Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority. This version of the play is the famous one that was brought to completion by Brecht himself, working with Charles Laughton, who played Galileo in the first two American productions (Hollywood and New York, 1947). Since then the play has become a classic in the world repertoire. "The play which most strongly stamped on my mind a sense of Brecht's great stature as an artist of the modern theatre was Galileo." - Harold Clurman; "Thoughtful and profoundly sensitive." - Newsweek.

    There are the Ruttledges, who came from London in search of a different life on the edge of the village lake; John Quinn, who will stop at nothing to ensure a flow of women through his life; Jimmy Joe McKiernan, head of the local IRA as well as town auctioneer and undertaker; the gentle Jamesie and his wife, Mary, who have never left the lake and who know about everything that ever stirred or moved there; Patrick Ryan, the builder who never quite finishes what he starts; Bill Evans, the farmhand whose orphaned childhood was marked with state-sanctioned cruelties and whose adulthood is marked by the scars; and the wealthiest man in town, known as the Shah. A year in the lives of these and other characters unfolds through the richly observed rituals of work and play, of religious observance and annual festivals, and the details of the changing seasons, of the cycles of birth and death. With deceptive simplicity and eloquence, the author reveals the fundamental workings of human nature as it encounters the extraordinary trials and pleasures, terrors and beauty, of ordinary life.By the Lake is John McGahern’s most ambitious, generous, and superbly realized novel yet.(above copied from amazon.com)

    As the nameless writer confronts his fears, he goes on with his life in one of the most original and provocative works from a contemporary writer.

    This literary rendering of the life of Jesus Christ has courted controversy since its publication by depicting a Christ far more human than the one seen in the Bible. He is a figure who is gloriously divine but earthy and human, a man like any other—subject to fear, doubt, and pain. In elegant, thoughtful prose Nikos Kazantzakis, one of the greats of modern literature, follows this Jesus as he struggles to live out God’s will for him, powerfully suggesting that it was Christ’s ultimate triumph over his flawed humanity, when he gave up the temptation to run from the cross and willingly laid down his life for mankind, that truly made him the venerable redeemer of men. “Spiritual dynamite.” —San Francisco Chronicle “A searing, soaring, shocking novel.” —Time

    In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to Helene’s childhood with her sister Martha in rural Germany, which came to an abrupt end with the outbreak of the First World War. Their father is sent to the eastern front, and their Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. In the early 1920s, after their father's death, Helene and Martha move to Berlin, where Helene falls in love with a philosophy student named Carl, and finds a place for herself for the first time. But when Carl dies just before their engagement, life becomes largely meaningless for her, and she takes refuge in her work as a nurse. At a party Helene meets an ambitious civil engineer who wants to build motorways for the Reich and make Helene his wife. Their marriage proves disastrous, but produces a son, and Helene soon finds the love demanded by the little boy more than she can provide. Julia Franck’s unforgettable English language debut throws new light on life in early-twentieth-century Germany, revealing the breathtaking scope of its citizens’ denial—the “blindness of the heart” that survival often demanded. The reader, however, brings his or her own historical perspective to bear on the events unfolding, and the result is a disturbing and compulsive reading experience about a country ravaged from the inside out.

    His feverish and singular pursuit of this goal has come to define his life. Now an old man, he is looked on with suspicion and shame by his family-until his ambitious young nephew intervenes.Seeking to understand his uncle's mysterious mind, the narrator of this novel unravels his story, a dramatic tale set against a tableau of brilliant historical figures-among them G. H. Hardy, the self-taught Indian genius Srinivasa Ramanujan, and a young Kurt Gödel. Meanwhile, as Petros recounts his own life's work, a bond is formed between uncle and nephew, pulling each one deeper into mathematical obsession, and risking both of their sanity.

    It provides a vivid, poignant picture of life in Germany just before Hitler's takeover and focuses on a young married couple struggling to survive in the country's nightmarish inflation.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    Written in a French style that long defied successful translation - Cocteau was always a poet no matter what he was writing - the book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

    His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.

    Leskov deftly layers social satire and subtle criticism atop myth and fable, resulting in a richly entertaining collection.

    Now he is an insurance agent on the fast track to forty. He gains a new lease on life, though, when he falls for the young and gorgeous Angiolina - except that his angel just happens to be an unapologetic cheat. But what begins as a comedy of infatuated misunderstanding turns darker, as Emilio's jealous persistence in his folly - against his friends' and devoted sister's advice, and even his own best knowledge - may lead to severe consequences in his other relationships. Marked by deep humanity and earthy humor, by psychological insight and an elegant simplicity of style, As a Man Grows Older (Senilità, in Italian; the English title was the suggestion of Svevo's great friend and admirer, James Joyce) is a brilliant study of hopeless love and hapless indecision. It is a masterwork of Italian literature, here beautifully rendered into English in Beryl de Zoete's classic translation.

    In this gripping novel, based on a true story, he reveals the extraordinary lives of the Russian, Polish and Jewish partisans trapped behind enemy lines during the Second World War. Wracked by fear, hunger and fierce rivalries, they link up, fall apart, struggle to stay alive, and to sabotage the efforts of the all-powerful German army. A compelling tale of action, resistance and epic adventure, it also reveals Levi's characteristic compassion and deep insight into the moral dilemmas of total war. It ranks alongside THE PERIOD TABLE and IF THIS IS A MAN as one of the rare authentic masterpieces of the 20th century.

    Wodehouse's house parties, the chaos might resemble the nightmarishly funny goings-on in this novel by the author of London Fields. The residents of Appleseed Rectory have primed themselves both for a visit from a triad of Americans and a weekend of copious drug taking and sexual gymnastics. There's even a heifer to be slugged and a pair of doddering tenants to be ingeniously harassed. But none of these variously bright and dull young things has counted on the intrusion of "dead babies" — dreary spasms of reality. Or on the uninvited presence of a mysterious prankster named Johnny, whose sinister idea of fun makes theirs look like a game of backgammon.

    After shooting his brother's killer, young Gjorg is entitled to thirty days' grace - not enough to see out the month of April.Then a visiting honeymoon couple cross the path of the fugitive. The bride's heart goes out to Gjorg, and even these 'civilised' strangers from the city risk becoming embroiled in the fatal mechanism of vendetta.