Paul’s rebellion is vintage Vonnegut—wildly funny, deadly serious, and terrifyingly close to reality.Alternate cover edition here

    Then, as quickly and inexplicably as it had struck, the disease–dubbed Transcription Divergence Syndrome (TDS)–vanished, leaving behind a population divided into three new branches of humanity: giant gray-skinned argos, hairless seal-like betas, and grotesquely obese charlies.Paxton Abel Martin was fourteen when TDS struck, killing his mother, transforming his preacher father into a charlie, and changing one of his best friends, Jo Lynn, into a beta. But Pax was one of the few who didn’t change. He remained as normal as ever. At least on the outside.Having fled shortly after the pandemic, Pax now returns to Switchcreek fifteen years later, following the suicide of Jo Lynn. What he finds is a town seething with secrets, among which murder may well be numbered. But there are even darker–and far weirder–mysteries hiding below the surface that will threaten not only Pax’s future but the future of the whole human race.

    So when a man claiming to be Nicholas turns up to visit an old girlfriend, deception seems the only possible motive.Yet nothing can make him change his story.From the secure unit of a notorious psychiatric hospital, he begins to tell his tale: an account of attempted forgery that draws the reader towards an extraordinary truth – a metaphysical conspiracy that lies on the other side of madness and death.With echoes of Jorge Luis Borges, Philip K. Dick, Mary Shelley,Dostoevsky’s Double, and George Eliot’s The Lifted Veil, StrangeBodies takes the reader on a dizzying speculative journey that poses questions about identity, authenticity, and what it means to be truly human.

    This masterpiece of science fiction is the fascinating story of Griffin, a scientist who creates a serum to render himself invisible, and his descent into madness that follows.

    The Terran explorers have made an uneasy truce with the Sholen, their first extraterrestrial contact: so long as they don’t disturb the Ilmataran habitat, they’re free to conduct their missions in peace.But when Henri Kerlerec, media personality and reckless adventurer, ends up sliced open by curious Ilmatarans, tensions between Terran and Sholen erupt, leading to a diplomatic disaster that threatens to escalate to war.Against the backdrop of deep-sea guerrilla conflict, a new age of human exploration begins as alien cultures collide. Both sides seek the aid of the newly enlightened Ilmatarans. But what this struggle means for the natives—and the future of human exploration—is anything but certain, in A Darkling Sea by James Cambias.

    First published in 1966, Harrison's novel of an overpopulated urban jungle, a divided class system—operating within an atmosphere of riots, food shortages, and senseless acts of violence—and a desperate hunt for the truth by a cynical NYC detective tells a classic tale of a dark future.

    His talent is a gift and a curse that has earned him a place in the Castle Circle as Messenger to the Emperor San -- soaring high and free above the bloody battlefields of his world, carrying word back to his master of progress and regress in the ever-escalating conflict between man and the awful armies of giant, flesh-devouring insects.But while Jant's duty is to remain neutral in the petty squabbles and power plays of the fifty who will neither age nor die naturally, bitter rivalries that have festered for centuries now threaten to incite a savage civil war. And Jant may be the only being alive capable of stemming the onrushing tide of destruction and the unstoppable insect infestation. For only he can gain entrance -- through extreme doses of the narcotic that owns his soul -- into a place of darkest wonders and revelations; a strange and horrific alternate reality that none but Jant Comet believes exists.A literary triumph of the first water -- bold, stylish, and breathtakingly original -- Steph Swainston's The Year of Our War ascends like a rocket to the upper reaches of the imagination and loudly heralds the arrival of a true modern master of the fantastic.

    Here, an ambitious young man is haunted by his childhood love--a woman determined to be a part of the world he despises.

    Until one day a letter appears, summoning him to the frozen woods of Vermont. There, Ricky is inducted into a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard The Voice: a mysterious murmur on the wind, a disembodied shout, or a whisper in an empty room that may or may not be from God.Evoking the disorienting wonder of writers like Haruki Murakami and Kevin Brockmeier, but driven by Victor LaValle’s perfectly pitched comic sensibility, Big Machine is a mind-rattling literary adventure about sex, race, and the eternal struggle between faith and doubt.

    Kate Philo and her scientific exploration team make a breathtaking discovery in the Arctic: the body of a man buried deep in the ice. As a scientist in a groundbreaking project run by the egocentric and paranoid Erastus Carthage, Kate has brought small creatures-plankton, krill, shrimp-"back to life." Never have the team's methods been attempted on a large life form.Heedless of the consequences, Carthage orders that the frozen man be brought back to the lab in Boston, and reanimated. As the man begins to regain his memories, the team learns that he was-is-a judge, Jeremiah Rice, and the last thing he remembers is falling overboard into the Arctic Ocean in 1906. When news of the Lazarus Project and Jeremiah Rice breaks, it ignites a media firestorm and massive protests by religious fundamentalists.Thrown together by circumstances beyond their control, Kate and Jeremiah grow closer. But the clock is ticking and Jeremiah's new life is slipping away. With Carthage planning to exploit Jeremiah while he can, Kate must decide how far she is willing to go to protect the man she has come to love.A gripping, poignant, and thoroughly original thriller, Stephen Kiernan's provocative debut novel raises disturbing questions about the very nature of life and humanity-man as a scientific subject, as a tabloid plaything, as a living being: A curiosity.

    In search of affordable housing, young couple Anja and Louis move into a community on an artificial mountain, The Berg—yet another "eco-friendly" initiative run by a corporation called Finster. They're offered a home rent-free in exchange for keeping quiet about the seriously malfunctioning infrastructure of the experimental house. But when Louis returns home from his mother's funeral in America, Anja is convinced he has changed. He seems to be in denial of his grief and newly idealistic, consumed by a secret project at the NGO where he works as an artist-consultant. Anja is horrified when she discovers what Louis has invented: a pill called Oval that temporarily rewires the user's brain to be more generous. Louis is convinced that if he can introduce the drug into the Berlin club scene, he can finally remedy the income disparity that has made Berlin so unlivable. Oval is a fascinating portrait of the unbalanced relationships that shape our world, as well as a prescient warning of what the future may hold.

    The Barren, windswept interior of the Antarctic plateau was lifeless--or so the expedition from Miskatonic University thought. Then they found the strange fossils of unheard-of creatures...and the carved stones tens of millions of years old...and, finally, the mind-blasting terror of the City of the Old Ones. Three additional strange tales, written as only H.P. Lovecraft can write, are also included in this macabre collection of the strange and the weird.Table of Contents:At the Mountains of Madness • [Cthulhu Mythos] • (1936) • novel by H. P. Lovecraft The Dreams in the Witch-House • [Cthulhu Mythos] • (1933) • novelette by H. P. Lovecraft The Shunned House • (1928) • novelette by H. P. Lovecraft The Statement of Randolph Carter • [Randolph Carter] • (1920) • shortstory by H. P. Lovecraft

    Valente. Now she weaves a lyrically erotic spell of a place where the grotesque and the beautiful reside and the passport to our most secret fantasies begins with a stranger’s kiss.… Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse—a voyage permitted only to those who’ve always believed there’s another world than the one that meets the eye. Those fated to make the passage are marked forever by a map of that wondrous city tattooed on their flesh after a single orgasmic night. To this kingdom of ghost trains, lion-priests, living kanji, and cream-filled canals come four travelers: Oleg, a New York locksmith; the beekeeper November; Ludovico, a binder of rare books; and a young Japanese woman named Sei. They’ve each lost something important—a wife, a lover, a sister, a direction in life—and what they will find in Palimpsest is more than they could ever imagine.

    It is curious that a reprint could be heroic. It is more curious that a book this good could go out of print so quickly. And it is most curious that an introduction would even be required for a novel that, if you examine it carefully in the right kind oflight, might actually be seen to be steaming. MOTORMAN is a central work, pulsing with mythology, created by a craftsman of language who was seemingly channeling the history of narrative when he wrote it. It is a book about the future that comes from the past, and we are caught in its amazing middle. To read MOTORMAN now is to encouter proof that a book can be both emotional and eccentric, smeared with humanity and artistically ambitious, messy with grief and dazzling with spectacle--Ben Marcus, from his introduction.

    The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized.