In 1975, coach Harlan Brown is hiding from his past at an obscure New York college, after he was fired from Penn State University on suspicion of being gay. A tough, lonely ex-Marine of 39, Harlan has never allowed himself to love another man. Then Billy Sive, a brilliant young runner, shows up on his doorstep. He and his two comrades, Vince Matti and Jacques LaFont, were just thrown off a major team for admitting they are gay. Harlan knows that, with proper training, Billy could go to the '76 Olympics in Montreal. He agrees to coach the three boys under strict conditions that thwart Billy's growing attraction for his mature but compelling mentor. The lean, graceful frontrunner with gold-rim glasses sees directly into Harlan's heart. Billy's gentle and open acceptance of his sexuality makes Harlan afraid to confront either the pain of his past, or the challenges which lay in wait if their intimacy is exposed. But when Coach Brown finds himself falling in love with his most gifted athlete, he must combat his true feelings for Billy or risk the outrage of the entire sports world - and their only chance at Olympic gold.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    The book's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality. Lyrical and poignant, with powerful evocations of shame and yearning, this is an American literary treasure.

    As Noone's friendship with the dying boy grows, he feels he can unlock his innermost feelings. But troubling questions arise, and he is forced to confront all his relationships - familial, romantic and erotic.

    In an example of art echoing life, Tony landed a job as production assistant for the syndicated TV show Darkest Night, a series about a vampire detective. And except for his unrequited crush on the show's handsome costar, Lee Nicholas, Tony was pretty content.Until everything started to fall apart on the set.It began with shadows­­--shadows where they didn't belong, that almost had an existence of their own. Tony tried to ignore it--until he found Nikki Waugh's body, and felt the shadow's touch, and a stunt crash went wrong for no discernible reason--and Tony knew that he had to find out what was threatening everyone on the set.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    He has a crappy job at Food World, a "boyfriend" who won't publicly acknowledge his existence (maybe because Pablo also has a girlfriend), and parents on the verge of a divorce. College is Dade's shining beacon of possibility, a horizon to keep him from floating away. Then he meets the mysterious Alex Kincaid. Falling in real love finally lets Dade come out of the closet - and, ironically, ignites a ruthless passion in Pablo. But just when true happiness has set in, tragedy shatters the dreamy curtain of summer, and Dade will use every ounce of strength he's gained to break from his past and start fresh with the future.

    The gay son of a wealthy family has disappeared. Now it's up to private dick Don Strachey to get to the bottom of this mess--even if he has to cruise every gay bar in the city to do it Don Strachey isn't exactly the most sought-after private eye in Albany, New York. In fact, this gay P.I. has gotten to the point of having to write checks to pay his tab at the cheapest lunch counter in town. And he isn't sure that the latest one, for the grand total of two dollars and ninety-three cents, is going to clear. Then the phone rings. Billy Blount, the gay heir to one of Saratoga Springs' upper-crust families, has disappeared, and his parents want him back. On top of that, Billy, a young and outspoken gay activist, is wanted for the grisly murder of the man he slept with on his last night in Albany--a man he'd never met before that night Set in the glorious, promiscuous pre-HIV late 1970s, Death Trick: A Murder Mystery is a fast-paced excursion through the seamy underside of gay Albany. From gay discos where the hard-pumping music never stops, to the city's infamous baths, to the dark alley behind the local precinct house, this hard-bitten private dick searches for answers to the questions that plague Billy's parents and the police. With his faithful companion (and unfaithful lover) Timmy, plus a cast of characters that includes drag queens, ex-jock gay bar owners, homophobic cops, male hustlers, and wealthy suburbanites, Strachey begins a chase that leads him to seedy gay bars, posh suburban homes, and pricey mental institutions where they use electric shock to destroy "sick" gay tendencies.

    Inheriting his uncle’s chaotic second-hand bookshop is a blessing...until strange visitors start making threats. First a criminal gang, then the War Office, both telling Will to give them the information they want, or else. Will has no idea what that information is, and nobody to turn to, until Kim Secretan—charming, cultured, oddly attractive—steps in to offer help. As Kim and Will try to find answers and outrun trouble, mutual desire grows along with the danger. And then Will discovers the truth about Kim. His identity, his past, his real intentions. Enraged and betrayed, Will never wants to see him again. But Will possesses knowledge that could cost thousands of lives. Enemies are closing in on him from all sides—and Kim is the only man who can help.A 1920s m/m romance trilogy in the spirit of Golden Age pulp fiction.

    Between alcohol-infused lectures about her self-sacrifice and awkward visits with his distant father, Davy's only comfort is his beloved dachshund Fred. Things start to look up when he and a boy from school become friends. But when their relationship takes an unexpected turn, Davy struggles to understand what happened and what it might mean.

    But Tommy's dreams, and talent, fly higher, up in the rigging with the trapeze. When rising star Mario Santelli offers him flying lessons, it looks like the start of wonderful new life, and to Tommy's surprise, his relationship with Mario deepens even as his skill soars in the rigging. But life in the 1940s forces them to keep their love a secret, and the stress pushes both Tommy and Mario to a precipice. And as Mario flies higher and higher, Tommy begins to wonder if it will always be his role to catch Mario as he falls.A tremendously moving tale, a rich family saga, a wise and compassionate portrait of a special love in a cruel world.

    A burnt-out public defender battling alcoholism, Rios has reached a crossroads in his life. While interviewing Paris in jail, Rios goes through the motions, but notices that Paris is far more polished and well-off than the usual drug suspects. Paris is mysteriously bailed out—but a few weeks later, he turns up on Rios’s doorstep. Skittish and paranoid, he admits to using heroin and says he’s afraid that his wealthy grandfather wants to murder him.Rios tries to help Paris get clean, but when Paris is found dead of an apparent heroin overdose, Rios is the only one who considers foul play. Determined to find Paris’s killer, Rios knocks on San Francisco’s most gilded doors, where he discovers a family tainted by jealousy, greed, and hate. They’ve been warped by a fortune someone’s willing to kill—and kill again—to possess.At once an atmospheric noir mystery and a scathing indictment of a legal system caught in the maws of escalating corruption, The Little Death chronicles one man’s struggle to achieve true justice for all.

    He is also a man with a brutal past and a dangerous addiction. And Belimai Sykes is the only man Captain William Harper can turn to when faced with a series of grisly murders.But Mr. Sykes does not work for free and the price of Belimai's company will cost Captain Harper far more than his reputation. From the ornate mansions of noblemen, where vivisection and sorcery are hidden beneath a veneer of gold, to the steaming slums of Hells Below, Captain Harper must fight for justice and for his life.His enemies are many and his only ally is a devil he knows too well. Such are the dangers of dealing with the wicked.

    When entertainer Fox Olson's car plunges off a bridge in a storm, a death claim is filed, but where is Olson's body? As Brandstetter questions family, fans, and detractors, he grows certain Olson is still alive and that Dave must find him before the would-be killer does. Suspenseful and wry, shrewd and deeply felt, Fadeout remains as fresh today as when it startled readers more than thirty years ago.

    Jonah Keller moved to New York City with dreams of becoming a successful playwright, but, for the time being, lives in a rundown sublet in Bushwick, working extra hours at a restaurant only to barely make rent. When he stumbles upon a photo of Richard Shriver—the glamorous Pulitzer Prize–winning playwright and quite possibly the stepping stone to the fame he craves—Jonah orchestrates their meeting. The two begin a hungry, passionate affair. When summer arrives, Richard invites his young lover for a spell at his sprawling estate in the Hamptons. A tall iron fence surrounds the idyllic compound where Richard and a few of his close artist friends entertain, have lavish dinners, and—Jonah can’t help but notice—employ a waitstaff of young, attractive gay men, many of whom sport ugly bruises. Soon, Jonah is cast out of Richard’s good graces and a sinister underlay begins to emerge. As a series of transgressions lead inexorably to a violent climax, Jonah hurtles toward a decisive revenge that will shape the rest of his life. Riveting, unpredictable, and compulsively readable, Yes, Daddy is an exploration of class, power dynamics, and the nuances of victimhood and complicity. It burns with weight and clarity—and offers hope that stories may hold the key to our healing.