His characters are colourful and real, painting vivid pictures of areas such as Brixton and Notting Hill at this time. The stories of friendship, love and growing up are set against a background of jazz and good times, as London's staid reputation progresses to that of a thriving multiracial capital. A man ahead of his time, MacInnes displayed the realities of 1950s London: an emerging teen culture, black immigration and the glamorisation of crime and criminals with remarkable insight and sympathy.

    Howard Baker, 20th century man, well-educated and a liberal with genuine social concerns, is soon to find out just how real heaven is!

    Justin Savage, illegitimate son of shipping magnate Nathaniel Savage, heads out to sea in 1851 as a cabin boy on one of his father's clipper ships. When the ship is captured by pirates, Justin is forced to act against his own family's ships by the pirates' leader, the gorgeous Madame Ching.

    But its world is threatened when no heir is born. Anna could restore their fortunes, but it would mean the ultimate betrayal. Then the Great Famine grips the country. 1910s – Clara finds life as lady of the manor is not what she expected when she married Pierce Armstrong. As the First World War rages, she finds solace in artist Johnny Seymour’s decadent circle. Then the War of Independence erupts and Clara is caught between two men, deceit and revenge. Present Day – When Kate Fallon sees the house it is love at first sight. She and her tycoon husband Tony buy it and hire the last Armstrong owner, architect Nico, to oversee its restoration. As Kate’s fascination with the house grows, she and Nico begin to uncover its history and the fates of its occupants in centuries past. But then, as her husband's business empire faces ruin, Kate realises that they are in danger of losing everything. Betrayal, deceit, revenge, obsession – one house, one family, three generations Editorial Reviews “Skillful and original plotting kept me enthralled until the final page of the story” Rosemary McLoughlin author of Tyringham Park “Downton’ fans, you’ll love this big house, Engrossing and imaginative” - Irish Independent “An irresistible mix of history, drama and intrigue that entertained and enthralled me in equal measure!” - Bord Gáis Energy Book Club

    Irascible and still lecherous at eighty-one, Falstaff spins out these outrageously bawdy memoirs as an antidote to legend, and in the process manages to recreate his own. This splendidly written novel is a feast, opening wide the look and feel of another age and bringing Shakespeare's Falstaff to life in a totally new way. Like Jack Falstaff himself, it's sprawling, vivid, oversized -- big as life. We return in an instant to an England that was ribald, violent, superstitious, coursing with high spirits and a fresh sense of national purpose. We see what history and the Bard of Avon overlooked or avoided: what really happened that celebrated night at the windmill when Falstaff and Justice Shallow heard the chimes at midnight; who really killed Hotspur; how many men fell at the Battle of Agincourt; what actually transpired at the coronation of Henry V ("Harry the Prig"); and just what it was that made the wives of Windsor so very merry. Falstaff "tells all" about Prince Hal, John of Gaunt ("that maniac"), Pistol, Bardolph, Doll Tearsheet, and Jane Nightwork. At the same time, his racy narrative offers us a tapestry of the Middle Ages: the Black Death and May Day; an expedition to Ireland and a pilgrimage to the Holy Land; nights at the Boar's Head; the splendor of London Bridge; and hundreds of other sights and sounds and people zestfully recalled between scabrous opinions and irreverent meditations -- in sum, the very flavor of a great age. Falstaff brandishes a spirit that seems to come out of that age as well as comment on it. The voice is unmistakably Falstaff's and his great drama swaggers, laughs, and shouts across every page.

    Mr. Warner brilliantly invents, on one side, a thoroughly degenerate Village representing fallen man, and on the other side a great Aerodrome dedicated to ruthless efficiency. The ideological struggle between the idealistic Air Vice-Marshal and the hero-narrator from the Village is portrayed with poetry, narrative speed, and great simplicity of language. It is a great symbolic novel of our time. "The value of The Aerodrome as literature becomes increasingly apparent at each rereading ... an intensely original work."--Anthony Burgess. "A moral dialogue thrown into narrative form. It is humanity versus power, sprawling fife versus death-dealing regimentation.... A parable worth reading."--New York Times. "The beauty of his prose, unsurpassed by any living English writer, has nothing to do with `fine writing' but springs from a sound moral core and from an intelligence with the keenest edge."--C. Day Lewis.

    Simon Carter, secretary of the London Zoo, has accepted responsibility and power to the prejudice of his gifts as a naturalist. But power is more than just the complicated game played by the old men at the zoo in the satirical first half of this novel: it lies very near to violence, and in the second half real life inexorably turns to fantasy – the fantasy of war. This tense and at times brutal story offers the healing relationship between man and the natural world as a solution for the power dilemma.

    His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside. Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.

    Instead he depicts Margaret Mackenzie, overwhelmed with money troubles, as she tries to assess the worth and motives of four very different suitors. Although her creator calls her "unattractive," most readers will warm to Miss Mackenzie and admire her modesty, dignity, and shrewdness.

    Celia Lytton is the beautiful and strong-willed daughter of wealthy aristocrats and she is used to getting her way. She moves through life making difficult and often dangerous decisions that affect herself and others-her husband, Oliver, and their children; the destitute Sylvia Miller, whose life is transformed by Celia's intrusion; as well as Oliver's daunting elder sister, who is not all she appears to be; and Sebastian Brooke, for whom Celia makes the most dangerous decision of all. Set against the tumultuous backdrop of London and New York in the First World War, No Angel is, as British Good Housekeeping wrote, "an absorbing page-turner, packed with believable characters and satisfyingly extreme villains, eccentrics, and manipulators." Readers of Maeve Binchy, Barbara Taylor Bradford, and Anita Shreve will fall in love with this epic, un-put-downable novel.With more than 3.5 million copies sold, Penny Vincenzi is one of the world's preeminent writers of popular fiction-and American readers no longer have to miss out on the fun. With the publication of No Angel, a novel introducing the engaging cast of characters in the Lytton family, Overlook opens a thrilling new dimension to this author's already illustrious career.

    But when she falls in love with Bosinney, a penniless architect who utterly rejects the Forsyte values, their affair touches off a series of events which can only end in disgrace and disaster.John Galsworthy tackles his theme of the demise of the upper-middle classes with irony and compassion.

    So when he meets Marguerite, a bright young American with whom he can talk freely about both, he is able to love again and takes her back to Ireland as his wife. But Marguerite soon discovers that married life is not what she expected, and that she has married into a troubled family bitterly divided by love and hatred. Cashelmara becomes the curse of three generations as they play out their fates in a spellbinding drama, which moves inexorably towards murder and retribution.

    Tall Chimneys is hidden in a damp and gloomy hollow. It is outmoded and inconvenient but Evelyn is determined to save it from the fate of so many stately homes at the time - abandonment or demolition. Occasional echoes of tumult in the wider world reach their sequestered backwater - the strident cries of political extremists, a furore of royal scandal, rumblings of the European war machine. But their isolated spot seems largely untouched. At times life is hard - little more than survival. At times it feels enchanted, almost outside of time itself. The woman and the house shore each other up - until love comes calling, threatening to pull them asunder. Her desertion will spell its demise, but saving Tall Chimneys could mean sacrificing her hope for happiness, even sacrificing herself. A century later, a distant relative crosses the globe to find the house of his ancestors. What he finds in the strange depression of the moor could change the course of his life forever. One woman, one house, one hundred years.

    Starting in 1851, the book follows the stormy lives of the Mallens through succeeding generations, linking the England of Queen Victoria with the dark days of World War I.

    This is a huge novel that follows five families through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for votes for women. It is 1911. The Coronation Day of King George V. The Williams, a Welsh coal-mining family is linked by romance and enmity to the Fitzherberts, aristocratic coal-mine owners. Lady Maud Fitzherbert falls in love with Walter von Ulrich, a spy at the German Embassy in London. Their destiny is entangled with that of an ambitious young aide to U.S. President Woodrow Wilson and to two orphaned Russian brothers, whose plans to emigrate to America fall foul of war, conscription and revolution. In a plot of unfolding drama and intriguing complexity, "Fall Of Giants" moves seamlessly from Washington to St Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty.