Until he meets Tork. Tork is clever and funny. He makes origami models and reads Dickens. Tork has green hair and makes Adam's heart race with longing. But Tork is homeless and not at all impressed with Adam's attitude.Can Adam see past his fear and arrogance? Can Tork give Adam a chance? Can two such different men turn the world upside down and find out what really matters? Read to find out their story.Content Warning: the story includes reference to and description of self-harming.* * * * *A story from Boughs of Evergreen: A Holiday Anthology

    It washes glasses, puts dishes away, and even dusts. At least he hopes it's a cleaning-obsessed poltergeist and not his own anxieties burbling over into neat freak fits he doesn't remember. When his property manager suggests he call paranormal expert, Jack Montrose, Taro's skeptical but desperate enough to try even a ghost hunter.Jack's arrival crushes Taro's hopes of a dashing Van Helsing-style hero. Instead of an invincible hunter, he gets Ichabod Crane. As the paranormal puzzles multiply and Jack begins to suggest the entity might not be a ghostly one, Taro adds a budding friendship with Jack to his pile of anxieties. It's a race to see whether Taro's poltergeist or his relationship with the obviously-not-ace Jack will reach maximum strangeness first.Word Count: 35,454

    The nation, seething with religious and political discontent, has erupted into violence and terror. Jacob Cullen and his fellow soldiers dream of rebuilding their lives when the fighting is over. But the shattering events of war will overtake them. A darkly erotic tale of passion and obsession, As Meat Loves Salt is a gripping portrait of England beset by war. It is also a moving portrait of a man on the brink of madness. Hailed as a masterpiece, this is a novel by a most original new voice in fiction.

    Jonah Keller moved to New York City with dreams of becoming a successful playwright, but, for the time being, lives in a rundown sublet in Bushwick, working extra hours at a restaurant only to barely make rent. When he stumbles upon a photo of Richard Shriver—the glamorous Pulitzer Prize–winning playwright and quite possibly the stepping stone to the fame he craves—Jonah orchestrates their meeting. The two begin a hungry, passionate affair. When summer arrives, Richard invites his young lover for a spell at his sprawling estate in the Hamptons. A tall iron fence surrounds the idyllic compound where Richard and a few of his close artist friends entertain, have lavish dinners, and—Jonah can’t help but notice—employ a waitstaff of young, attractive gay men, many of whom sport ugly bruises. Soon, Jonah is cast out of Richard’s good graces and a sinister underlay begins to emerge. As a series of transgressions lead inexorably to a violent climax, Jonah hurtles toward a decisive revenge that will shape the rest of his life. Riveting, unpredictable, and compulsively readable, Yes, Daddy is an exploration of class, power dynamics, and the nuances of victimhood and complicity. It burns with weight and clarity—and offers hope that stories may hold the key to our healing.