It is a world in which Christopher Robin and Alice watch the changing of the guard at Buckingham Palace, and where James James Morrison Morrison Weatherby George Dupree takes great care of his Mother, though he is only three. In this timeless wonderland, the Little Black Hen is much too busy to lay eggs for anyone (except Christopher Robin), and the three little foxes play in the forest, keeping their handkerchiefs in cardboard boxes. The King plaintively asks for butter for the Royal slice of bread. And at the end of an active day, a little boy kneels at the foot of his bed: Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. Here in one irresistible volume you will find When We Were Very Young and Now We Are Six, the two collections of verses which A. A. Milne wrote for his only son-verses that are cherished by everyone who has had the good fortune to become acquainted with them. To add to the excitement, Ernest Shepard, whose beloved black-and-white drawings in the original books have delighted millions of children, contributed endpapers and eight full-page illustrations, all in full color. Of course, Pooh, that remarkable bear, refuses to stay out of these pages, even though he has two books of his own. But his appearance here should cause no surprise. After all, he belongs. For as Christopher Robin is fond of saying, Wherever I am, there's always Pooh, There's always Pooh and Me.

    In the depths of WWII, 12-year-old Edie is nervous at the prospect of being sent to live with an unknown aunt whilst her mother flies planes for the ATA. Aunt Roberta welcomes Edie with open arms, but does a dark secret lurk at the heart of the village?

    More than 1,500,000 copies in print! Over 575  traditional favorites to be read and reread.  Categorized by theme, and indexed by author and first  line, this is a collection that will be treasured.

    For here, with the gemlike beauty and hardness that poetry alone can achieve, are his ideas about the nature of things that lay behind his writings."—Christianity TodayKnown worldwide for his fiction and philosophical essays, C.S. Lewis was just as much a poet as a polemicist. From the age of fourteen, he wrote poetry on just as many subjects as he covered in his prose, and in fact poetry is even present in his other writings, such as the short lyrics included in The Pilgrim’s Recess and Till We Have Faces, which began its life as a long poem. Whether writing prose or poetry, Lewis’s “wonderful imagination is the guiding thread.”That imagination is on display in Poems, with works covering the many varied subjects Lewis was interested in his whole life, everything from God to nature, love to reason, unicorns to spaceships."Take[s] an important place in the Lewis canon."—New York Times Book Review

    Lawrence. Why buy any other Lawrence eBook when you can have them ALL in one?Including:* ALL 11 novels, even the veryrare ones* ALL 49 short stories, with fully working contents table* ALL 6 novellas* ALL 8 plays* ALL of the travel writings and the COMPLETE poetry* 6 poetry collections, including RARE contributions* UPDATED with many images relating to Lawrence, his life and works* UPDATED with concise introductions to all of the novels* the price has been reduced to the cheapest possible for our readersThere is also a front no-nonsense contents table, allowing easy navigation around the enormous file. As with all Delphi Classics, the texts are arranged in chronological order, allowing a scholarly reading and appreciation of Lawrence's works. This eBook is a MUST for any lover of quality literature.Please visit www.delphiclassics.com for more informationCONTENTSThe NovelsTHE WHITE PEACOCKTHE TRESPASSERSONS AND LOVERSTHE RAINBOWWOMEN IN LOVETHE LOST GIRLAARON'S RODKANGAROOTHE BOY IN THE BUSHTHE PLUMED SERPENTLADY CHATTERLEY'S LOVERThe Short StoriesA MODERN LOVERTHE OLD ADAMHER TURNSTRIKE-PAYTHE WITCH A LA MODENEW EVE AND OLD ADAMTHE PRUSSIAN OFFICERTHE THORN IN THE FLESHDAUGHTERS OF THE VICARA FRAGMENT OF STAINED GLASSTHE SHADES OF SPRINGSECOND BESTTHE SHADOW IN THE ROSE GARDENGOOSE FAIRTHE WHITE STOCKINGA SICK COLLIERTHE CHRISTENINGODOUR OF CHRYSANTHEMUMSENGLAND, MY ENGLANDTICKETS, PLEASETHE BLIND MANMONKEY NUTSWINTRY PEACOCKYOU TOUCHED MESAMSON AND DELILAHTHE PRIMROSE PATHTHE HORSE DEALER'S DAUGHTERFANNY AND ANNIETHE PRINCESSTHE WOMAN WHO RODE AWAYTWO BLUE BIRDSSUNSMILETHE BORDER LINEJIMMY AND THE DESPERATE WOMANTHE LAST LAUGHIN LOVETHE MAN WHO LOVED ISLANDSGLAD GHOSTSNONE OF THAT!THE ROCKING-HORSE WINNERTHE LOVELY LADYTHE OVERTONERAWDON'S ROOFMOTHER AND DAUGHTERTHE BLUE MOCCASINSTHINGSLOVE AMONG THE HAYSTACKSTHE MORTAL COILThe NovellasTHE LADYBIRDTHE FOXTHE CAPTAIN'S DOLLST. MAWRTHE VIRGIN AND THE GIPSYTHE ESCAPED COCKThe PlaysTHE MARRIED MANTHE FIGHT FOR BARBARADAVIDTHE DAUGHTER-IN-LAWTHE WIDOWING OF MRS HOLROYDA COLLIER'S FRIDAY NIGHTTHE MERRY-GO-ROUNDTOUCH AND GOTravel WritingSEA AND SARDINIAETRUSCAN PLACESMORNINGS IN MEXICOPoetryBIRDS BEASTS AND FLOWERSAMORESBAY - A BOOK OF POEMSNEW POEMSIMAGIST POETRYLOOK! WE HAVE COME THROUGH!Please note: The unfinished novel 'Mr Noon' is not available in this collection due to being held under copyright by Cambridge Press (1987). * * * *Also Available from Delphi ClassicsTHE COMPLETE WORKS of:* FYODOR DOSTOYEVSKY (first time in English)* HENRY JAMES* D.H. LAWRENCE* JANE AUSTEN (Fully Illustrated)* ROBERT LOUIS STEVENSON* H.G. WELLS* LEO TOLSTOY* GEORGE ELIOT* JOSEPH CONRAD* WILKIE COLLINS* WILLIAM MAKEPEACE THACKERAY* THOMAS HARDY (Fully Illustrated)* CHARLES DICKENS (Fully Illustrated)* LOUISA MAY ALCOTT* ANTON CHEKHOV* JAMES JOYCE* VIRGINIA WOOLF* EDGAR ALLEN POE* JACK LONDONEach and Every TextJust search the Kindle Store for 'Delphi Classics'Please visit www.delphiclassics.com for more information

    This anthology has two main objectives: to introduce students to a wide range of poetry in English from the last 400 years, and to provide them with guidance on how to approach poetry examinations. The poems are divided into six collections, not by theme or by historical period, but as satisfying small anthologies of twenty-two poems each. Clear guidance is given on what is expected in an essay for a poetry examination, and actual answers are reproduced which help the student analyse what kind of response gets good marks and why.

    An adventurous teenager, Johnny Clinton, sneaks on board.About a day later there is an explosion, the craft comes to a stop in the southern Pacific Ocean, and starts to sink. Its crew, not aware they had a stowaway, leaves on a lifeboat. The craft sinks entirely leaving Johnny swimming around in a field of debris. He climbs onto a larger piece to use as a raft though has no food or shelter.Johnny is rescued by a pod of dolphins who push his raft 100 miles to an island in the heart of Australia's Great Barrier Reef. There, Johnny meets the brilliant and eccentric Professor Kazan, who has dedicated his life to the study of dolphin communication. Johnny's further adventures with dolphins and the sea make this an exciting and fascinating coming-of-age story.

    Collected here for the first time in paperback, the essays, articles, observations—and even some untypical country-music lyrics—offer a rare overview of the eclectic sensibility of an American original. Whether rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Tom Robbins’s briefer writings exhibit the five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language. Embedded in this primarily journalistic compilation are brand-new short stories, a sheaf of largely unpublished poems, and an offbeat assessment of our divided nation. Wherever you open Wild Ducks Flying Backward, you’ll encounter the serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

    In his poetry, Rilke addresses the problems of death, God, and "destructive time," and attempts to overcome and transform these problems into an indestructive inner world.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    By 1807 there was a growing interest in German folk tales. The Grimm brothers were academics who invited friends to their home and asked them to relate stories they had heard. They soon published their first collection of tales and from there several more volumes followed.This compilation of fairy tales which includes the complete canon of over 200 tales has become a beloved set of classical stories the world over. Included in this collection are Hansel and Gretel, Briar Rose, The Fisherman and His Wife, Rapunzel, The Frog Prince, Little Red Riding Hood, Rumpelstiltskin, Tom Thumb, and many more. These stories are a delight to read and will rekindle up many childhood memories as they are reread. Presented here in this edition is the faithful translation of Margaret Hunt.

    There have been several notable examples of this pen-camera method of narration, but The Forgotten Village is unique among them in that the text was written before a single picture was shot. The book and the movie from which it was made have, thus, a continuity and a dramatic growth not to be found in the so-called "documentary" films. The camera crew that, headed by Kline and with Steinbeck's script at hand, recorded this narrative of birth and death, of witch doctors and vaccines, of the old Mexico and the new, spent nine months off the trails of Mexico. They traveled thousands of miles to find just the village they needed; they borrowed children from the government school, took men from the fields, their wives from the markets, and old medicine woman from her hut by the side of the trail. The motion picture they made (for release in 1941) is 8,000 feet long. From this wealth of pictures 136 photographs were selected for their intrinsic beauty and for the graceful harmony with which they accompany Steinbeck's text. This new script-photograph technique of narration conveys its ideas with unexcelled brilliance and immediacy. In the hands of such master story-tellers as Steinbeck and Kline, it makes the reader catch his breath for the beauty and the truth of the tale.

    This is a collection of over seven hundred classic and modern poems grouped by children's interests, such as pets, playtime, family, nature, and others.

    We cannot quote Shakespeare to describe a headache. We must, Woolf says, invent language to describe pain. And though illness enhances our perceptions, she observes that it reduces self-consciousness; it is "the great confessional." Woolf discusses the cultural taboos associated with illness and explores how illness changes the way we read. Poems clarify and astonish, Shakespeare exudes new brilliance, and so does melodramatic fiction!On Being Ill was published as an individual volume by Hogarth Press in 1930. While other Woolf essays, such as A Room of One’s Own and Three Guineas, were first published by Hogarth as individual volumes and have since been widely available, On Being Ill has been overlooked. The Paris Press edition features original cover art by Woolf’s sister, the painter Vanessa Bell. Hermione Lee’s Introduction discusses this extraordinary work, and explores Woolf’s revelations about poetry, language, and illness.

    C.S. Lewis cites William Morris as one of his favorite authors and J.R.R. Tolkein admits to being influenced greatly by Morris' fantasies. The hero of this romance is named Golden Walter, son of Bartholomew Golden, a great merchant in the town of Langton on Holm. Tired of his mundane life, Walter sets out on a sea voyage, anxious to see and learn more of the outside world, eventually winning for himself the kingdom of Stark-Wall and the love of a beautiful maiden.