The few people who saw it from charabancs on morning or evening or circular drives said: “Isn’t it peaceful?” or “Isn’t it quiet?”. And some said they thought it was a lovely place to be buried in, but while they were alive they preferred a place with more life, if you knew what they meant.The unlikely heroine of this delightful comedy of manners is Jocelyn Renshawe, young widow of the local squire, “a specimen of human cabbage” who “fitted into her surroundings so completely that she was hardly noticeable.” But she’s about to be noticed a bit more—by her jaded, much-widowed mother Ermyntrude, who breezes in on the look-out for her next conquest; by her aunt and mother-in-law, who have decided she should marry Colonel Tidmarsh, an elderly (and extremely dull) retired Army man; and by Gervase Blythe, a mysterious acquaintance of Colonel Tidmarsh’s, who arrives in town and rescues Jocelyn from a rainstorm before coming under suspicion as a jewel thief.One is safe in assuming that Jocelyn is about to leave her mouldering existence behind, but how she does so is the sparkling, cheerful plot of Much Dithering.

    Sylvia remains at home, shocking her family with theories of sexual and social liberation. And Leslie, as the novel opens, idealizes the other three, as she tries to convince her mother to let her use her small nest egg to attend art school in London.As the four friends balance their youthful ideals with the realities of work and romance in 1930s England, Orange offers hilarious and thoughtful perspectives on the quandaries of educated, ambitious women in a world not yet ready for them. This new edition includes an introduction by Stacy Marking.

    Light, humorous novel in the usual Sharp style, Isabel Brocken, a sentimental English widow, extends her hospitality to a rather mixed group of friends and relatives who have been left without living quarters by the war.

    When her great-uncle died she was left a lonely cottage near the village of Nethersham with its hills and beech woods. Ivy liked the country, she had gipsy blood which made her fearless, independent and utterly content with the company of her dog, rescued unknown to the law from his undeserving owners. Ivy wanted nothing of the outside world but she could not cut herself off completely. One visitor at least was welcome: the runaway boy Mike who came in from the freezing night to share her fire. Any stray, any sick of suffering creature went straight to her heart.

    I was often here alone in the blitz, and I was so frightened of the bombs that I quite stopped being frightened of burglars.” World War II has ended, residents are flooding back to London, and the housing shortage creates strange bedfellows. Elinor MacFarren—middle-aged spinster, botanical writer, and collector of prints and objets d’art—decides to rent part of her house to Antonia Bankes, whose American husband is with the Occupation Forces in Europe. While Miss MacFarren prefers to live alone, Mrs Bankes seems a perfect tenant. She admires Miss MacFarren’s beautiful things (“It’s the prettiest room I’ve ever seen in my life!”), promises quiet and care (“You’ll find me madly careful”), and seems an ideal homemaker (“I like housework. I’ve got quite a ‘thing’ about it.”).Inevitably, however, it’s not so easy. Mrs Bankes proves to be exasperating and helpless, skilled only in charm, manipulation, and blithely promising anything to get her way. What follows is an intricately plotted, gloriously entertaining saga of domestic warfare, as Miss MacFarren tries to cope, tries to cajole, and finally tries to rid herself of her meddlesome tenant, all while taking up whiskey—and all with unpredictable and delightful results. This new edition includes an introduction by Sir Roy Strong.

    Anna Lacey, a young country girl, is given her first job in Greater London, and as she learns to cope with the challenges of her new life, we share with her the delights and pleasures of teaching "those dear, devilish, delicious, disarming, infuriating and exhausting creatures" who are her young pupils.

    The ‘everything and nothing’ that happens include a controversy swirling around the curate’s pacifist sermon (through which, alas, Camilla napped, making it difficult for her to discuss with outraged parishioners), servant problems, anxieties about Camilla’s son off training with his regiment, the day-to-day worries of friends, and a potential romance in the town … or are there two romances?Readers of Bewildering Cares might well be reminded of the likes of E.M. Delafield or Angela Thirkell, but Peck offers her own distinct take—sometimes hilarious, sometimes touching—on the ironies and heartbreaks (not to mention the storms in teacups) of domestic life, community, faith and life during wartime. This new edition includes an introduction by social historian Elizabeth Crawford.‘(Winifred Peck) deserves our real gratitude for making us laugh in these troublous days’ Times Literary Supplement‘A romantic who was as sharp as a needle’ Penelope Fitzgerald

    She no longer lives in her family home, but remains at the very centre of village life, surrounded by friends including carefree, irresponsible Catha, Lady Rollo, just back from India and setting up lavish housekeeping nearby with her husband and children—socialist Tony, perfect Crispin, and Elizabeth who’s preparing to be presented at Court. Then there’s Marcelle, Mary’s widowed sister-in-law, and her challenging daughter Rosemary, who may soon be planting themselves with her to escape London bombs, Miss Rosanna Masquerier, a historical novelist who might just be a wry self-portrait of the author, and an array of other Sirs and Ladies who rely on Mary’s sympathy and practicality. And perhaps there’s just a hint of romance as well . . .Known for her bestselling historical fiction, in Nothing to Report Carola Oman delightfully evokes E.M. Delafield’s Provincial Lady in her portrayal of an English village cheerfully, hilariously, and sometimes bumpily progressing from obliviousness to the war’s approach to pulling together for king and country. Dean Street Press and Furrowed Middlebrow have also reprinted Oman’s Somewhere in England, a sequel to Nothing to Report.

    Bury yourself in London or any really large city, and you can live like a hermit, but avoid the outskirts of a village. I am dazed by the ceaseless whirl of activities in which almost everyone in and round Ravenskirk is involved.Sara Monteith makes an ideal correspondent for Hugo Jamieson, brother of her lost love Ivo, killed in the war before they could marry. Her neighbours in the lovely Border village of Ravenskirk don't know that Sara has moved here because it's where Ivo and Hugo grew up, but they welcome her warmly. Soon, she's drawn into the active village social scene of tea parties, gardening, carol-singing, and Coronation festivities, dodging the judgments of stern Miss Bonaly, defending her helper Madge Marchbanks, an unwed mother, befriending kind, practical Elizabeth Drysdale and charming Mrs. Currie and her daughter Sylvia (the latter first met halfway through Sara's drawing room window), and having an embarrassing first encounter with rugged Major Whitburn. Add in her nephew Arthur, neglected by an indifferent father, Arthur's dog Pam, and even Hugo himself returning unexpectedly from overseas, and Sara's life is a 'ceaseless whirl' indeed!Molly Clavering was for many years the neighbour and friend of bestselling author D.E. Stevenson (in just such a village as Ravenskirk), and they may well have influenced one another's writing. First published in 1955, Dear Hugo is one of the funniest of her spirited, joyful comedies of Scottish village life. This new edition includes an introduction by Elizabeth Crawford.

    Fifty-something sisters Harriet and Belinda Bede live a comfortable, settled existence. Belinda, the quieter of the pair, has for years been secretly in love with the town's pompous (and married) archdeacon, whose odd sermons leave members of his flock in muddled confusion. Harriet, meanwhile, a bubbly extrovert, fends off proposal after proposal of marriage. The arrival of Mr. Mold and Bishop Grote disturb the peace of the village and leave the sisters wondering if they'll ever return to the order of their daily routines. Some Tame Gazelle, first published in Britain nearly 50 years ago, was the first of Pym's nine novels.

    Corduroy Mansions is the affectionate nickname given to a genteel, crumbling mansion block in London's vibrant Pimlico neighborhood and the home turf of a captivating collection of quirky and altogether McCall-Smithian characters. There's the middle-aged wine merchant William, who is trying to convince his reluctant twenty-four-year-old son, Eddie, to leave the nest; and Marcia, the boutique caterer who has her sights set on William. There's also the (justifiably) much-loathed Member of Parliament Oedipus Snark; his mother, Berthea, who's writing his biography and hating every minute of it; and his long-suffering girlfriend, Barbara, a literary agent who would like to be his wife (but, then, she'd like to be almost anyone's wife). There's the vitamin evangelist, the psychoanalyst, the art student with a puzzling boyfriend and Freddie de la Hay, the Pimlico terrier who insists on wearing a seat belt and is almost certainly the only avowed vegetarian canine in London.Filled with the ins and outs of neighborliness in all its unexpected variations, Corduroy Mansions showcases the life, laughter and humanity that have become the hallmarks of Alexander McCall Smith's work.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    She also introduces us to specific characters as well as 'types' who will appear and reappear in changing relationships as the years go by. There is the middle-aged woman centrally involved in the events and activities around her; here, Laura Morland, a happily widowed author of very successful 'good bad books' (Thirkell herself?). A disappointed suitor and/or a brief, ill-conceived infatuation of younger man with older woman. At least two romances to work out—an older couple and a younger one—with mild crises along the way. A closing of ranks among the women vs the intruder nicknamed 'the Incubus' resolves both affairs to the satisfaction of all. Especially delightful are the children, servants and other retainers; well defined characters in their own right; from motor-mouthed young Tony Morland and his model railways to housekeeper Stoker and her grapevine among the servants of the neighbourhood.

    ‘In a few days you’ll be so used to it that you’ll like them. Berlin’s a grand place! I’d rather be here than anywhere else in the world, and that’s a fact.’ ‘No more perceptive portrait of Germany in defeat has been etched in word than Frances Faviell’s first book, The Dancing Bear, which made so powerful an impact upon me that I read it in a single sitting.’ Guy Ramsey, Daily Telegraph‘Berlin during the decisive years from 1946 to 1949. … The prostitution which paid so handsomely; the black market which brought in rich rewards, although it meant that the Berliners had to part with treasured possessions; the night clubs which catered for still baser tastes; the impoverished intellectuals and the starving professors and the poor who had only their wits with which to eke out a bare sustenance—all this and much else the author describes with insight, incisiveness, and realism.’ Times Literary Supplement‘There is great charity in this book; there is the sharp, limpid eye of the artist; there is sound realism; and there is an unswerving, passionate desire to tell the truth.” John Connell, Evening News‘They were hard and terrible times, and brilliantly does Frances Faviell describe them for us. We meet the Altmann family and follow their joys and troubles. … The book is a brilliant pen-picture of the post-war years. We have British, French, American and Russian characters, but the background is always Berlin, and the strange tunes to which its bear danced.’ Liverpool Daily PostThis new edition includes an afterword by Frances Faviell’s son, John Parker, and other supplementary material.

    Blandings has impostors like other houses have mice. Now there are two of them – both intent on a dangerous enterprise. Lord Emsworth’s secretary, the efficient Baxter, is on the alert and determined to discover what is afoot – despite the distractions caused by the Honorable Freddie Threepwood’s hapless affair of the heart.