So, she dedicated herself to visiting 31 houses of worship over a period of as many weeks. A Month of Sundays is the story of her enlightening spiritual pilgrimage.In each chapter, Mars takes readers to a different scene -- whether it's a synagogue, a Baptist church, or a mosque -- and with each visit readers are able to piece together a more complete, heartfelt picture of faith, God, and the search for meaning. Along the way, a poignant memoir of the relationship between two sisters unfolds.Drifting in and out of her memories with her sister, a grief-stricken Mars weaves between past and present, moving readers along her narrative path. Her story spills out like that of an old friend sitting at the kitchen table, fanning out her photos, sharing her struggles. A generosity and lack of judgment season her tale, full of joy and loss. Early on in her memoir, Mars says of her dying sister, "I consider it an honor and a privilege to be with her, every day, as she reflects on the state of her soul." We could say the same of Julie Mars. (Summer 2005 Selection)

    Lawrence Lipton's fascinating book is one of the first complete, unbiased studies of the strange, important offshoot of society.

    Here are over 100 memorable misstatements by our syntactically challenged president, collected, annotated, and introduced by Slate magazine's Jacob Weisberg. "I know the human being and fish can coexist peacefully." "Families is where our nation finds hope, where wings take dream." "We'll let our friends be the peacekeepers and the great country called America will be the pacemakers." "It's clearly a budget. It's got a lot of numbers in it." "I know how hard it is for you to put food on your family." "I do know I'm ready for the job [the presidency]. And if not, that's just the way it goes.

    Consuelo, the elder, is thought of as pensive and book-loving, the serious child-la niña seria-while Mili, her younger sister, is seen as vivacious, a ray of tropical sunshine. Two daughters: one dark, one light; one to offer comfort and consolation, the other to charm and delight. But, for all the joy both girls should bring, something is not right in this Puerto Rican family; a tragedia is developing, like a tumor, at its core.In this fierce, funny, and sometimes startling novel, we follow a young woman's quest to negotiate her own terms of survival within the confines of her culture and her family.magazine"Judith Ortiz Cofer has created a character who takes us by the hand on a journey of self-discovery. She reminds readers young and old never to forget our own responsibilities, and to enjoy life with all its joys and sorrows."--Bessy Reyna, MultiCultural Review

    Compiled by the staff and contributors of Mojo magazine, The Mojo Collection tells the stories behind the greatest albums of all time and the artists who made them.

    In May 1974, one year after Patty Hearst and her captors robbed Hibernia National Bank, a second kidnapping took place, far from the glare of the headlines. Virginia Holman's mother, in the thrall of her first psychotic episode, believed she'd been inducted into a secret army. On command of the voices in her head, she spirited her two daughters to the family cottage on the Virginia Peninsula, painted the windows black, and set up the house as a field hospital. They remained there for four years, waiting for a war that never came. At first, it was easy to explain away her mother's symptoms in the context of the changing times -- her mother was viewed as "finding herself" in the spirit of the decade. When challenged about her delusion of the secret war, she invoked the name of Martha Mitchell. When she exhibited florid psychosis, her aunt, influenced by Hollywood's smash hit movie The Exorcist, seriously suggested that an exorcism might be in order. Even after she was hospitalized and diagnosed with schizophrenia in the early 1980s, Holman's mother retained just enough lucidity to appease caseworkers in a system seemingly more concerned with protecting a patient's rights than with halting the progress of a woman's desperately dangerous illness. Rescuing Patty Hearst is an unflinching account of the dark days during which Holman's family was held hostage by her mother's delusions and the country was beset by the folly of the Watergate era. It is a startling memoir of a daughter's harrowing sojourn in the prison of her mother's mind. And, finally, it lingers as a moving portrait of a young woman defined by her mother's illness -- until at last she rekindles a family love that had lost its way.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Glicksberg says if you want to be a writer you have to, quote, sit on a window sill and get all pensive and stuff and jot down descriptions. Unquote Glicksberg! I don't know what kind of things he writes but I found my inspiration in Malibu with a radio, my best girlfriends, and absolutely zillions of boys for miles. I absolutely had to write everything down because I heard that when you get older you forget things, and I'd be the most miserable woman in the world if I forgot all about Moondoggie and what happened this summer. I absolutely owe the world my story. (And every word is true. I swear.) This is Franzie, part Holden Caulfield, part Lolita. The guys call her Gidget--short for "girl midget”--and she’s a girl coming of age in the summer of 1957. Based on the experiences of his own daughter, Frederick Kohner's trend-setting novel became an international sensation and turned its irrepressible heroine into an American pop culture icon whose voice still echoes every thrill, every fear, and every hope that every teenager ever had about growing up.

    Combining science with a sense of adventure, she conveys the sheer excitement of her work, from riding the tail of a white whale to saving animals harmed by drift nets or toxic spills.

    And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched.EXCERPTIn 1966, some studios, like Abbey Road, had technicians in white lab coats, and even the less formal studios usually had actual engineering graduates behind the consoles. Studios were still more about science than art. Clients who dared make technical suggestions were treated with bemusement, derision, or hostility. The Velvets were a young band under constant critical attack, and the pressure to conform in order to gain acceptance must have been tremendous. Most bands of that era compromised with their record companies, through wholesale revamping of their image from wardrobe to musical style, changing or omitting lyrics, creating drastically edited versions for radio airplay, or eliminating songs entirely from their sets and records. With Andy Warhol in the band's corner, such threats were minimized.

    He maintains that the widest possible freedom in content and approach will help ensure narrative fiction's continued vitality.

    Critser's sharp-eyed reportage and sharp-tongued analysis make for a disarmingly funny and truly alarming book. Critser investigates the many factors of American life -- from supersize to Super Mario, from high-fructose corn syrup to the high cost of physical education in schools -- that have converged and conspired to make us some of the fattest people on the planet. He also explains why pediatricians are treating conditions rarely before noticed in children, why Type 2 diabetes is on the rise, and how agribusiness has unwittingly altered the American diet.

    The city in question is London in the 1690s; but it is also New York in the 1990s. The new technologies are diving bells, pneumatic winches, and "sucking-worm" drainage engines; but they are also wireless telecommunication devices, patented biotechnology processes, and revolutionary electronic Internet routers. Only the sense of unlimited possibility remains the same throughout.Unfolding simultaneously in two distant--but remarkably similar--periods of history, Extravagance is a comic, pictaresque novel of financial mania, the story of a world gripped by a terminal case of irrational exuberance. Navigating the perils of both eras is a single cast of characters: Will himself, a young man on the make, eager to do whatever it takes to make his fortune; Will's uncle (and sponsor) Gilbert Hawking, a shrewd businessman with one foot in the Old Economy and one in the New; Benjamin Fletcher, the developer of a pioneering new technology destined to set the world on fire; and Theodore Witherspoon, the cheerfully unscrupulous wizard of the financial markets who promises to make them all wealthy beyond their dreams.Meanwhile, Will's aspirations are complicated by his pursuit of Ben Fletcher's sister, Eliza, the gorgeous and disconcertingly aggressive woman who is as desirable as she is elusive. Can Will succeed in his efforts to win both Eliza and the fortune that her brother's new technology seems likely to bring him? And can he make it all happen before the general euphoria of the age reaches its inevitable climax?Extravagance is a uniquely conceived work of high comic entertainment -- an ultra-smart time machine of a novel that proves that both love and greed are timeless.From the Hardcover edition.

    The Bhagwan preached an eclectic doctrine of Eastern mysticism, chaotic therapy, and sexual freedom, and enjoyed inhaling laughing gas, preaching from a dentist's chair, and collecting Rolls Royces. Tim and his mother were given Sanskrit names, dressed entirely in orange, and encouraged to surrender themselves into their new family. While his mother worked tirelessly for the cause, Tim-or Yogesh, as he was now called-lived a life of well-meaning but woefully misguided neglect in various communes in England, Oregon, India, and Germany.In 1985 the movement collapsed amid allegations of mass poisonings, attempted murder, and tax evasion, and Yogesh was once again Tim. In this extraordinary memoir, Tim Guest chronicles the heartbreaking experience of being left alone on earth while his mother hunted heaven.

    Never lapsing into hapless nostalgia, these conversations with figures as diverse as Jello Biafra, Kathleen Hanna, Noam Chomsky, Henry Rollins, Sleater-Kinney, Ian MacKaye, and many more provide a unique perspective into American punk rock and all that it has inspired (and confounded). Not limited to conversations with musicians, the book includes vital interviews with political organizers, punk entrepreneurs, designers, film-makers, writers, illustrators, and artists of many different media. Punk Planet has consistently explored the crossover of punk with activism, and reflects the currents of the underground while simultaneously challenging the bleak centerism of today's popular American culture.