Her desire to provide a secure future for her child has led her to accept a proposal of marriage from Isaac, a man twice her age. In her heart, she knows that Isaac lacks the fire and zest for life that defines Abby, but her son will be cared for. Can she be happy with only that? Despite her reservations, Abby joins her fiancé on the journey to the Endowment House in Salt Lake City, unprepared for the challenges that begin soon after they embark. When their trouble turns dangerous, it is a group of rough frontiersmen that come to their aid. The incident provides Abby the excuse she needs to turn back and postpone the wedding—and in truth, she simply can’t forget the connection she felt with Scooter, the leader of their rescuers. But as hostilities arise between the local Indians and the white frontiersmen, Abby’s focus turns again to the safety of her son. When the young boy disappears following an attack, Abby disregards propriety and turns not to her fiancé for help, but to Scooter. In the face of unimaginable odds, the pair embarks on a quest to find Abby’s son, a journey that will test their courage and faith as never before . . .

    Elias is a Christian Arab living on the eastern side of the newly divided city, and Lila is a Jew living on the western side. A growing conflict between their cultures casts a heavy shadow over the region and their burgeoning relationship. Between them lie not only a wall of stone and barbed wire but also the bitter enmity of two nations at war.Told in the voice of Elias as he looks back upon the long years of his life, About the Night is a timely story of how hope can nourish us, loss can devastate us, and love can carry us beyond the boundaries that hold human beings apart.

    As the girls and boys gather, we are introduced to Lily, an evacuee unclaimed by her family at the end of the war; to Judy, taught independence by her war widow mother; for Katie, the product of a marriage between a drunken, violent father and a coward, beaten mother; and for the spoiled, willful Helen. It is an evening that fuels jealousies and sows the seeds for friendships, confidences, and romance.

    His life is shattered but Morgan refuses to surrender, overcoming all obstacles to find unexpected contentment and happiness in the harsh early days of Australia's settlement.From England's shores to Botany Bay and the rugged frontier of a hostile new world, Morgan's Run is the epic tale of love lost and found, and the man whose strength and character helped settle a country and define its future.Cover Artist: Tom Hallman

    . . Thirteen year old Ephraim Wright suffers the depredations of war along with the white family who reared him. Raised with the family since he was two years old, he is never once required to call Jonathan Wright, his benevolent owner, "master." His speech, manners and outlook on life are more akin to his white "siblings than the other slaves in the community who chide him for being a "pet" and "talkin' like white folk." He is stranded between two worlds; that of free whites, and of enslaved blacks. His life is irreversibly changed when Confederate conscript officers take the family's oldest son at gun point and a bushwhacker gang guns down Jonathan Wright. The law forbids a slave to touch a firearm, because a “negro with a gun is a nervous thing to white folks.” But where his family is concerned, Ep is never one to care about what the slave laws say. By seeking to send men to hell, will Ephraim send himself there as well?Advance Praise for The Secret of Wattensaw BayouWhile reading the book my feelings of anger and resentment toward the institution of slavery and those who fought to protect such rights were sometimes overwhelming and required me to take a deep breath. Nevertheless, the story from a historical perspective, although it was a work of fiction, was masterly woven and I found myself with the urge to continue reading. . . The book is well written and the author provides a fascinating glimpse into the everyday existence of many Southern families during the Civil War. Commander Harold Barnes (US Navy, retired)

    It’s 1976, and while the country prepares to celebrate the bicentennial, Daniel Truitt’s family is falling apart. His father, Pete, has been fired from yet another teaching job, and his mother, Valerie, is one step away from leaving for good. But when Pete lucks into a crumbling mansion in the nation’s capital, he makes a bold plan to start a school under his own roof where students and teachers will be equals. Replete with the wry humor, human insight, and cultural resonance that characterizes Shreve’s critically acclaimed fiction, When the White House Was Ours will be a joy to anyone whose family has lived through an idealistic time and ended up in an era of compromise.

     Sasha Ozerovsky is a young expert in Russian art at Leighton's, an exclusive Manhattan auction house. When a dealer arrives from Moscow with an exquisite 1913 Fabergé figurine, Sasha immediately recognizes a rare masterpiece. But in the high stakes art world, the price of an object is tied to its history. If Sasha can determine for whom the bejeweled piece was made and where it has been hiding for the past century, its value -- and Sasha's career -- will soar. But as Sasha moves between New York's high society and Russia's new rich, he discovers that the piece once belonged to his family, and he must face questions about their past that he never dared to ask. Superbly plotted and evoking the elegance of Russia's gilded age, Object of Virtue is an enthralling tale that explores what happens to a family torn between vanity and virtue.

    But Sackett has a powerful enemy: Rupert Genester, nephew of an earl, wants him dead. A battlefield promise made to Sackett’s father threatens Genester’s inheritance. So on the eve of his departure for America, Sackett is attacked and thrown into the hold of a pirate ship. Genester’s orders are for him to disappear into the waters of the Atlantic. But after managing to escape, Sackett makes his way to the Carolina coast. He sees in the raw, abundant land the promise of a bright future. But before that dream can be realized, he must first return to England and discover the secret of his father’s legacy.

    They ask him if he's okay. But he doesn't know. He doesn't know the answer to any of their questions - not even his name. Isabel takes him to the hospital she works at, but when the tests show there's nothing physically wrong, she realises she can't walk away. She promised River that they would help this man, but with no way to identify him, Isabel worries about what secrets his memory loss might be hiding. Can they trust him? ? Virginia Macgregor, 2018 (p) Oakhill, 2019

    A masterpiece of old-fashioned storytelling that vividly evokes one woman's remarkable life and her struggle to make peace with the past. Reading tour.

    Stella’s childhood is full of strange, life-threatening incidents—moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted.In her rugged Italian village, Stella is considered an oddity—beautiful and smart, insolent and cold. Stella uses her peculiar toughness to protect her slower, plainer baby sister Tina from life’s harshest realities. But she also provokes the ire of her father Antonio: a man who demands subservience from women and whose greatest gift to his family is his absence.When the Fortunas emigrate to America on the cusp of World War II, Stella and Tina must come of age side-by-side in a hostile new world with strict expectations for each of them. Soon Stella learns that her survival is worthless without the one thing her family will deny her at any cost: her independence.In present-day Connecticut, one family member tells this heartrending story, determined to understand the persisting rift between the now-elderly Stella and Tina. A richly told debut, The Seven or Eight Deaths of Stella Fortuna is a tale of family transgressions as ancient and twisted as the olive branch that could heal them.

    It is 1904. When Frederick and Jette must flee her disapproving mother, where better to go than America, the land of the new? Originally set to board a boat to New York, at the last minute, they take one destined for New Orleans instead ("What's the difference? They're both new"), and later find themselves, more by chance than by design, in the small town of Beatrice, Missouri. Not speaking a word of English, they embark on their new life together. Beatrice is populated with unforgettable characters: a jazz trumpeter from the Big Easy who cooks a mean gumbo, a teenage boy trapped in the body of a giant, a pretty schoolteacher who helps the young men in town learn about a lot more than just music, a minister who believes he has witnessed the Second Coming of Christ, and a malevolent, bicycle-riding dwarf. A Good American is narrated by Frederick and Jette's grandson, James, who, in telling his ancestors' story, comes to realize he doesn't know his own story at all. From bare-knuckle prizefighting and Prohibition to sweet barbershop harmonies, the Kennedy assassination, and beyond, James's family is caught up in the sweep of history. Each new generation discovers afresh what it means to be an American. And, in the process, Frederick and Jette's progeny sometimes discover more about themselves than they had bargained for. Poignant, funny, and heartbreaking, A Good American is a novel about being an outsider - in your country, in your hometown, and sometimes even in your own family. It is a universal story about our search for home.

    Louis Auchincloss has been called "our most astute observer of moral paradox among the affluent" (Arthur Schlesinger, Jr.), his fiction described as that which "has always examined what makes life worth living" (Washington Post Book World). Now he brings us the rollicking tale of an unforgettable woman of mid-twentieth century America: the devilish, forever plotting, yet wholly beguiling Clara Hoyt. A romantic early in life, Clara gets engaged -- much to her mother's horror -- to the lackluster Bobbie Lester. Soon after her Vassar graduation, however, Clara sees the error of her ways, spurns Bobbie, and slyly enthralls the well-bred and fabulously wealthy Trevor Hoyt, the first of her husbands. Soon she lands a job at a tony magazine, and so begins her wildly entertaining course to the inner sanctum of New York's aristocracy and into the boardrooms of the publishing world.In a world where women still had to wield the weapons of allure and charm, above all else, to secure positions of power, Clara, one of the last of her kind, succeeds marvelously. Auchincloss gives us, in Clara, an irresistible Cleopatra, lovely, wily, and mercurial. As Shakespeare wrote of that feminine creation, "Age cannot wither her, nor custom stale / Her infinite variety."

    

    In 1946, two brothers and a Jewish girl fall into alignment in pogrom-poised Moscow. The fraternal conflict then marinates in Norlag, a slave-labor camp above the Arctic Circle, where a tryst in the coveted House of Meetings will haunt all three lovers long after the brothers are released. And for the narrator, the sole survivor, the reverberations continue into the new century. Harrowing, endlessly surprising, epic in breadth yet intensely intimate, "House of Meetings" reveals once again that "Amis is a stone-solid genius . . . a dazzling star of wit and insight" ("The Wall Street Journal").