference between a serif and sans serif could mean life and death.

    A young African boy, the son of one of her clients, has been murdered in a dingy back alley. Stella, in her forties and running low on empathy, heads into the night to comfort the grieving mother. But when she gets there, she makes a discovery that has the potential to uncover something terrible from her past — something she thought she'd gotten away with.Then Stella's neighbour Tania mysteriously vanishes. When Stella learns that Tania is the heir to a billion-dollar mining empire, Stella realises her glamorous young friend might have had more up her sleeve than just a perfectly toned arm. Who is behind her disappearance?Enlisting the help of her friend, Senior Constable Phuong Nguyen, Stella's investigation draws her further and further into a dark world of drug dealers, sociopaths, and killers, such as the enigmatic Mr Funsail, whose name makes even hardened criminals run for cover.One thing is clear: Stella needs to find answers fast — before the people she's looking for find her instead.Set in the bustling, multicultural innerwest of Melbourne, Good Money reveals a daring and exciting new voice in Australian crime fiction.

    Partly because of the anxiety, mainly because he works at home. Researching people on the internet. Job candidates doing bucket bongs on Instagram accounts they thought they’d deleted; the prospective new head of sales stripping for a hens’ night…He’s been searching for something on his own time, too.Now he’s found it: the phone number of the man he believes to be his father.Which is how he gets mixed up with Rudy Alamein. They’ve been looking for the same man.Difference being, Rudy wants to kill him.Black Teeth is a witty, dynamic contemporary thriller by an emerging master of the form. Beautifully written and darkly funny, it’s both a literary triumph and an irresistible read.

    More please.' - Michael Robotham'My friend Bryan Brown, quite apart from his other manifold talents, turns out to be an excellent writer. An authentic voice; highly imaginative yet completely believable, with a flair for fully realised characters and a gripping narrative … a great story teller. This is utterly baffling. I'm furious.' - Sam NeillIt was a gentle knock. Agnes had been waiting for it. Hoping he would be on time. Such a lovely fella, she thought...'Come on through. Got a surprise for you,' she said.He had one for her too.Phil and Sweet Jimmy are cousins. Phil grows orchids . . . spider orchids . . . learnt about them in the nick. Jimmy likes orchids, too, but there are other things he likes even more . . .Trish Bennett didn't like her life. Hadn't liked it for a long time. Been on the streets. Bit of this for a bit of that. The 'that' wasn't always nice. Then Ahmed found her.Sam is a tea-leaf, a thief. Likes nickin. . . anything . . . always has . . . until the day he knocked off more than the Volvo.Fell for the sexy and beautiful Sue May from Hong Kong, Frank Testy did. Silly old prick. What price for ego? A huge bloody price it turns out.Taut and crackling with character, these gritty, raw and sometimes very funny stories from Australian great Bryan Brown are Aussie Noir at its best. Crime doesn't discriminate . . . it can happen to anyone . . . it could happen to you . . . in any ordinary suburb . . . at any time.

    Lizzie is a part-time midwife with four kids and a secret past. Sam is an ex-chef and stay-at-home dad with an absent, high-flying corporate wife. Megan is an ex-model single mum with a thriving online business and no time for loneliness. None of them have much interest in their school community, but when tragedy deals Bayside Primary's reputation a potentially crippling blow, this unlikely trio have to step up. Forced out of their respective comfort zones, Lizzie, Megan and Sam learn more about each other, the school and themselves than they thought possible.And it all begins at The Drop-Off.

    After everything she's been through, Georgia knows she deserves someone like him, to make her feel loved. Safe.The only problem is his ex-girlfriend. Luke says Cadence is having trouble accepting their break-up, but Georgia thinks there's more to the story. She also has the feeling someone is watching her.When everything starts to go wrong at work, at home, in her old friendships and her happy new relationship with Luke, Georgia starts to feel truly afraid.Cadence wants what she has. What would she do to get it?And can Georgia trust anyone at all? Praise for Nicola Moriarty 'I devoured it' Marian Keyes 'Accelerates in intensity and sheer originality with every page' Australian Women's Weekly 'Dramatic, mysterious and compelling' Vogue

    But the following night David collapses from a rare brain disease and within a few months his world is turned upside down.It was a perfectly acceptable life – successful business, happy marriage, two children. Why then has David involved himself in an identity-theft crime worth millions of dollars? Why is he taking instructions from the oddly eloquent, handsome criminal, Ben Strbic? David can't quite understand the sequence of events that has led him here, only that he must continue to the very end.As the days and months progress, a scam that was meant to be straightforward becomes a perilous mystery unfolding in David's very own life.

    At once the story of a region, a town and people, it is also the story of Anna Tolley - "leggy, wilful and auburn-haired, always answering back" - who lives through momentous changes and earns the envy, love and hatred of those around her.

    Surrounded by family and calm waters, seventeen-year-old Zoe Kennett has inexplicably vanished.Four storytellers share their version of what has led to this moment, weaving tales which span centuries and continents. But Tony needs facts, not fiction: how will such fables lead him to Zoe and to the truth?As Tony's investigation deepens, he is drawn into a world where myth and history blur, and where women who risk all for love must pay the price through every generation.

    Cold dark secrets . . .In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell . . .Yet, decades later, she returns to the family’s farm to nurse him on his death bed. To her surprise, her ‘perfect’ sister Ruth is also there, whispering dark words, urging revenge.Then the day after their father finally confesses to a despicable crime, Joy finds him dead - with a belt pulled tight around his neck . . .For Senior Constable Alex Shepherd, investigating George’s murder revives memories of an unsolved case still haunting him since that strange summer of 1960: the disappearance of nine-year-old Wendy Boscombe.As seemingly impossible facts surface about the Hendersons – from the past and the present – Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy’s disappearance is the key to the bizarre truth.

    He just had to pretend.'It's winter in Melbourne and Detective Emmett Corban is starting to regret his promotion to head of the Missing Persons Unit, as the routine reports pile up on his desk.So when Natale Gibson goes missing, he's convinced this is the big case he's been waiting for - the woman's husband and parents insist the devoted mother would never abandon her children, and her personal accounts remain untouched.But things aren't all they seem. The close-knit Italian family is keeping secrets - none bigger than the one Natale has been hiding.Just as the net seems to be tightening, the investigation is turned on its head. The body of a woman is found . . . then another.What had seemed like a standard missing person's case has turned into a frightening hunt for a serial killer, and time is running out.But to really understand these shocking crimes, Emmett and his team will need to delve back through decades of neglect - back to a squalid inner-city flat, where a young boy is left huddling over his mother's body . . .

    The endless glow of summer, the bottomless fury of contest. All the love and hatred in two small bodies poured into the rules of a made-up game.Darren has two big talents: cricket and trouble. No surprise that he becomes an Australian sporting star of the bad-boy variety—one of those men who’s always got away with things and just keeps getting.Until the day we meet him, middle aged, in the boot of a car. Gagged, cable-tied, a bullet in his knee. Everything pointing towards a shallow grave.