This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    But her parents have always been cold and distant, never showing her love. DisownedCraving affection, Constance falls into the arms of Albie Jones, the cook’s grandson. But one fateful encounter leaves her ashamed and pregnant, and she is soon shunned from the family home. DesperateHeartbroken and threatened by scandal, Constance is forced to wed Albie and moves to Battersea, where she suffers unforgiving stares and cruel whispers from the neighbours. Trapped in a bitter and loveless marriage without a penny to her name, Constance has no choice but to stay and surrender. Will she ever find freedom – or happiness – again?

    Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing.

    The youngest son of a landowner offers her marriage but his brother seduces her little sister and then betrays her in the most brutal of ways. Susan faces losing everything.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    The chief character is so well defined and so likeable. The story was intriguing and had plenty of twists and turns. ” Julia Corbett “Swift is a good character, suitable for people who like PD James, the story is believable and comes together well.” “Absolutely loved this book! Extremely well written with believable characters and lots of twists!” E. Boisvert “Excellent mystery, well drawn characters, and a great storyline.” Suki Anne Perfect for fans of Robert Galbraith, Paula Hawkins, P.D. James, or Ruth Rendell. IN THIS THREE-BOOK BOXSET: BOOK 1: THE LADY VANISHED A missing woman holds the key to a valuable inheritance Florence Davenport hires Swift to find her missing stepmother. There are no leads and no suspects, but if the body is found, Florence will inherit half of a very valuable house. BOOK 2: BLOOD SECRETS Fifteen years ago a teenage boy, Teddy Bartlett, went to a woods on the outskirts of London and was beaten to a pulp and left damaged for life. The police never found who did it or why he was targeted. Now, the boy’s father, recently returned from Australia, wants to find out what really happened to his son. He hires private detective Tyrone Swift to investigate the tragic crime. BOOK 3: TWO LOVERS, SIX DEATHS A man stabs his girlfriend to death. Then hangs himself, leaving a note confessing to the murder. Open and shut case? Not for detective Tyrone Swift Dominic Merrell’s estranged wife Georgie doesn’t believe that he could have done it. Detective Swift discovers that Dominic was a reliable, devoted husband and father for eighteen years until he met the beautiful, charismatic Lisa, who he left his wife for. No one can believe that Dominic was capable of murder. But if it wasn’t him, then who killed the seductive but chaotic Lisa? THE DETECTIVE Tyrone Swift is an ex-police detective who now works privately. He’s survived a stabbing and his fiancée running off with another man. Swift's personal life is complicated. He is still involved with his ex-wife Ruth. THE SETTING The streets of London with their vibrant mix of nationalities, cultures, and rich and poor are beautifully evoked. From the quiet suburbs with their veneer of happy family life, to the bustling centre with refugees struggling to survive, to exclusive penthouses where the rich can have anything they want delivered. THE AUTHOR Gretta is a critically acclaimed author of best-selling detective and literary fiction. 'Mulrooney has a real gift for dialogue, the words and phrases ring true and make her characters wonderfully real . . .

    In The Happy Journey to Trenton and Camden, four kitchen chairs represent an automobile and a family travels seventy miles in twenty minutes. And in Pullman Car Hiawatha, we board an imaginary railroad car and hear the thoughts of passengers, the populace speeding by -- even the planets above.Here are five one-act plays encompassing the full range of Thornton Wilder's theatrical vision: from the experimental to the humorous to the fantastic. As The New York Times has written, "Wilder's plays are now more than ever in rhythm with our changing habit of theatergoing....He relates the moment to eternity, seeks the infinite in the immediate, finds the universal in each grain of wheat."

    Finding herself pregnant, she runs away and is taken into the care of a group of nuns.Sister Madeline Armstrong and three others have been tasked with setting up a school to help the lost girls of south west Durham, and so Dinah becomes the first student of 'The Foundling School for Girls'.Together, the sisters bring aid to the orphans they take in, but when former street-child Jay returns to Newcastle, Maddy is suddenly torn between the love of her life and her calling to help the children... From the bestselling author of Miss Appleby's Academy and Nobody's Child comes a new series about the lost orphans of Durham and the nuns who take them in...

    A madman, with the audacity to call himself Angel, toys with police. This stealer of children, delusional and misunderstood, reaches out to his own “personal” reporter. He has story to tell.Christopher Lance is a young and ambitious beat writer for a second rate newspaper. A chronic insomniac, Christopher is always available when the stealer calls. Though prone to taking reckless chances, soon it's clear that the young reporter with something to prove is the only one who can save the taken.

    Why did she get acquitted? Why did the jurors see George as a suspect? Why did they think she was a good mother? And how on God's green earth did they miss the suffocation search? There are surprisingly good answers for all of these questions. I argue in this book that not only did the prosecution hide evidence from the jury, but that the evidence points to Casey being factually innocent as well. Regardless of whether you agree with my viewpoint, I guarantee you'll learn something you didn't know before about this infamous case.

    They knew they had struggles of a practical nature ahead of them - trying to build the bankrupt mill into a new and thriving business - but Madeleine felt that, providing everything was right between her and Leon, they could face whatever lay ahead. But trouble and disruption were still to be part of her future - for Leon's family in France bitterly resented the Yorkshire girl who had taken their son away from them. And Hortense Murer, who had thought she would be Leon's wife, resented her even more. And over all hung the shadow of a foolish curse made by her old enemy, Sophia Parkinson - that Madeleine would never bear a son - a curse that, against all the tenets of common sense, seemed to be coming true.

    Certainly jealousy plays a part: Maria believes that young Ryder Tempal would be hers with her pretty daughter out of the way, and throws Carys out of the house to fend for herself. Befriended by Alice, a young woman in domestic service, Carys herself takes a job as a housemaid and is lucky enough to find in the mistress of the house a friend and patron. Maria continues with her vicious scheme until Fate intervenes to punish her wicked ways; but for Carys, the reward of virtue is lasting love.Carys Beddows cannot understand why her mother hates her so much. Certainly jealousy plays a part: Maria believes that young Ryder Tempal would be hers with her pretty daughter out of the way and throws Carys out to fend for herself.Good fortune leads the girl to Ridge House, and a position as housemaid. The mistress there takes a shine to the gentle girl with the tragic past, and recognises her talent for drawing when she sees Carys's sketches of a young man on the heath. This young man is Reuben Fereday, and he is destined to meet Carys again .

    Moments that make us who we are. But what if they don't unfold the way they're supposed to...?What if you get on the wrong bus, or don't speak to the right person at a party, or stay in a job that isn't for you? Will you miss your one chance at happiness? Or will happiness find you eventually, when the moment is right?Meet Matthew and Myrtle. They have never really felt like they fitted - in life or with anyone else. But they are meant to be together - if only they can find each other.A powerful and emotional story about missed chances, interwoven lives and the moments that define us.

    Through the young eyes of Scout and Jem Finch, Harper Lee explores with exuberant humour the irrationality of adult attitudes to race and class in the Deep South of the 1930s. The conscience of a town steeped in prejudice, violence and hypocrisy is pricked by the stamina of one man's struggle for justice. But the weight of history will only tolerate so much. To Kill a Mockingbird is a coming-of-age story, an anti-racist novel, a historical drama of the Great Depression and a sublime example of the Southern writing tradition.

    That hasn't made him a friend of law enforcement. His record of successful heists has put him at the top of relic recovery agent Susara Eaves' target deck. But when Lane seeks to steal the key to unlocking an ancient civilization's legendary vitality and beauty for his cancer-stricken daughter, Susara finds herself compelled into a strange partnership with him. Together, they undertake a journey through heavily guarded museum vaults and ruins of ancient Minoan palaces to unearth a paragon civilization's most precious secret. Only, they aren't the only ones hunting the answer to this archaeological enigma. Their adventure into the dark recesses of ancient worlds grows perilous as Lane's lifelong rival, the bloodthirsty assassin son of a Corsican mafia consigliere, strives to beat them to the prize.