Rosalyn Schanzer's engaging and wonderfully illustrated book brings to life both sides of the American Revolution. The narrative introduces anew the two enemies, both named George: George Washington, the man who freed the American colonies from the British, and George III, the British king who lost them. Two leaders on different sides of the Atlantic, yet with more in common than we sometimes acknowledge. We are lead through their story, and the story of their times, and see both sides of the arguments that divided the colonies from the Kingdom. Was King George a "Royal Brute" as American patriots claimed? Or was he, as others believed, "the father of the people?" Was George Washington a scurrilous traitor, as all the king's supporters claimed? Or should we remember and celebrate him as "the father of his country?" Who was right? History teaches us that there are two sides to every story. Rosalyn Schanzer's book is an accessible account of one the most vital periods in American history. It is also a timeless lesson in seeing history from different points of view. The author spent two years researching books, paintings, cartoons, and descriptions of Revolutionary times. She uses art, text, and first-hand accounts to illustrate how history should never be reduced to simplistic conflicts between the "good guys" and the "bad guys." Her illustrations, and her engaging quote bubbles, bring the Revolution to life again, and allow the characters of the period to speak for themselves. Through its lively text, detailed illustrations, and fully authenticated quotes, George vs. George shines fresh light on both sides of the story of our country's formative years.

    To impress them forever he orders a great wall to be built, driving his people to exhaustion and despair so that they cry to the Sun God for help. In answer, another kind of man, Enkidu, is sent to earth to live among the animals and learn kindness from them. He falls in love with Shamhat, a singer from the temple, and he follows her back to Uruk. There, Enkidu, the “uncivilized” beast from the forest, shows the evil Gilgamesh through friendship what it means to be human.

    Against the backdrop of Archimedes's life and culture, the author discusses the man's work, his discoveries and the knowledge later based upon it. The simple, often humorous, illustrations and diagrams greatly enhance the text. Ages 10 and up.

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

    For centuries, Japan had isolated itself from the outside world by refusing to trade with other countries and even refusing to help shipwrecked sailors, foreign or Japanese. The country's people still lived under a feudal system like that of Europe in the Middle Ages. But everything began to change when American Commodore Perry and his troops sailed to the Land of the Rising Sun, bringing with them new science and technology, and a new way of life.NOTE: Blumberg's "Shipwrecked! The True Adventure of a Japanese Boy" is a companion volume.

    Only one man has ever dared to approach the top, and that man died in his pursuit. He was Josef Matt, Rudi Matt's father.At sixteen, Rudi is determined to pay tribute to the man he never knew, and complete the quest that claimed his father's life. And so, taking his father's red shirt as a flag, he heads off to face the earth's most challenging peak. But before Rudi can reach the top, he must pass through the forbidden Fortress, the gaping chasm in the high reaches of the Citadel where his father met his end. Rudi has followed Josef's footsteps as far as they will take him. Now he must search deep within himself to find the strength for the final ascent to the summit—to plant his banner in the sky.His father died while trying to climb Switzerland's greatest mountain—the Citadel—and young Rudi knows he must make the assault himself.

    Along with his young friend, Christopher Robin, Pooh delighted readers from the very beginning. His often befuddled perceptions and adorable insights won the hearts of everyone around him, including his close group of friends. From the energetic Tigger to the dismal Eeyore, A. A. Milne created a charming bunch, both entertaining and inspirational. These simple creatures often reflected a small piece of all of us: humble, silly, wise, cautious, creative, and full of life. Remember when Piglet did a very grand thing, or Eeyore's almost-forgotten birthday?Gorgeous watercolor illustrations from Ernest H. Shepard appear in all their glory. With beautiful colors and simple lines, these images hold their own as classics. The tales, filled with superb story lines and lessons, will continue to capture the hearts of new generations.

    But through a twist of fate, he lands on the secret island of Krakatoa where he discovers a world of unimaginable wealth, eccentric inhabitants, and incredible balloon inventions. Winner of the 1948 Newbery Medal, this classic fantasy-adventure is a joy for all ages.

    Finally, when the two find themselves hiding from each other in a Snide bush, the terrified narrator realizes, "I was just as strange to him as he was strange to me."  This little Seussian gem, plucked from the back of The Sneetches and Other Stories, shines on it own as it delivers a timeless message about fear and tolerance.

    One day a great expanse of gray steel, which also shines a bright light into the fog and darkness, is built over it. The little red lighthouse feels insignificant and useless in comparison but soon learns that . . . small can be mighty!

    Ready to grab the attention of a new generation, fresh cover art brings an updated look to this classic series.The Littles live in the walls of the Biggs' house. But when the Biggs go on vacation a messy family comes to stay, the trouble begins. Mice! Cats! How much can one small family take? Will Tom and Lucy, the littlest Littles of all, be able to save the day

    His grandparents were among the first settlers of Corenwald’s Eastern Frontier. His father had been one of the kingdom’s greatest warriors. Aidan, on the other hand, lives the quiet, comfortable life of a nobleman’s son. He never has any real adventures, and that, he believes, is the one great injustice of his otherwise happy life. All that will change the day he first hears the bark of the bog owl and meets Dobro Turtlebane. Dobro is one of the feechiefolk—a tribe of half-civilized swamp dwellers who fight too much, laugh too loud, cry too easily, and smell just terrible. But another meeting on that remarkable day may change Aidan’s life even more profoundly. Bayard the Truthspeaker arrives with a startling pronouncement: Aidan Errolson will grow to be the Wilderking—the long-prophesied wild man who will come out of Corenwald’s forests and swamps to lead the kingdom back to its former glory. There’s just one question: Is Bayard the Truthspeaker a prophet or a madman? This initial installment in The Wilderking Trilogy is sure to capture the hearts of young and old, boys and girls alike. Written in the same fashion as The Lord of the Rings or The Lion, the Witch and the Wardrobe, The Bark of the Bog Owl, as the author says, will help “direct a God-fearing boy’s sense of adventure and warrior spirit – his God-given wildness.”

    This is the story of a little cat who came to the home of a poor Japanese artist, and, by humility and devotion, brought him good fortune.

    Banished to a mountaintop to learn to grow rice, Li Lun proves his courage as he fights the elements and his own loneliness to make his rice seedlings flourish where no one else has for generations.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.