Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    

    Born in the village of Skhvitori (Imereti region of western Georgia) on June 9, 1840, to a prominent Georgian aristocratic family; his father was Prince Rostom Tsereteli. Following an old family tradition, Akaki Tsereteli spent his childhood years living with a peasant’s family in the village of Savane. He was brought up by peasant nannies, all of which made him feel empathy for the peasants’ life in Georgia. He graduated from the Kutaisi Gymnasium in 1852 and the University of Saint Petersburg Faculty of Oriental Languages in 1863. The young adult generation of Georgians during the 1860s, led by Chavchavdze and Tsereteli, protested against the Tsarist regime and campaigned for cultural revival and self-determination of the Georgians. He is an author of hundreds of patriotic, historical, lyrical and satiric poems, also humoristic stories and autobiographic novel. Akaki Tsereteli was also active in educational, journalistic and theatrical activities.

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    A poor African American boy and his mother experience both discrimination and kindness during a trip to town to see the dentist.

    The stories he has chosen, all written between the end of the last century and the 1950s, illustrate his meaning and demonstrate how the style and approach of these writers changed in response, not only to the demands of a developing aesthetic, but also to the social and political conditions of their day. The volume represents the finest writers of their time with their best work, revealing the variety of styles and approaches within the genre, and ranging from the folk tale to the romance, and from the symbolic to the naturalistic. It contains selections by George Moore, Somerville and Ross, Daniel Corkery, James Joyce, James Stephens, Liam O'Flaherty, L.A.G. Strong, Se�n O'Faol�in, Frank O'Connor, Eric Cross, Michael McLaverty, Bryan MacMahon, Mary Lavin, James Plunkett, and Elizabeth Bowen.

    The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk—and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford’s.In the tradition of the work of great fiction writers like Steinbeck, O’Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

    Accessible language and carefully controlled vocabulary build students' reading confidence. Introductions at the beginning of each story, illustrations throughout, and glossaries help build comprehension. Before, during, and after reading activities included in the back of each book strengthen student comprehension. Audio versions of selected titles provide great models of intonation and pronunciation of difficult words.

    Then the tragic day arrives on which the terrible true nature of the beast is revealed.

    Now, a familiar posse runs the town called Marigold and its mining community with their sharp and newly deputized claws. After finding out that this shot of evil has infected her life again and now rules everyone still left on the mountain, she quickly begins to search for the root source of its existence, before it poisons the people and the land itself forever.

    The name indicates that this is a set of stories having it's own fragrance.

    Santos has presented what may well be the essence of those years - the loneliness and hunger of a people who were almost all of them hurt and broken to the bone. But for an ideal, which Santos so eloquently dramatizes in this book, they would have lost their very souls. In this sense YOU LOVELY PEOPLE is a document and at once a portrait of the Filipino heart.

    

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    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.