Coulter.   On a cold winter's night, two art collectors are settled before a fire in the Senior Common Room of a college in Oxford, discussing the unusual pieces one has recently added to his collection. What the two men don't know is that the portrait of a striking young woman and the bronze sculpture of a fearsome monkey are connected in mysterious ways. How could they imagine that they are about to be caught in the cross-fire of a story which has traveled time . . . and worlds.   Published in 50 countries with over 22 million copies sold, The Golden Compass, The Subtle Knife, and The Amber Spyglass are renowned for their engrossing storytelling and epic scope. This new short tale will delight the many fans eager for any new glimpse into the world of His Dark Materials.

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    Magazine, which covered the Southern California, and national, poetry scene in the mid-90's. It covers the growth of slam, with interviews and profiles of many poets who are now important figures in American poetry.

    A Lincolnshire village on a glorious summer's morning in 1940, the countryside as still as a painting. In the blue sky above, the fate of the whole war will soon rest with the RAF and their desperate effort to win the Battle of Britain. If they fail, Hitler's next step will be invasion. And as the scene comes to life before us over the next six months, this shadow of war will not disappear - the conflict will take husbands and sons away, bring in evacuees from the city and soldiers to defend the coast. There will be more money from war work, but less to spend it on - legitimately at least. Everywhere, the feeling of change is in the air. From the pub to the church, the humblest cottage to the biggest farm, from a struggling single mother to the lady of the manor, the paper boy to a traumatised bomb disposal volunteer, this superb jewel of a novel portrays a community of people and weaves together their stories with passion, betrayal, intrigue and suspense.

    Stacked with brilliant emerging writers alongside some of the strongest established voices in contemporary literature, WARMED AND BOUND crosses literary boundaries on all sides, to deliver an altogether unique reading experience. Through seemingly opposed conventions, beautiful prose makes a hard impression on the short story form. From a scary love story to a nostalgic thriller, a hardboiled pursuit of salvation to the black humor that is existentialism, WARMED AND BOUND is rogue humility and lovesick noir, where humanity is a dirty puzzle. It 's Velvet Noir. Welcome. Matt Bell Tim Beverstock Blake Butler Vincent Louis Carrella Craig Clevenger Craig Davidson Chris Deal DeLeon DeMicoli Christopher J Dwyer Brian Evenson Sean P Ferguson Amanda Gowin JR Harlan Gordon Highland Anthony David Jacques Mark Jaskowski Jeremy Robert Johnson Stephen Graham Jones Nik Korpon Gary Paul Libero Kyle Minor Doc O Donnell J David Osborne Rob Parker Bob Pastorella Gavin Pate Cameron Pierce Edward J Rathke Caleb J Ross Bradley Sands Axel Taiari Richard Thomas Brandon Tietz Gayle Towell Paul Tremblay Pela Via Craig Wallwork Nic Young"The writers of the Velvet are contemporary fiction 's most effective and least self-conscious aesthetic guerrillas . . . The result is fiction at once conceived from high artistic intent and executed with depraved populist energy." Steve Ericksonauthor of Zeroville and The Sea Came in at Midnight

    Love, laughter, and occasional tears - no need to turn on the Hallmark Channel this winter. Snuggle up with this feel-good anthology instead!Warning: reading this anthology may cause cravings for cider sugar donuts, French toast, pimento cheese, cherry cola, and maple syrup ice-cream, as well as happy ever afters

    But Bob Dollar is determined to see his new job as hog site scout for Global Pork Rind through to the end. However he is forced to face the idiosyncratic inhabitants of Woolybucket and to question his own notions of loyalty and home.A brilliant novel from Pulitzer Prize-winning Annie Proulx, author of The Shipping News and Brokeback Mountain. That Old Ace in the Hole is a richly textured story of one man's struggle to make good in the inhospitable ranch country of the Texas panhandle, told with razor-sharp wit and a masterly sense of place.

    Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

    A mixture of horror, crime, fantasy, science fiction, magical realism, and the grotesque—all with a literary bent—these stories represent the future of genre-bending fiction from some of our brightest and most original voices.

    The best bones weren’t on trails—deer and moose don’t die conveniently—and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories . . .”So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in The New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.The high divide --Drummond & son --Screenwriter --Up north --The scheme of things --The dead fish museum --Blessing --The bone game

    More than 300,000 listeners tune in to this offering weekly to hear some of their favorite tales read aloud by distinguished actors.From a couple's rocky, college love affair that lasts a lifetime and a mother who nervously chaperones her retarded daughter's honeymoon to a supernatural tale of marriage and transformation and a grieving man who buries his young wife and makes amends with her family—this anthology captures the powerful and complicated lives of married couples. Among the stories are Sherman Alexie's "Do You Know Where I Am?" read by Keir Dullea; Karen E. Bender's "Eternal Love," read by Joanne Woodward; Ursula K. LeGuin's "The Wife's Story," read by Joanna Gleason; Shahrnush Parsipur's "Mrs. Farrokhlaqa Sadraldivan Golchehreh," translated by Kamran Talattof and Jocelyn Sharlet and read by Frances Sternhagen; and Luis Alberto Urrea's "Bid Farewell to Her Many Horses," read by Robert Sean Leonard.

    The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume.The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.Birdsong / Chimamanda Ngozi Adichie --The warm fuzzies / Chris Adrian --Second Lives / Daniel Alarcón --The train of their departure / David Bezmozgis --The Erlking / Sarah Shun-lien Bynum --The pilot / Joshua Ferris --Here we aren't, so quickly / Jonathan Safran Foer --An arranged marriage / Nell Freudenberger --The entire northern side was covered with fire / Rivka Galchen --The young painters / Nicole Krauss --The science of flight / Yiyun Li --An honest exit / Dinaw Mengestu --What you do out here, when you're alone / Philipp Meyer --Twins / C.E. Morgan --Blue water djinn / Téa Obreht --Dayward / ZZ Packer --The dredgeman's revelation / Karen Russell --The kid / Salvatore Scibona --Lenny hearts Eunice / Gary Shteyngart --The landlord / Wells Tower

    It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton