Two secrets.David Piper has always been an outsider. His parents think he’s gay. The school bully thinks he’s a freak. Only his two best friends know the real truth – David wants to be a girl. On the first day at his new school Leo Denton has one goal – to be invisible. Attracting the attention of the most beautiful girl in year eleven is definitely not part of that plan. When Leo stands up for David in a fight, an unlikely friendship forms. But things are about to get messy. Because at Eden Park School secrets have a funny habit of not staying secret for long…

    That is, until she meets Sarah Jamieson. Sarah is a reclusive artist, a loner who wears black makeup and doesn’t have any friends, but for some reason, Harper can’t stop thinking about her.Sarah isn’t used to people looking her way, especially popular girls like Harper Isabelle. Scared, religious, and unsure of herself, when Sarah begins to realize that her feelings for Harper might go beyond friendship, she is afraid to take the plunge and tell Harper how she feels.Emotions build between these young women until they both reach their breaking points, and they need to make a choice about coming to terms with who they really are, and what they can and cannot live without.Words: 92,000

     Alizhan can’t see faces, but she can read minds. Her mysterious ability leaves her unable to touch or be touched without excruciating pain. Rescued from abandonment and raised by the wealthy and beautiful Iriyat ha-Varensi, Alizhan has grown up in isolation, using her gift to steal secrets from Iriyat’s rivals, the ruling class of Laalvur. But Iriyat keeps secrets of her own. When Alizhan discovers that she isn’t the only one of her kind, and that a deadly plot threatens everyone like her, there’s only one person she can trust. Ev liked having a secret. None of the other girls in the village had a thief-friend. Evreyet Umarsad—“Ev” to her parents and her one friend—longs to be the kind of hero she reads about in books. But the rest of the world feels impossibly far away from her life on a farm outside Laalvur. Ev will never lay eyes on the underground city of Adappyr, the stars of the Nightward Coast, or the venomous medusas that glow in the dark depths of the sea. At least on her weekly trip to the market, Ev gets to see her thief—the strange young woman who slips by her cart and playfully steals a handful of thornfruit. When the thief needs help, Ev doesn’t hesitate. Together, they uncover a conspiracy that draws them all over Laalvur and beyond. Thornfruit is the first book in The Gardener's Hand trilogy.

    But the threesome faces their first separation when Nina goes away the summer before their senior year. And in ten short weeks, everything changes.Nina returns home bursting with stories about Steve, the quirky yet adorable eco-warrior she fell for hard while away. But when she asks her best friends about their summer romances, an awkward silence follows.Nina soon learns the shocking truth when she sees Mel and Avery...kissing. Their friendship is rocked by what feels like the ultimate challenge. But it's only the beginning of a sometimes painful, sometimes funny, always gripping journey as three girls discover who they are and what they really want.

    Taylor Garland's good looks have earned her the admiration of everyone in her small town. She's homecoming queen, the life of every party, and she's on every boy's most-wanted list.People think Taylor is living the dream, and assume she'll stay in town and have kids with the homecoming king--maybe even be a dental hygienist if she's super ambitious. But Taylor is actually desperate to leave home, and she hates the smell of dentists' offices. Also? She's completely in love with her best friend, Susan.Senior year is almost over, and everything seems perfect. Now Taylor just has to figure out how to throw it all away. Lindsay Sproul's debut is full of compelling introspection and painfully honest commentary on what it's like to be harnessed to a destiny you never wanted.

    Fifteen-year-old Verdad doesn't think she has time for love. She's still struggling to process the recent death of her best friend, Blanca; dealing with the high expectations of her hardworking Puerto Rican mother and the absence of her remarried father; and keeping everyone at a distance. But when she meets Danny, a new guy at school--who happens to be trans--all bets are off. Verdad suddenly has to deal with her mother's disapproval of her relationship with Danny as well as her own prejudices and questions about her identity, and Danny himself, who is comfortable in his skin but keeping plenty of other secrets.

    Finding the young royal delirious and on the verge of death, Keziah saves her life. But while Esdelot regains her health, betrayal comes from an unlikely source: her brother has taken the throne in her absence and declared himself king. As the two women travel to the capital city to stop a false ruler’s coronation, they form a friendship that seems poised to turn into something more. But Esdelot has promised herself in marriage to a woman she barely knows... and Keziah knows she’s fallen too deeply for a woman whose betrothed waits for her along with her throne. When an enemy from Keziah’s past resurfaces, a mere conflict of politics becomes something that threatens to upend the gods themselves. Will love win out?

    I cross the Seine, I walk with men and women who are anonymous and yet who are my reflection. We make up a single heart, a single cell. We are alive...'In All Men Naturally Want to Know the author traces her blissful childhood in Algeria, a sun-soaked paradise, recalling long trips across the desert with her mother and sister and hazy summer afternoons spent on the beach with her friend Ali. But Nina's mother is French - moving to Algeria for love at a time when most Europeans were desperate to leave - and as civil war approaches, their sunny idyll gives way to increasingly hostile and violent outbreaks. When something unspeakable happens to her mother, the family flee to Paris.In Paris, Nina lives alone. She is eighteen years old. It's the 1980s. Four nights a week she walks across Paris to a legendary women-only nightclub, the Katmandou. She sits alone at the bar, afraid of her own desires, of her sudden and intoxicating freedom. There she meets the glamorous, deeply troubled Ely, her volatile friends Lizz and Laurence, and the beautiful Julia, with whom she falls desperately in love. And, most importantly, she starts to write.

    Guys punch him, girls slag him and by high school he's developed an intense fear of being touched. Art remains his only escape from an otherwise emotionally empty life. Eulalie Mason is the lonely, tough-talking dyke from school who befriends Ash. The only one to see and accept all of his sides as a loner, a fellow artist and a best friend, she's starting to wonder if ash is ever going to see all of her.... a + e 4EVER is a graphic novel set in that ambiguous crossroads where love and friendship, boy and girl, straight and gay meet. It goes where few books have ventured, into genderqueer life, where affections aren't black and white. A Stonewall Youth Book Award Honoree for its frank portrayal of queer, contemporary youth.

    A boy who doesn't quite understand his lot--until he realizes he's a god. . . As an only son, Kiran has obligations--to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud--standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group. Playing with dolls, choosing ballet over basketball, taking the annual talent show way too seriously. . .the very things that make Kiran who he is also make him the star of his own personal freak show. . .Surrounded by examples of upstanding Indian Americans--in his own home, in his temple, at the weekly parties given by his parents' friends--Kiran nevertheless finds it impossible to get the knack of "normalcy." And then one fateful day, a revelation: perhaps his desires aren't too earthly, but too divine. Perhaps the solution to the mystery of his existence has been before him since birth. For Kiran Sharma, a long, strange trip is about to begin--a journey so sublime, so ridiculous, so painfully beautiful, that it can only lead to the truth. . ."The best fiction reminds us that humanity is much, much larger than our personal world, our own little reality. Blue Boy shows us a world too funny and sad and sweet to be based on anything but the truth." --Chuck PalahniukNew York Times Bestselling Author

    In place of sexual status quo, Warner offers a vision of true sexual autonomy that will forever change the way we think about sex, shame, and identity.

    Jenna McGovern has spent her whole life training for the stage. She’s taken dance classes, voice lessons, and even earned her performance degree from one of the most prestigious musical theater programs in the nation. At graduation, she’s stunned when a chance audition lands her a prime supporting role in the hottest Broadway touring production in the country. In more exciting news, Jenna discovers acclaimed television star Adrienne Kenyon is headlining the production. Jenna settles easily in to life on tour and has a promising career laid out in front of her, if only she plays her cards right. She’s waited for this opportunity her entire life and will let nothing stand in her way. The one thing she didn’t prepare for, however, was Adrienne. Her new costar is talented, beautiful, generous, and the utmost professional. As the two women grow closer onstage and off, they must learn how to fit each other into a demanding lifestyle full of unexpected twists and difficult decisions. But is Jenna ready to sacrifice what she’s worked so hard for in exchange for a shot

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    What is at stake in male homo/heterosexual definition? Through readings of Melville, Nietzsche, Wilde, James and Proust, the author argues that the vexed imperatives to specify straight and gay identities have become central to every important form of knowledge of the 20th century.

    The poet crosses challenging threshholds, fear of commitment, of motherhood, shame and panic. 'I am proficient at beginnings,' Caroline Bird says. This book goes further and (with her characteristic energy and exuberance) risks the next level. People run on treadmills facing blue walls, burn talismans in their gardens, mime marriage with invisible wedding rings. Pilots bung bullet-holes with chewing gum. We cling on, to rickety rope-bridges, to something in the air, to one another. Bird's speakers exist in a state of suspension, trapped in liminal space between take-off and landing, a time of pure transition. Love is uncontrollable, joy comes and goes at hurricane speed. They walk to the cliff-edge, close their eyes and step out into the air.