Raised in liberal Ashland, Oregon, by parents who were Jewish by birth but dismissive of strict dogma, Daveed Gartenstein-Ross yearned for a religion that would suit all his ideals. At college in the late nineties he met a charismatic Muslim student who grounded his political activism with thoughtful religious conviction. Gartenstein-Ross reflects on his experience of converting to Islam—a process that began with a desire to connect with both a religious community and a spiritual practice, and eventually led him to sympathize with the most extreme interpretations of the faith, with the most radical political implications. In the year following graduation, Gartenstein-Ross went to work for the al-Haramain Islamic Foundation, a charity dedicated to fostering Wahhabism, Saudi Arabia's austere form of Islam—a theological inspiration for many terrorist groups, including al-Qaeda. Shortly after he left al-Haramain—when his own fanaticism had waned—the foundation was charged by the U.S. government as being a source of funds for terrorist organizations. Gartenstein-Ross, by this time a lawyer at a prominent firm, volunteered to be questioned by the FBI. They already knew who he was. The story of how a good faith can be distorted and a decent soul can be seduced away from its principles, My Year Inside Radical Islam provides a rare glimpse into the personal interface between religion and politics.

    We all want it, they've got it -- witches, warlocks, sorcerers, necromancers, those who peer beneath the veil of mundane reality and put their hands on the levers that move the universe. They see the future in a sheet of glass, summon fantastic beasts, and transform lead into gold... or you into a frog. From Gandalf to Harry Potter to the Last Airbender, wizardry has never been more exciting and popular. Enter a world where anything is possible, where imagination becomes reality. Experience the thrill of power, the way of the wizard. Now acclaimed editor John Joseph Adams (The Living Dead) brings you thirty-two of the most spellbinding tales ever written, by some of today's most magical talents, including Neil Gaiman, Simon R. Green, and George R. R. Martin.

    This work features ten stories from the 'Tales of a Thousand and One Nights' including the well-known ones of 'Aladdin and the Lamp', 'Ali Baba and the forty thieves', and 'Sinbad the Sailor'.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    Status: Civilian. Paranormal skills: Powerful. Able to manipulate AS energies and communicate with UBEs (e.g. "ghosts" and other entities). Psychological profile: Extremely independent, potentially dangerous. Caution is urged....As far as Gabriel Bleak is concerned, talking to the dead is just another way of making a living. It gives him the competitive edge to survive as a bounty hunter, or "skip tracer," in the psychic minefield known as New York City. Unfortunately, his gift also makes him a prime target. A top-secret division of Homeland Security has been monitoring the recent emergence of human supernaturals, with Gabriel Bleak being the strongest on record. If they control Gabriel, they'll gain access to the Hidden -- the entity-based energy field that connects all life on Earth. But Gabriel's got other ideas. With a growing underground movement called the Shadow Community -- and an uneasy alliance of spirits, elementals, and other beings -- Gabriel's about to face the greatest demonic uprising since the Dark Ages. But this time, history is not going to repeat itself. This time, the future is Bleak. Gabriel Bleak.

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    This is a collection of Scottish fairy tales, folk tales and legends, which have been passed on from generation to generation, and have been brought together in this one volume.

    He provides an extraordinary mediation upon the nature of place, time and our daily lives.

    But if this is a computer-generated world, then how can he reconcile the complexity of its inhabitants, people capable of frustration, joy, and pain? Are they simulations, or something more? And what about the abilities which allow him to create or control whatever he wishes? Is he a god, as the people of Vrin believe? Grappling with his new-found powers, haunted by a conversation with scientists on the outside, and stalked by a mad god, Tardin must unravel an impossible mystery—to save a world that is not his own.

    and selkies and griffins and maybe even a mermaid or two. Twenty fantasy authors band together to bring you a collection of thrilling tales and magical monsters. Do you like to slay dragons? Or befriend them? Do you prefer to meet cephalopods as gigantic kraken or adorable tree octopuses? Each story focuses around a fantastic creature from folklore or mythology, and they range from light and playful tales for the whole family to darker stories that may make you wish to leave the lights on. These stories carry the Fellowship of Fantasy seal of approval. While our monsters may be horrifying, you won't stumble into graphic sex and constant swearing. Perfect for the fantasy lover who can't get enough of mythical beasts.

    A handful of Messengers brave the night between the increasingly isolated populace behind protective wards. Arlen Bales will search anywhere, dare anything, to save the world. Maybe Abban, a merchant in the Great Bazaar of Krasia who purports to sell anything, has the answer.

    It is an indispensable guide to the depth and power of the Shia–Sunni split.

    INCLUDED DELETED BONUS SCENES AND ALICE HU'S RED QUEEN'S REVENGE CUPCAKE RECIPE!Her Mad Hatter: Alice is all grown up. Running the Mad Hatter's Cupcakery and Tea Shoppe is a delicious job, until fate--and a fairy godmother with a weakness for bad boys--throws her a curveball. Now, Alice is the newest resident of Wonderland, where the Mad Hatter fuels her fantasies and thrills her body with his dark touch. The Mad Hatter may have a voice and a body made for sex, but he takes no lovers. Ever. But a determined fairy godmother has forced Alice into Wonderland--and his arms. Now, as desire and madness converge, the Hatter must decide if he will fight the fairy godmother's mating--or fight for Alice. Gerard's Beauty: A not so classic retelling of Beauty and the Beast, as seen through the eyes of the villain... Betty Hart has had it with men. Jilted in love, her life now consists of shelving books by day, watching too much Anime by night, and occasionally dressing up like a superhero on the weekends with her fellow ?Bleeding Heart? nerds. Men are not welcome and very much unwanted. Especially the sexy Frenchman who saunters into her library reeking of alcohol and looking like he went one too many rounds in the ring. Gerard Caron is in trouble. Again. Caught with his pants down (literally) he?s forced to seek asylum on Earth while his fairy godmother tries to keep Prince Charming from going all ?Off with his head?. Maybe, messing around with the King?s daughter hadn?t been such a great idea after all, not that Gerard knew the silly redhead was a princess. But his fairy godmother knows the only way to save his life is to finally pair Gerard with his perfect mate, whether he?s willing or not. From the moment Gerard lays eyes on the nerdy librarian he knows he must have her, but Betty is unlike any woman he?s ever known. He thought Betty would come as willingly to his bed as every other woman before her, but she is a woman who demands respect and even? horror of all horrors? love. Is it possible for a self-proclaimed Casanova to change his ways? Red and Her Wolf: Long ago there lived a beautiful child. Her name was Violet. Fair of skin, with blonde hair and large blue eyes. Born of wild magic, she was a woman with a child?s heart. Innocent and lovely, but not at all what she seemed--you see Violet went by another name: The Heartsong. She was the child of fairy magic, the physical manifestation of all fae kinds unbridled power. Cosseted and pampered, she grew up in isolation, never knowing who she really was, or why there were those who?d seek to harm her. Ewan of the Blackfoot Clan is a wolf with a problem. He?s been sent to kill the Heartsong, but the moment he lays eyes on the blonde beauty he knows he?ll defy the evil fae he works for to claim Violet as his own. This is the tale of Little Red Riding Hood and the Big Bad Wolf, as it really happened...

    Through the ages and around the world, the Green Man and other nature spirits have appeared in stories, songs, and artwork, as well as many beloved fantasy novels, including Tolkien's Lord of the Rings. Now Ellen Datlow and Terri Windling, the acclaimed editors of over thirty anthologies, have gathered some of today's finest writers of magical fiction to interpret the spirits of nature in short stories and poetry. Folklorist and artist Charles Vess brings his stellar eye and brush to the decorations, and Windling provides an introduction exploring Green Man symbolism and forest myth. The Green Man is required reading, not only for fans of fantasy fiction but for those interested in mythology and the mysteries of the wilderness.

    Assembling an array of talent, this collection includes contributions from visionaries Michael Moorcock and China Miéville, modern icon Clive Barker, and audacious new talents Hal Duncan, Jeffrey Ford, and Sarah Monette. An essential snapshot of a vibrant movement in popular fiction, this anthology also features critical writings from authors, theorists, and international editors as well as witty selections from online debates.ContentsIntroduction: The New Weird: “It’s Alice?” by Jeff VanderMeer“The Gutter Sees the Light That Never Shines” by Alistair Rennie“Watson’s Boy” by Brian Evenson“Cornflowers Beside the Unuttered” by Cat Rambo“Jack” by China Miéville“In the Hills, the Cities” by Clive Barker“Forfend the Heaven’s Rending” by Conrad Williams“Locust-Mind” by Daniel Abraham“Tracking Phantoms” by Darja Malcolm-Clarke“Constable Chalch and the Ten Thousand Heroes” by Felix Gilman“The Lizard of Ooze” by Jay Lake“Festival Lives: Preamble: An Essay” by Jeff VanderMeer and Ann VanderMeer“At Reparata” by Jeffrey Ford“Immolation” by Jeffrey Thomas“The Art of Dying” by Darja Malcolm-Clarke“Whose Words You Wear” by K. J. Bishop“The Neglected Garden” by Kathy Koja“Letters from Tainaron” by Leena Krohn“The Luck in the Head” by M. John Harrison“Crossing Cambodia” by Michael Moorcock“Death in a Dirty Dhorti” by Paul Di Filippo“All God’s Chillun Got Wings” by Sarah Monette“The Braining of Mother Lamprey” by Simon D. Ings“The Ride of the Gabbleratchet” by Steph Swainston“A Soft Voice Whispers Nothing” by Thomas Ligotti“European Editor Perspectives on the New Weird: An Essay” by Martin Šust, Michael Haulica, Hannes Riffel, Jukka Halme, Konrad Walewski“The New Weird: I Think We’re the Scene” by Michael Cisco“New Weird Discussions: The Creation of a Term” by various authors