Like the moon from whom Liam has chosen his female name, his true self, Luna, only reveals herself at night. In the secrecy of his basement bedroom Liam transforms himself into the beautiful girl he longs to be, with help from his sister's clothes and makeup. Now, everything is about to change: Luna is preparing to emerge from her cocoon. But are Liam's family and friends ready to elcome Luna into their lives? Compelling and provocative, this is an unforgettable novel about a transgender teen's struggle for self-identity and acceptance.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

    They shout out to him: 'good luck, and don't get slurped up!'. It's about to get even weirder at the castle where there is a battle of wills going on between the mysterious Count and what he terms, the 'blood-sucking b*tches!' in the village, led by the infamous van High-Heelsing. But who will prevail on the runway? As each kween sashays towards the jugular, the reader is taken on a journey to the ultimate lip sync for your life finale.

    "What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    After the death of her stepmother Frances Murray is called back to Calgary to help her father, Jimmy, and sister, Bernadette, make the mortgage on the family home. When Robyn, a long lost friend, becomes their house guest tensions are ignited and Jimmy, Bernadette and Frances find themselves increasingly estranged from one another.For the Murrays, history has a way of repeating itself and as each of them wrestles with their own secrets they find themselves unable to forget and unwilling to forgive one another. Part family drama, part queer coming-of-age story, The Western Alienation Merit Badge explores the dynamics of a small family falling apart.

    Riot Grrl gets bought out and mass marketed as the Spice Girls, and gays are gaining some legitimacy, but the queers are rioting against assimilation; cocktail AIDS drugs are starting to work, and the city walls on either side of the Main are spray-painted with the words YES or NO. It's been five years since the OKA crisis and the sex garage riots; revolution seems possible when you're 18, like Eve. Eve is pining to get out of her parents' house in Dorval and find a girl who wants to kiss her back. She meets Della: mysterious, defiantly non-monogamous, an avid separatist, and ten years older. Initially taken in by a mutual other-worldly sense of rapture, they hole up in Della's apartment, trying to navigate spaces of jealousy. On the night of the 1995 referendum, politics and romance come to a head and Eve's naiveté begins to fade. From naive teenager to hotshot rough girl, Eve decides her own fate.

    Internationally acclaimed, Lost and Delirious, is based on the bestselling novel, directed by Lea Pool and starring .It is 1963. Mary Bradford (a.k.a. Mouse) is thirteen when she is shipped off to Bath Ladies College. Mouse, motherless, a hunchback, enters the school feeling very much on its margins, determined never to fit in with the "normal" girls, never to succumb to the expectations of the elder role models: the spinster teachers, the elegant mothers of her schoolmates. She chooses her allies carefully: her hump, whom she calls Alice, and John F. Kennedy, to whom she writes long letters asking and giving advice.But the school itself is stranger than Mouse ever could have imagined. A secret underworld of tunnels beneath the buildings, stolen love letters, King Kong worship, and ghostlike apparitions - a world where young girls sometimes refuse to be simply "good little girls" - all lead Mouse into experiences, both terrifying and exciting, of an alternate reality for her sex. What begins as experimentation spins out of control, ending in a death that only Mouse can fully comprehend.Susan Swan has created in Mouse Bradford - wise, witty and vulnerable - an unforgettable heroine. The Wives of Bath is a novel that both moves the heart an astonishes the imagination.The internationally acclaimed film adaptation of the novel, Lost and Delirious, was released in 2001. Directed by Lea Pool, starring Piper Perabo, Jessica Paré, and Mischa Barton. Available on DVD and in movie stores.

    From the publisher's synopsis: "Jeffrey, a gay actor/waiter, has sworn off sex after too many bouts with his partners about what is "safe" and what is not. In gay New York, though, sex is not something you can avoid. Whether catering a ditzy socialite's "how-down for AIDS" or cruising at a funeral; at the gym or in the back rooms of an anonymous sex club; at the annual Gay Pride Parade, or in the libidinous hands of a father-confessor, Jeffrey finds the pursuit of love and just plain old physical gratification to be the number one preoccupation of his times - and the source of plenty of hilarity."

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer's original story, ruthlessly hangs Penelope's twelve maids.

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    A short critical essay which considers the significance of the title.